HOME
What's New Subscribe to Our Web Site Newsletters Calendar of Events Recent Acquisitions Videos and Podcasts About the Gallery Jan Lievens: A Dutch Master Rediscovered Pompeii and the Roman Villa: Art and Culture around the Bay of Naples
Global Navigation Collection Exhibitions Planning a Visit Programs Online Tours Education Resources Gallery Shop Support the Gallery NGA Kids
National Gallery of Art - THE COLLECTION
image of Giuseppe Balsamo, Comte di Cagliostro
Jean-Antoine Houdon (artist)
French, 1741 - 1828
Giuseppe Balsamo, Comte di Cagliostro, 1786
marble
Overall (without base): 62.9 x 58.9 x 34.3 cm (24 3/4 x 23 3/16 x 13 1/2 in.) gross weight: 285 lb. (129.275 kg)
Samuel H. Kress Collection
1952.5.103
From the Tour: 18th- and 19th-Century France — Neoclassicism
Object 1 of 7

One of his contemporaries noted that Houdon, the most successful portrait sculptor of his day, "pushed truth to the bitter end." This bust captures the fleshy and disheveled scoundrel Cagliostro, who bilked the courts of Europe as an alchemist and mesmerizer. He was implicated in the notorious Affair of the Diamond Necklace, which galvanized public opinion against the French royal family when it appeared that Marie-Antoinette had purchased an extravagant necklace at a time of strained public finances. In fact, an ambitious dupe had made the purchase in hopes of currying the queen's favor. Cagliostro was suspected of acting as a go-between, and though no charges were proven, he was expelled from France in 1786, the same year this bust is dated. He died in a prison in Rome about fifteen years later, condemned by the pope as a heretic.

Cagliostro's spirited portrait contrasts with Houdon's cool and impersonal Diana. Cagliostro's eyes, for example, are drilled to indicate the pupil, whereas Diana's blank, undifferentiated gaze reveals neither spirit nor human emotion. Houdon copied Diana from his 1776 plaster model for a full-length statue, a practice he followed frequently.

Full Screen Image
Artist Information
Bibliography
Detail Images
Exhibition History
Inscription
Location
Provenance

«back to gallery»continue tour