July 14, 1997
Contact:
Yvonne French (202) 707-9191
Earliest American Photographic Portrait Is Featured in "Treasures" Exhibition at the Library of Congress
The earliest surviving American photographic portrait
is featured in the "American Treasures of the Library of
Congress" exhibition, which opened May 1.
The slightly off-center self-portrait is by Robert
Cornelius, who took it in 1839 while standing in the yard
behind his family's store in Philadelphia. The
daguerreotype image is now on view with several other
important photographic works dating from the birth of
photography to the 20th century.
Introduced in 1839, the daguerreotype, or copper-plate
photograph, was the first commercially available
photographic process in the United States. It provided the
middle class with an opportunity to attain affordable
portraits. By May 1840, Cornelius and his partner, Dr. Paul
Beck Goddard, had opened a daguerreotype studio in
Philadelphia. Their improvements to the daguerreotype
process enabled them to make portraits in a matter of
seconds.
Also on view in the exhibition are the earliest-known
photographic portraits of Abraham Lincoln and his wife, Mary
Todd Lincoln. Photographer Nicholas Shepherd reportedly
made the daguerreotypes in Springfield, Illinois, in 1846 or
1847, soon after Lincoln won a seat in the House of
Representatives.
Examples of more modern photographic materials in the
exhibition include the photographs of Dorothea Lange. An
advocate for improved living conditions for migrant
laborers, Lange documented the causes of their problems,
incorporating their own words, when she captioned her
photographs in field notebooks.
Between 1935 and 1943, Lange and other important
photographers such as Gordon Parks, Walker Evans, and Jack
Delano produced the well-known photographic survey for the
Farm Security Administration (FSA). The collection came to
the Library as an Office of War Information transfer in the
1940s.
These and other important American photographic images
are now being exhibited in "American Treasures of the
Library of Congress," the first permanent exhibition of the
rarest and most significant American items in the history of
the world's largest library.
Other highlights in the rotating exhibition include the
earliest surviving book printed in North America, early
baseball cards, the contents of Lincoln's pockets on the
night of his assassination and Susan B. Anthony's personal
copy of the transcript of the trial resulting from her
arrest in 1872 for voting.
The exhibition, made possible by a grant of $1.1
million from the Xerox Foundation, is the centerpiece of a
yearlong celebration marking the official reopening during
its 100th anniversary of the Library's Thomas Jefferson
Building, after a 12-year, $81.5 million restoration.
Exhibition hours are Monday through Saturday, 10 a.m.
to 5 p.m. Free, same-day, timed-entry tickets are available
from 10 a.m. to 4:15 p.m. at the Visitors' Information Desk
in the Jefferson Building at 10 First St. S.E. Advance
tickets are available only from Ticketmaster for $2.75 plus
a $1.25 handling fee per order by calling (202) 432-SEAT in
Washington, (410) 481-SEAT in Baltimore and (703) 573-SEAT
in Virginia. Out-of-state callers may dial (800) 551-SEAT
toll-free. For a recorded announcement about the
exhibition, call (202) 707-3834. A selection of items from
the exhibition is also available on the Internet at
http://www.loc.gov/exhibits.
A list of images in the exhibition follows; duplicates
of some images are available by calling (202) 707-9191.
Photographs in "American Treasures of the Library of
Congress"
- The first extant American photographic
portrait, by Robert Cornelius, 1839 daguerreotype,
Self- portrait
- Dorothea Lange gelatin silver prints of
migrant workers from her California Field
Books, 1935 (two notebooks with captions)
- Ansel Adams gelatin silver print, Manzanar
Street Scene, 1943
- Toni Frissell gelatin silver print of the
Bouvier-Kennedy wedding, Sept. 12, 1953
- George Lawrence gelatin silver print,
Panorama of San Francisco After the Fire
and Earthquake, 1906
- Albumen print of Susan B. Anthony and
Elizabeth Cady Stanton, 1870s
- Danny Lyon photo from the "March on
Washington" in the "Southern Civil Rights
Movement Portfolio," 1962-1964
- Nicholas H. Shepherd quarter-plate
daguerreotypes of Abraham Lincoln and
Mary Todd Lincoln, circa 1846
- Alexander Gardner albumen silver print,
President Lincoln on Battlefield of Antietam,
1862
- Anonymous daguerreotypes of a traveling
salesman and railway workers
- Photograph of the band of the 3rd New
Hampshire Infantry at Hilton Head, South
Carolina, February 28, 1862
- Lewis Hine photograph of child laborers
in Report on Elk Cotton Mills, 1910, National
Child Labor Committee Collection
- A page from George Patton's personal
photographic album and bound World War II
diary
- Rembrandt Peale daguerreotype, South West
Gate Leading into Independence Square,
Philadelphia, circa 1845
- Carl Van Vechten photograph of Bessie Smith
- William P. Gottlieb gelatin silver print,
Duke Ellington, circa 1947 (signed photograph
taken in dressing room)
# # #
PR 97-118
7/14/97
ISSN 0731-3527