January 23, 1997
Contact: Helen Dalrymple (202) 707-1940
Public contact: Kevin LaVine (202) 707-3686
Koussevitzky Commissions Announced
The Serge Koussevitzky Music Foundation in the Library of
Congress and the Koussevitzky Music Foundation Inc. have awarded
commissions for new musical works to 11 composers. The
commissions are being granted jointly by the foundations and the
performing organizations that will present the newly composed
works.
Award winners and the groups co-sponsoring their commissions
are: Franco Donatoni and the Los Angeles Philharmonic; Robert
Helps and the Dunsmuir String Quartet; Donald Martino and the
Parnassus Contemporary Music Ensemble; David Rakowski and
Ensemble 21; Steve Reich and cellist Maya Beiser; Morris
Rosenzweig and the Abramyan String Quartet; Christopher Rouse and
the Chamber Music Society of Lincoln Center; Bright Sheng and the
Brooklyn Philharmonic Orchestra; Richard Wernick and the Mohawk
Trail Concerts; Richard Wilson and the American Symphony
Orchestra; and Charles Wuorinen and the Milwaukee and Berkeley
symphony orchestras.
The Serge Koussevitzky Music Foundation and the Koussevitzky
Music Foundation of New York, founded in 1950 and 1942,
respectively, perpetuate Koussevitzky's lifelong efforts to
encourage contemporary composers.
Serge Koussevitzky was appointed conductor of the Boston
Symphony Orchestra in 1924 and served in that post for 25 years.
He died in 1951. Works commissioned by him and the two
foundations include established masterpieces such as Benjamin
Britten's Peter Grimes and Bela Bartok's Concerto for Orchestra.
Commissions are awarded annually and on a competitive basis,
and are open to performing organizations or individuals and to
composers without regard to national origin or affiliation.
Groups must submit the name of a composer whose work they would
like to commission jointly with the foundations, and they must
undertake to perform the work within two years of its completion.
Manuscripts of commissioned works are deposited in the Music
Division of the Library of Congress.
The Los Angeles Philharmonic joins the foundations in
commissioning a new work from composer Franco Donatoni. Born in
1927 in Verona, Italy, Mr. Donatoni studied in Milan and Bologna
before enrolling at the Accademia Nazionale di Santa Cecilia in
Rome, where he was a pupil of Ildebrando Pizzetti. He has
received numerous honors, awards and commissions, including the
Lieges, Radio Luxembourg and ISCM prizes, and in 1968 he received
a Koussevitzky foundations commission for his Orts, for chamber
ensemble. Mr. Donatoni presently is a professor of composition
at the Accademia Nazionale di Santa Cecilia, the Accademia
Musicale Chigiana in Siena, as well as at professional academies
in Milan, Biella and Brescia.
A native of Passaic, N.J., composer Robert Helps was born in
1928. He studied at the Juilliard School of Music and was a
student of Roger Sessions. A pianist as well as a composer, Mr.
Helps is very active as both a soloist and chamber music pianist,
and he has been featured in recitals throughout the United
States. He is noted particularly for his interpretations of 20th
century piano repertoire, of which he has made several
recordings. Currently on the music faculty at the University of
South Florida, Mr. Helps is a recipient of awards in composition
from the National Endowment for the Arts, and from the
Guggenheim, Ford and Froom foundations, among many others. The
California-based Dunsmuir Piano Quartet join the Koussevitzky
Foundations in sponsoring Mr. Helps's new chamber work.
This marks the second Koussevitzky commission for composer
Donald Martino, whose Fantasies and Impromptus for piano solo was
completed in 1981. Mr. Martino was born in Plainfield, N.J. in
1931. He attended Syracuse and Princeton Universities and
studied composition with Ernst Bacon, Roger Sessions, Milton
Babbitt and Luigi Dallapiccola. Mr. Martino has served on the
music faculties of several institutions, including Princeton,
Yale, Brandeis and Harvard Universities. His many awards include
two Fulbright grants, three Guggenheim fellowships, the 1985
Kennedy Center Friedheim Competition, and a Naumburg Award, which
resulted in the composition of his Notturno (1973) and for which
he was awarded the 1974 Pulitzer Prize in music. Mr. Martino's
commission is awarded jointly by the foundations and the
Parnassus Contemporary Music Ensemble of New York.
The contemporary music group Ensemble 21 commissions with
the foundations a new chamber work from American composer David
Rakowski. Born in St. Albans, Vt., in 1958, Mr. Rakowski holds
degrees from the New England Conservatory of Music and Princeton
University; he has studied with Milton Babbitt and Luciano Berio.
He is the recipient of several awards and fellowships, including
those from the Guggenheim, Fromm and Rockefeller Foundations, the
National Endowment for the Arts, and from the American Academy in
Rome. Mr. Rakowski is currently a professor of music at Columbia
University. He is also a well-known creator of digital typefaces
for IBM and Macintosh computers, and he has written software for
computer-assisted ear training.
Composer Steve Reich is commissioned by the foundations and
cellist Maya Beiser, in conjunction with the Massachusetts
Institute of Technology, to create a work for cello soloist and
pre-recorded tape. Born in New York in 1936, Mr. Reich graduated
with honors in philosophy from Cornell University. He
subsequently studied composition with Hall Overton, with William
Bergsma and Vincent Persichetti at the Juilliard School of Music,
and with Darius Milhaud and Luciano Berio at Mills College. Mr.
Reich has also studied African drumming, Balinese gamelan music,
and the traditional chant of the Hebrew scriptures. The composer
has received numerous honors, such as a Fromm Foundation
commission, a Rockefeller Foundation grant, a Guggenheim
fellowship, and a previous commission from the Koussevitzky
Foundations for his Three Movements for Orchestra, completed in
1986.
The Abramyan String Quartet joins the foundations in
commissioning a new work from composer Morris Rosenzweig, a
faculty member at the University of Utah. Mr. Rosenzweig
studied at the Eastman School of Music, the University of
Pennsylvania, and Columbia University. He has received
fellowships from the MacDowell Colony and the Composers
Conference, as well as the McCurdy, Nietche, Rappoport and
International Horn Society awards in composition. Mr. Rosenzweig
conducts the Chamber Players of the League - ISCM in New York and
serves as guest conductor with many other ensembles.
Christopher Rouse's commission is awarded jointly by the
foundations and the Chamber Music Society of Lincoln Center for
the composition of a septet for winds and strings. Currently a
professor of composition at the Eastman School of Music, Mr.
Rouse's many honors include awards from the League of Composers -
ISCM, the National Endowment for the Arts, a Guggenheim
fellowship, the 1988 Kennedy Center Friedheim Award, and the 1993
Pulitzer Prize for music for his Trombone Concerto (1991). Born
in Baltimore in 1949, Mr. Rouse has received degrees from the
Oberlin Conservatory of Music and Cornell University, and he has
studied primarily with George Crumb, Karel Husa, Richard Hoffman
and Robert Palmer.
The Brooklyn Philharmonic Orchestra co-sponsors a new work
from composer Bright Sheng. Born in Shanghai in 1955, Mr. Sheng
spent seven years in Chinghai province, located near the Tibetan
border, performing and studying folk music of the region. He
moved to the United States in 1982 and subsequently attended
Queens College, the City University of New York, and Columbia
University. Among his teachers were Leonard Bernstein, Jack
Beeson, Chou Wen-Chung, George Perle and Hugo Weisgall. Mr.
Sheng has received honors from the National Endowment for the
Arts, and the Guggenheim, Rockefeller, Naumburg and Jerome
foundations, among others. Mr. Sheng has also served as
composer-in-residence at institutions such as the Lyric Opera of
Chicago, the Seattle Symphony Orchestra and the Santa Fe Chamber
Music Festival. In addition to composition, Mr. Sheng is active
as a pianist, lecturer and conductor throughout the United States
and abroad.
Richard Wernick, born in Boston in 1934, studied composition
with Irving Fine, Harold Shapero and Arthur Berger at Brandeis
University, and with Leon Kirchner at Mills College. He pursued
further study in composition with Boris Blacher and Aaron
Copland, and in conducting with Leonard Bernstein and Seymour
Lipkin. At the beginning of his career as a composer, Mr.
Wernick was very active in writing for theater, film and
television productions. Since that time, he has been a member of
the music faculties of the State University of New York at
Buffalo and the University of Chicago, and he presently teaches
at the University of Pennsylvania. Mr. Wernick has received a
Guggenheim Fellowship and grants from the Ford Foundation and the
National Institute of Arts and Letters. In 1977 he was awarded
the Pulitzer Prize in Music for his Visions of Terror and Wonder
(1976), for mezzo-soprano and orchestra. The Mohawk Trail
Concerts, based in Shelburne Falls, Mass., co-commissions Mr.
Wernick for the composition of an original work for violin, viola
and cello.
The American Symphony Orchestra joins the foundations in
sponsoring a new orchestral work from its composer-in-residence,
Richard Wilson. A native of Cleveland, Mr. Wilson attended
Harvard and Rutgers universities. Since 1966 he has been on the
music faculty of Vassar College. Mr. Wilson has received
numerous commissions and awards, including those from the
Naumburg Foundation, the Hinrichsen Award from the American
Academy of Arts and Letters, and a Guggenheim Fellowship. His
works are written for a wide range of musical genres, from
chamber works to opera, and they have been performed by musical
ensembles throughout the world. Mr. Wilson is also very active
as a lecturer and piano soloist.
In conjunction with the Milwaukee Symphony Orchestra and the
Berkeley Symphony Orchestra, the Koussevitzky Foundations have
awarded a third commission to Charles Wuorinen to compose a large
work for guitar and orchestra. Mr. Wuorinen was born in New York
in 1938, and studied composition with Otto Luening, Jack Beeson
and Vladimir Ussachevsky at Columbia University. He has served
as faculty member and visiting lecturer at institutions such as
the Manhattan School of Music, Columbia University, Princeton
University, the New England Conservatory of Music, the Berkshire
Music Center, and the universities of Iowa, South Florida, and
California. Mr. Wuorinen's many honors and grants include two
Guggenheim fellowships, four BMI awards, two Rockefeller
Foundation fellowships, and a Pulitzer Prize for his Time's
Encomium (1970), for orchestra and pre-recorded tape. Mr.
Wuorinen is also noted for his virtuosity as a pianist and
conductor. As a writer and lecturer, he is regarded as an
eloquent proponent of contemporary music. He has been actively
involved in the establishment of several musical organizations
such as the influential Group for Contemporary Music and the
American Composers Orchestra.
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PR 97-8
1/23/97
ISSN 0731-3527