October 14, 1997
Contact:
LC contact: Craig D'Ooge (202) 707-9189
Rounder contact: Steve Burton (617) 354-0700, ext. 275
"Treasury of Library of Congress Field Recordings" Reissued on the Rounder Label
In 1933, John Lomax drove down the road and into history.
With a 315 pound recording machine in the rear of his Ford
sedan, Lomax and his son Alan began a legendary series of
journeys down America's backroads to capture "folksong in its
three dimensional entirety" for the Library of Congress.
Now, more than 60 years later, musician and researcher
Stephen Wade has compiled his own selection of recordings made by
the Lomaxes and other collectors in a new compact disc on Rounder
Records titled "A Treasury of Library of Congress Field
Recordings."
The disk consists of 30 of the greatest performances
collected between 1933 and 1946, along with a 40 page booklet
filled with Wade's original research into the conditions that
gave rise to these recordings, new information on the performers,
and concise histories of the songs. All the recordings have been
digitally remastered from the original acetate and aluminum
discs.
"This is the music I grew up with," said B.B. King upon
hearing this CD.
After they were first issued in 1941 by the Library of
Congress, the field recordings influenced at least two
generations of modern artists, from Aaron Copland to the
Jefferson Airplane, and helped to spark the folksong revival of
the 1960s. The performers on these recordings--some of them
prisoners, others farmers, still others school children--were
recorded where they lived and worked. They provided Library of
Congress researchers with sounds and sagas from the American
landscape: Civil War battles, steamboats, a life lost to crime,
the freedom of worship through diverse forms of religious
expression.
The "Treasury" contains fiddle tunes and banjo pieces,
including the first recording of "Rock Island Line." Woody
Guthrie sings "The Gypsy Davy," a song he learned from his
mother, and Judge Learned Hand sings "The Iron Merrimac," a civil
war ballad he learned as a boy in upstate New York. Cajun singer
Ella Hoffpauir, one of the album's few living performers, gave
permission to reissue a piece she recorded in 1934 when she was
only ten years old. The "Treasury" ends with a Kiowa Indian
named Belo Cozad describing how a song that he plays on a wooden
flute was obtained from an ancestor who learned it from a spirit.
These field recordings breathe with on-going life. In the
background, kitchen clocks tick, dogs bark, and sometimes a truck
drives by.
"To listen to these voices is to encounter a nation engaged
in art, beyond the grid of rural electricity and outside the
commercial music industry," says compiler Stephen Wade. "Art is
pretty much where you find it, not where you expect it. In
America, that might be just around the corner. The sounds of
everyday life have not been scrubbed from these discs because the
recordings are inspired not by commerce, but by ethnography--a
field of learned endeavor that brings together, in folklorist Ben
Botkin's apt phrase, 'a foreground in lore with a background in
life.'"
Wade visited each of the locations where the 30 performances
occurred. Following a trail of recordings more than a half
century old, he found the communities, family members, and
sometimes even the performers themselves. He sat on the same
porches and walked down the same roads. On one occasion, he had a
pistol pointed at him. A detailed account of his extensive
documentary work will appear in a book he is currently completing
for the University of Illinois Press. Since last year, Wade's
essays on these songs have formed a continuing series of
presentations on National Public Radio's "All Things Considered."
Wade is best known for his one-man performance in "Banjo
Dancing," one of the longest-running theatrical works in American
stage history. "Banjo Dancing," as well as his other performance
pieces, "On the Way Home" and "Alligator Horse and a Touch of the
Earthquake," all draw heavily on his research at the Folk Archive
at the Library of Congress, one of the largest collections of
such material in the world. He has been published in a number of
literary, scholarly, and popular journals and has recorded two
music albums under his own name. This is the ninth album he has
produced.
Archie Green, founder of the American Folklife Center at the
Library of Congress (which includes the Folk Archive) calls the
Treasury "required listening for anyone interested in American
traditional music. Stephen Wade's research and remastering bring
new life to these recordings, making them freshly accessible to a
new generation."
The "Treasury" (Rounder 1500) will be available in retail
stores or by mail after October 21 from Rounder Records at 1
(800) 443-4727.
# # #
PR 97-164
10/14/97
ISSN 0731-3527