Leaves of Grass
Leaves of Grass
Whitman published the first edition of Leaves of Grass in
1855. He produced varied editions of the work ending with the ninth,
or "deathbed" edition, in 1891-1892. What began as a slim book
of 12 poems was by the end of his life a thick compendium of almost
400. Whitman regarded each version of Leaves as its own
distinct book and continuously altered the contents. He added new
poems, named or renamed old ones, and, until 1881, repeatedly regrouped
them. He developed the typography, appended annexes, reworded lines,
and changed punctuation, making each edition unique.
Picturing Himself
Whitman printed the first edition of Leaves of Grass without
the author's name on the title page. He used an engraving of himself
in laborer's clothes as the frontispiece. Known as "the carpenter," the
image is an icon of the American poet as "one of the roughs," or
Everyman. Subsequent editions of Leaves depicted different
Whitmans, ever more sophisticated and venerable. The elderly Whitman
in 1891 reverted to an image of a young and urbane self, taken
in Boston when he was working on the 1860 edition of Leaves
of Grass.
[Digital image not available]
Leaves of Grass (author's edition).
Frontispiece: Reproduction of photograph by James Wallace Black, March 1860.
[Camden]: 1891
Rare Book & Special Collections
Division (13)
Original Manuscript Page
The only known extant manuscript page of the first edition of Leaves
of Grass has been matched through its revisions with the
first issue of the 1855 edition. With some revisions, the lines
shown eventually became section 14 and the beginning of section
15 of "Song of Myself" in the 1891-1892 edition of Leaves
of Grass. On the verso are three columns of words in Whitman's
hand, many of which were used in "Broad-Axe Poem," appearing
in the 1856 edition of Leaves of Grass.
The Wonderful Gift
The most important letter in American literary history shows
the leader of Boston's literary establishment recognizing Whitman's
brilliant innovation and new voice. In his essay "The Poet," Ralph
Waldo Emerson had called for a voice to celebrate the poem of America
itself, "Our log-rolling, our stumps and their politics, our fisheries,
our Negroes, and Indians, our boasts, and our repudiations, the
wrath of rogues, and the pusillanimity of honest men, the Northern
trade, the Southern planting, the Western clearing, Oregon and
Texas." Whitman began writing poetry that seemed to record everything
Emerson called for, and his preface to the 1855 Leaves paraphrases
Emerson: "The United States themselves are essentially the greatest
poem." He sent a copy of his unsigned but registered book to Emerson
and received in return the letter that launched his career as America's
premier poet.
Ralph Waldo Emerson (1803-1882)
to Walt Whitman (1819-1892),
July 21,1855
Page 2
Holograph letter
Manuscript Division (17)
Transcripton
Promoting Himself
The 1855 publication of Leaves of Grass was heralded
by anonymous reviews printed in New York papers, which were clearly
written by Whitman himself. They accurately described the break-through
nature of his "transcendent and new" work. "An American bard at
last!" trumpeted one self-review. Whitman also soon received a
generous boost of publicity from Fanny Fern. The best-selling writer
befriended the newly published poet and aided his public relations.
She championed Leaves as daring and fresh in her popular
column in the New York Ledger on May 10, 1856.
Marketing Leaves of Grass
Well trained in the art of printing and a stickler for detail,
Whitman carefully directed the look and feel of Leaves of Grass. He
had particular creative control over the 1860 edition published
by Thayer and Eldridge in Boston. In it he used fancy type and
decorative motifs, including ethereal images of a butterfly, a
sunrise, and the planet Earth on a cloud. Whitman was just as active
on the other end of the book business. He promoted and marketed
his work and sold copies by subscription. Entries in his commonplace
book note his sending "L of G" to various individuals.
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