From the opening pages of Thompson
Buchanan's novel The Castle Comedy, May Percy, daughter
of English aristocrat Sir John Percy, dominates a story of romantic
intrigue. Green's portrait of her, published as the book's frontispiece,
gives visible form to this central character, a spirited, dark-eyed
beauty whose vivid appearance enhances the reader's perceptions
about her.
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May Percy, 1904
Crayon and wash
Published in Thompson Buchanan.
The Castle Comedy.
New York and London: Harper
and Brothers, 1904
Prints & Photographs
Division
LC-USZ62-56033 ; LC-USZC4-9399 (11)
Gift of Mrs. Thomas B. Wells
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Aletha was not afraid of the
old graveyard, ca. 1909
Charcoal on board
Published in Harper's Weekly,
December 11, 1909
Prints & Photographs
Division
LC-USZ62-128614 ; LC-USZC4-9394 (1)
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Elizabeth Shippen Green was an
experienced artist who explored children's personalities in her
drawings. The story "Grizzle, His Wife," for which Green did this
illustration, describes a young girl's emotional attachment to
a graveyard, despite the common attitude that such places are
morbid. Green depicts Aletha not only at ease in the graveyard
but also open to experiencing the beauty of the place and wondering
about the lives of those buried there.
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A theme that Green treated often
was the connection between mother and child. Through the close
placement of the two figures in this scene, a woman and an orphan
girl, and the dramatic rendering of their facial expressions and
poses, Green suggests the multifaceted emotions that are experienced
when two individuals explore the meaning of "mother and daughter"
for the first time.
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Madame Joly in no wise resembled
the Madonna Botticelli in the Louvre: poor
little one! She murmured, resting her cheek
on the brown hair, ca. 1911
Charcoal on board
Published in Harper's Magazine,
June 1911
Prints & Photographs
Division
LC-USZ62-46614 ; LC-USZC4-9396 (3)
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The Library
and Play Time
In Harper's Magazine, August 1905
General Collections
LC-USZ62-128609 ; LC-USZC4-9402 (15)
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These two images are part of The
Mistress of the House, a series of eight drawings with no
text that Harper's specially commissioned from Green
and published in 1905. She depicts a romanticized vision of domestic
life, featuring a beautiful young mother engaged in daily pursuits.
The colorful scenes recall a world like that evoked in paintings
by Mary Cassatt (1844-1926), whose work Green would have known.
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The Journey is one of
three illustrations the artist made for a series of poems by Josephine
Preston Peabody entitled "The Little Past." The poems relate experiences
of childhood from a child's perspective. In harmony with the poem
it accompanies, Green's painting captures a young boy's complete
absorption in the shifting scenes he sees from his seat in a railway
car.
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The Journey, 1903
Oil on board
Published in Harper's Magazine,
December 1903
Prints & Photographs
Division
LC-USZ62-56042 ; LC-USZC4-1536 (5)
Gift of James E. Verree Estate
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The Journey, 1903
Pen, ink, and watercolor on board
Published in Harper's Magazine,
December 1903
Prints & Photographs
Division
LC-USZ62-56038 ; LC-USZC4-9397 (6)
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In addition to illustrating Harper's
Magazine stories, Green developed decorative complements
for poems, calendars, and texts. She distinguished herself throughout
her career by creating these intricate decorative details, as
seen in this visual presentation of the poem by Josephine Preston
Peabody.
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