August 25, 1997
Contact:
Helen Dalrymple (202) 707-1940
Music Division Celebrates Its 100th Anniversary with
Special Performance Series
Coolidge Auditorium Reopens
The Music Division of the Library of Congress, to mark its
100th year as the nation's foremost musical archives, announces a
gala season of concerts, films, lectures and exhibits that
highlight the extraordinary range of the division's collections
in classical music, jazz, American musical theater and dance.
Many of the events will be presented in the historic, newly
renovated Coolidge Auditorium in the Thomas Jefferson Building.
Considered one of the world's finest acoustic environments, the
intimate, 500-seat concert hall has been home to many of the
legendary musical figures of the century.
"We are very happy to be reopening the Coolidge Auditorium
in our centennial year," said Jon Newsom, Music Division Chief.
"The official date is October 30, 1997, the birthday of the
founder of the Library's concert series, Elizabeth Sprague
Coolidge. Our public programs will illuminate our distinguished
history, and look ahead to what we intend will be an equally
distinguished future. Our 1997-98 season demonstrates a renewed
commitment to preserving and sharing the Library's performing
arts treasures, to presenting superb chamber music, and to
commissioning new works that reflect a broad vision of the
performing arts in America."
All Library of Congress public programs are presented free
of charge to the public. Tickets for Music Division events in the
1997-98 season may be obtained through TicketMaster (see below).
1897 DANCE EXPOSITION: Society Dances & Parlor Amusements in the
Great Hall - Wednesday, October 15, 1997 at 8:00 p.m.
Dance scholar and producer Elizabeth Aldrich (known for
authentic and visually sumptuous dance sequences in the films
"Jefferson in Paris" and "The Age of Innocence") creates a
centennial spectacle from 1897. Her Jonquil Street Foundation
Dancers present a grand evening of quadrilles, waltzes,
polonaises and two-steps in the Great Hall of the Library's
Jefferson Building, a curtain-raiser for the season and a gala
100th birthday party for the Music Division. Following the 45-minute performance, the dance floor will be turned over to the
audience, as the Library of Congress Centennial Cotillion Band
plays vintage music from the Music Division vaults.
MUSIC AND CINEMA FESTIVAL
A year-long festival of film and video programs presented in
cooperation with the Library of Congress Motion Picture,
Broadcasting and Recorded Sound Division. No tickets are required
for the Jazz Film Series and the Nathan Kroll Film Series, which
will be screened at 7:00 p.m. in the Mary Pickford Theater,
Madison Building, LM-302. All other Music and Cinema events will
be presented in Coolidge Auditorium at 8:00 p.m., with tickets
available from TicketMaster (see below).
LIBRARY OF CONGRESS JAZZ FILM SERIES
Curated by jazz radio host Larry Appelbaum, the popular Jazz
Film Series returns to the Pickford Theater September 9 through
October 3, 1997, with programs on Tuesday and Friday at 7:00 p.m.
Opening the series is the U.S. premiere of Don McGlynn's new
documentary, Dexter Gordon: More Than You Know. Also to be
screened: performances by Milt Jackson, Mose Allison, Kenny
Burrell, Ray Anderson and a tribute to the Jazz Messengers.
NATHAN KROLL FILM SERIES - Wednesday-Friday, October 8-10, 1997 at
7:00 p.m.
Distinguished producer and filmmaker Nathan Kroll introduces
a trio of evenings devoted to luminaries Pablo Casals, Martha
Graham, and Andr,s Segovia from a 60-year career embracing film,
television, radio and sound recordings. Winner of three Peabody
awards, an Emmy and first prizes at film festivals in Venice,
Edinburgh, Berlin, Spain and France, Mr. Kroll is admired for
recording extraordinary encounters with some of the most
important performing artists of our time -- legendary figures
such as Pablo Casals, Andr,s Segovia, Helen Hayes, Jascha
Heifetz, Martha Graham, Joan Sutherland, and George Szell.
GILLIAN ANDERSON'S GRAND MUSIC CINEMA - Wednesday, March 4, 1998
at 8:00 p.m.
GRAND MUSIC CINEMA transports you to a time when the new
medium of film plus live music equaled a unique and compelling
art. Film composer Elmer Bernstein ("The Age of Innocence," "The
Ten Commandments," "The Magnificent Seven") has created a new
violin-and-piano score, commissioned by the Library's McKim Fund,
for a visually stunning, hand-painted Dutch gem from the earliest
days of the cinema: "The 400 Tricks of the Devil, subtitled The
Adventures of a Professor, Fantasie-Film." Bernstein's new work
will be conducted by musicologist Gillian Anderson, who has
reconstructed and restored the original orchestral scores for
more than 20 of the great silent classics, performing them in the
United States, Europe and South America. Also featured: a 1926
MGM version of La Boheme, starring Lillian Gish as Mimi, and John
Gilbert as Rodolfo.
LA EPOCA de ORO del TANGO (The Golden Age of Tango)- Thursday,
March 5, 1998 at 8:00 p.m.
Musicologist Susana Salgado, the Library's Consultant for
Iberian and Latin-American music, brings together violinist Jose
Miguel Cueto, pianist Nancy Roldan and bandoneon player Raul
Jaurena -- with tango dancers Daniela and Armando -- for a night
devoted to the history of the tango and its relationship to the
films of Carlos Gardel. Tango buffs can see clips from Gardel's
1930s films "El dia que me quieras" ("The Day You Love Me"),
"Cuesta abajo" ("Downward Slope"), "Tango Bar" and "El tango en
Broadway" will be shown during the program. Ms. Salgado will
present her lecture in English.
NEWBAND: Der Letze Mann - Wednesday, March 11, 1998 at 8:00 p.m.
Composer Dean Drummond conducts NEWBAND -- juxtaposing
conventional instruments with unique Harry Partch inventions like
the cloud chamber bowls and the chromelodeon -- in his new score
for the controversial 1924 German expressionist classic "Der
Lezte Mann." Directed by F.W. Murnau, with a screenplay by Carl
Mayer and photography by Karl Freund, the film features Emil
Jannings in one of his greatest roles: an aging doorman at the
cosmopolitan Atlantic Hotel.
CHAMBER MUSIC SERIES
THE JUILLIARD STRING QUARTET - Thursday, October 30 at 8:00 p.m.
First violinist Joel Smirnoff, violist Samuel Rhodes and
cellist Joel Krosnick welcome a new partner in a foursome
celebrating 35 years as the Library's resident string quartet:
violinist Ronald Copes. They reopen the Coolidge Auditorium with
the Quartet in E-flat major, Op. 12, of Mendelssohn; Three Pieces
for String Quartet by Aaron Copland; and Schubert's Quartet in D
minor, D. 810.
Thursday and Friday, April 23 and 24, 1998 at 8:00 p.m. The
Juilliard performs Beethoven's Grosse Fuge, Op. 130; Mozart's
Piano Quartet in G minor, K. 478, with pianist Thomas Sauer, and
a world premiere: Donald Martino's Three Sad Songs for viola
and piano, commissioned by the Elizabeth Sprague Coolidge Fund in
the Library of Congress.
IL GIARDINO ARMONICO - Friday, October 31, 1997 at 8:00 p.m.
This stunning period-instrument ensemble from Italy won a
1996 Gramophone Award for its recording of Antonio Vivaldi's
double and triple concertos. The New York Times declares,
"[Their] Vivaldi was so astonishing that it put worthy local
efforts in the shade...Il Giardino Armonico are brilliant
players by any standard." The group performs Vivaldi's La Follia"
Variations, RV 63; Lute Concerto in D major, RV 93; and Concerto
in C major, RV 443, for sopranino recorder; Matthew Locke's music
for Shakespeare's The Tempest, and J.S. Bach's Brandenburg
Concerto No. 5, BWV 1050.
JORGE CABALLERO, Guitar - Thursday, November 6, 1997 at 8:00 p.m.
In 1996, 19-year-old Peruvian guitarist Jorge Caballero
added the Naumburg Guitar Award to a growing list of honors. He
has toured Europe, North and South America with the New Orchestra
of Jeunesse Musicales, and has given performances with the Lima
and Montevideo Philharmonic orchestras. Hear this sensational
young artist in a solo recital of works by Francesco Da Milano,
Johann Sebastian Bach, Mauro Giuliani, Agustin Barrios, Elliott
Carter and Alberto Ginastera.
BORROMEO AND BRENTANO STRING QUARTETS - Friday, November 7, 1997
at 8:00 p.m.
This concert pairs two of the finest ensembles around. "The
Borromeo is simply the best there is," raves The Boston Globe.
The Philadelphia Inquirer declares that the Brentano players
"...could well be the best of the latest generation." The
Brentano offers Haydn's Quartet in B-flat major, Op. 71, No. 1
and the Borromeo performs the Quartet in F major by Maurice
Ravel. The two ensembles join forces in the Octet in E-flat
major, Op. 20 of Felix Mendelssohn.
LEONARD SLATKIN CONDUCTS - Wednesday, November 12, 1997 at 8:00
p.m.
Renowned conductor Leonard Slatkin leads a very special
chamber orchestra concert that evokes the historic 1944
collaboration between Aaron Copland and Martha Graham.
Appalachian Spring is the centerpiece, heard in its original
13-instrument version. Violinist William Steck and cellist David
Hardy are the featured soloists for Ellen Zwilich's Romance for
violin and chamber orchestra -- a Library of Congress McKim Fund
commission -- and Paul Hindemith's Kammermusik No. 3, Op. 36,
No. 2.
ENSEMBLE CLEMENT JANEQUIN - Friday, February 20, 1998 at 8:00
p.m.
Countertenor Dominique Visse leads his stellar six-man vocal
ensemble in Fricassee Parisienne, a unique marriage of popular
and high Renaissance culture contrasting the touching lyricism of
the chanson amoureuse and the earthy humor of the chanson
rustique, with references to popular farce, to the sounds of
war, nature and street cries.
SKAMPA STRING QUARTET - Wednesday, February 25 at 8:00 p.m.
The Skampa String Quartet's hallmarks are intensity and
vigor, passion and finesse. Founded in 1989 at the Prague Academy
of Music, the group became Wigmore Hall's first quartet-in-residence in 1994. The London Times reported that the Wigmore
concerts were "red-letter days in London's chamber music season."
Making its Washington debut, the Skampa String Quartet offers
Mozart's Quartet in D Major, K. 575, Janacek's Quartet No. 1
("Kreutzer Sonata,") and Beethoven's Quartet in E-flat Major, Op.
127.
BEAUX ARTS TRIO - Thursday and Friday, April 9 and 10, at 8:00
p.m.
Time wrote about pianist Menahem Pressler, violinist Ida
Kavafian and cellist Peter Wiley: "Among the world's piano trios,
there is none better..." The Beaux Arts Trio, perennial favorites
at the Library, return to the Coolidge Auditorium with the Trio
in B-flat major, K. 502, by Mozart, Beethoven's Trio in C minor,
Op. 1, No. 3, and the Trio in A minor by Tchaikovsky.
IRINA REES, Harpsichord - Friday, April 17, 1997 at 8:00 p.m.
Irina Rees won first prize at the Southeastern Historical
Keyboard Society's Fourth International Competition in 1996. A
graduate of the Russian National Academy of Music in Moscow, Ms.
Rees brings subtle articulation, excellent agility and a feel for
refined colors in her program of Forqueray, Duphly, J.S. Bach,
Frescobaldi and others.
THE NEW YORK FESTIVAL OF SONG NED ROREM: Evidence of Things Not
Seen - Saturday, April 18, at 8:00 p.m.
Ned Rorem's new song cycle, a 75th-birthday co-commission of
the Library of Congress and the New York Festival of Song
(NYFOS),draws on the poetry of W.H. Auden, Walt Whitman, Theodore
Roethke, Langston Hughes, Robert and Elizabeth Browning, and
others. Meet the composer at this full-length evening of song,
along with four superb singers and the two NYFOS directors,
pianists Michael Barrett and Steven Blier on Saturday, April 18,
1998.
CONTINUUM - Friday, May 8, 1998 at 8:00 p.m.
Led by founding directors Joel Sachs and Cheryl Seltzer,
this much-admired group of New York new music specialists,
focusses on the Caucasus republics: Armenia, Azerbaijan and
Georgia. Vibrant, meditative music from the mountains bridging
Europe and Asia. Composers featured include Franghiz Ali-Zadeh,
Giya Kancheli and Oleg Felzer, whose Sonata for Violin and Piano,
commissioned by the Library's McKim Fund, will be premiered.
BRAHMS AND SCHUBERT FESTIVAL - All festival lectures and concerts
begin at 6:30 p.m. and 8:00 p.m. respectively, except those on
Sunday, November 23, 1997.
MARIETTA SIMPSON and JEROME ROSE - Tuesday, November 18, 1997 at
8:00 p.m.
Mezzo-soprano Marietta Simpson's "rich tone, searching
musicianship and imposing stage presence endow everything she
sings with great depth of feeling," says The Atlanta Journal.
Ms. Simpson collaborates with such eminent conductors as Charles
Dutoit, Lorin Maazel, Kurt Masur, Simon Rattle and Robert Shaw.
Ms. Simpson opens the festival with pianist and Artistic Director
Jerome Rose, performing Schubert favorites, including An die
Musik, and Im Abendrot, and the Zigeunerlieder, Op. 103, of
Brahms. Mr. Rose completes the program with the Sonata in C
minor, D. 958.
Pre-concert lecture: "The Mecca of Music from Schubert to
Brahms," by Peter Gay, Emeritus Professor, Yale University
THE NEW YORK VOCAL ARTS ENSEMBLE - Wednesday, November 19, 1997
at 8:00 p.m.
The New York Times admires this distinguished ensemble for
its "impeccable musicianship and great joy in performance." Now
in its 26th year, the New York Vocal Arts Ensemble won first
prize at the 36th Annual Geneva International Music Competition.
The program includes Lieder, vocal quartets, partsongs and
motets by Schubert and Brahms.
Pre-concert lecture: "The Influence of Schubert and Brahms
in America," a lecture by by Samuel Adler, Emeritus, Eastman
School of Music
ORION STRING QUARTET with JEROME ROSE, piano - Thursday, November
20, 1997 at 8:00 p.m.
Hailed for uniting the best qualities of both the European
and American quartet traditions, the Orion serves as quartet-in-residence of the Chamber Music Society of Lincoln Center. The
artists pair Franz Schubert's Quartet in G major, D. 887, with
the Brahms Piano Quintet in F minor, Op. 34.
Pre-concert lecture: "The Specter of Beethoven over the
Nineteenth Century," Joel Lester, Dean, Mannes College of Music
CHRISTOPHEREN NOMURA, baritone and MARTIN MASTIK, guitar -
Friday, November 21, 1997 at 8:00 p.m.
Christopheren Nomura, pianist David Buechner, flutist
Christine Nield, violist Pamela McConnell, cellist Ross Harbaugh,
present a wonderful evening of little-known Schubert gems for
solo guitar, guitar and voice, including the seldom-performed
Quartet in G major, D. 96, for Flute, Viola, Guitar and Cello.
Mr. Nomura also sings Lieder by Brahms, and David Buechner
performs the composer's Two Rhapsodies, Op. 79, for solo piano.
Pre-concert lecture: "The Piano in the Musical Life of
Vienna from from Beethoven to Brahms," by David Dubal, Juilliard
School of Music
JUILLIARD STRING QUARTET - Saturday, November 22, 1997 at 8:00
p.m.
Our own world-renowned quartet-in-residence joins the
anniversary celebration with Franz Schubert's Quartet in E-flat
major, D. 87, the String Quartet No. 3 by Alban Berg and the
Quartet in C minor, Op. 51, No. 1, by Johannes Brahms.
Pre-concert lecture: "Brahms and the Struggle Over the Soul
of Schubert," by Leon Botstein, President of Bard College
OLAF BAER, Baritone WARREN JONES, Piano - Sunday, November 23,
1997 at 2:00 p.m.
"Baer is at the height of his art...he revealed the master's
touch," Australia's Manly Daily said of a recent tour. One of
the foremost interpreters of Lieder, Mr. Baer has appeared in
concert halls and opera houses worldwide. In the festival's final
concert, he and pianist Warren Jones add works of Hugo Wolf to
Brahms and Schubert.
Pre-concert lecture: "Romanticism and the Lied," by Judith
Frigyesi, Princeton University
VIOLIN SUMMIT -- a mini-festival with an eye to the millennium
L'EUROPA GALANTE, with FABIO BIONDI, Violin - Friday, March 20,
1998 at 8:00 p.m.
The young Italian violinist Fabio Biondi has "reinvented"
Antonio Vivaldi's Four Seasons, according to European critics
and music lovers. Sensuous sound, clarity and a vivid palette of
instrumental colors characterize this virtuosic period-instrument
ensemble from Milan. Mr. Biondi kicks off the Library's Violin
Summit on his first American tour, conducting and playing
concertos by Vivaldi and Locatelli.
CHEE-YUN, Violin - Saturday, March 21, 1998 at 8:00 p.m.
"Elegant calculation ... This is a talented instrumentalist,
with the kind of high-gloss tone that pulls sensuously at the
listener's ear," (The New York Times) Winner of the Avery
Fisher Career Grant and the Young Concert Artist International
Auditions, Chee-Yun is "a rising star among a pack of young
virtuoso violinists," said The Cincinnati Enquirer. Known for
"doing something different" in her programs -- a concerto for
violin and gamelan by Lou Harrison, and arrangements of Leonard
Bernstein's West Side Story -- the Korean-born Chee-Yun has
appeared at the Mostly Mozart, Aspen and Spoleto festivals, and
collaborated with such conductors as Pinchas Zukerman, Gerard
Schwarz and Michael Tilson Thomas. Recital program to be
announced.
MARK O'CONNOR, Violin - Wednesday, May 6, 1998 at 8:00 p.m.
Hear this master musician in the company of five good
friends from Nashville. Still at the top of the charts for his
Appalachia Waltz, violinist and composer Mark O'Connor performs
music from his newest Sony release, Liberty! The American
Revolution. In his scores for the six-part PBS series, scheduled
to air in fall 1997, Mr. O'Connor spins compositions reflecting
the American musical melting pot, with sounds from the fiddle,
guitar, banjo, harpsichord, dobro and pennywhistle. Actor Clay
Jenkinson takes the role of the Library's violinist founder,
Thomas Jefferson, in an evening that premieres a new O'Connor
commission for the Library of Congress.
THE PAUL DRESHER ENSEMBLE, with David Abel, Violin - Friday,
April 3, 1998 at 8:00 p.m.
David Abel joins the Paul Dresher Ensemble for Fresh with a
Vengeance, and the world premiere performance of Dresher's
recently completed Concerto for Violin and Electro-Acoustic Band.
"This may be a chamber concerto in size of musical forces ... but
the scope and effect ranged from rock band to Wagnerian
orchestra. ... Tantalizing, strikingly original and immensely
satisfying," said Octavio Roca in The San Francisco Chronicle.
Mr. Abel and pianist Julie Steinberg will also premiere a new
work for violin and piano by Mr. Dresher, commissioned by the
McKim Fund in the Library of Congress.
ARCADO STRING TRIO - Saturday, April 11, 1998 at 8:00 p.m.
Arcado is a category-defying string trio uniting the
impressive talents of bassist Mark Dresser, cellist Hank Roberts
and violinist Eyvind Kang. Mr. Dresser's new Library of Congress
commission for violinist Mary Rowell stretches the boundaries of
conventional string playing, with an experimentalist's take on
structure and technique. Mr. Kang's tours with Bill Frisell, and
Hank Roberts's credentials as "the most respected improvising
cellist on the international scene," make this an unbeatable
package.
ANTHONY BRAXTON: Ghost Trance Music Friday, May 1, 1998 at 8:00
p.m.
"Completely stimulating performances -- spellbinding in fact
... hope for future generations of music," said Down Beat. The
uncompromising integrity of musical philosopher Anthony Braxton
earned the composer a MacArthur Fellowship in 1994. A formidable
saxophonist and master improviser, Mr. Braxton creates ambitious
and visionary compositions that transcend genre and integrate
performance traditions, what Mr. Braxton describes as the "trans-African" and the American experimentalist perspectives. The
concert includes the premiere of his Ghost Trance Duo for violin
and piano, a Library of Congress commission.
JELLY ROLL! - Saturday, April 25, 1998 at 8:00 p.m.
Vernel Bagneris and pianist Morten Gunnar Larsen star in a
memorable evening of musical theater described by critic Vincent
Canby as "...a 90-minute tribute to the now-legendary Jelly Roll
Morton, the New Orleans jazz pianist, composer, arranger and
bandleader as well as the self-styled creator of jazz."
Jelly Roll! is a dazzling two-man cabaret evening of sketches
honoring the 60th anniversary of Morton's epoch-making 1938
recording sessions in the Coolidge Auditorium with folklorist
Alan Lomax.
A master of the American vernacular, actor, author, song-and-dance-man Vernel Bagneris wrote and appeared in the hit shows
One Mo' Time, Further Mo' and Staggerlee. With his longtime
musical partner, the Norwegian pianist Morten Gunnar Larsen, Mr.
Bagneris crafted Jelly Roll!, conjuring the jazz genius in
riveting re-creations of his words and music.
FLUTE FEST
Two extraordinary flutists, the incomparable Jean-Pierre
Rampal and the early flute specialist Konrad Hunteler, come to
Washington in February to explore the Library's Dayton C. Miller
Collection: more than 1,650 flutes and other instruments,
iconography, books, music, tutors, and other materials. A unique
archive that is one of the treasures of the Music Division, the
Miller Collection contains a remarkable range of instruments from
many cultures.
The February Flute Fest marks two important events: the
Library's acquisition of the archives of the National Flute
Association, accompanied by a rare Joachim Quantz treatise, the
gift of Bernard Goldberg; and the publication of a new catalogue
of the Miller checklist.
The audience for this weeklong series of events --
concertgoers, flutists and students -- will hear selected Miller
instruments in performances, master classes, workshops and
lecture-demonstrations by noted scholars and performers.
JEAN-PIERRE RAMPAL, Flute, JOHN STEELE RITTER, Piano - Tuesday,
February 24, 1998, at 8:00 p.m.
Jean-Pierre Rampal celebrates the 40th anniversary of a work
he premiered in the Coolidge Auditorium in 1957: Francis
Poulenc's Sonata for Flute and Piano. At 6:30 p.m., Rich
Kleinfeldt will interview with Mr. Rampal in a conversation about
the Poulenc premiere and his four-decade friendship with the
Library of Congress.
RAMPAL MASTER CLASS - Wednesday, February 25, 1998; 4:00 p.m.,
Presented in cooperation with the Levine School of Music
Mr. Rampal will work with a group of gifted students from
the Levine School's honors program. This two-hour class is open
to flute lovers, teachers and students at all levels. Call (202)
707-5502 for information.
KONRAD HUNTELER, Flute - Friday, February 27, 1998 at 8:00 p.m.
A frequent soloist with Frans Brueggen's Orchestra of the
Eighteenth Century, Konrad Hunteler invites violinist Daniel
Stepner, violist Laura Jeppeson, and cellist Loretta O'Sullivan
to join him in a period-instrument performance of Mozart's Flute
Quartet in D major, K. 285. He also performs works written by
the eminent flutist and flutemaker Theobald Boehm, using Boehm
flutes from the Miller Collection.
Pre-concert lecture: "Quantz and His Versuch," by Edward
Reilly, Professor, Vassar College
NOTE: Beginning this season, patrons can order tickets for
Music Division events from TicketMaster. We believe that this
service will eliminate long pre-concert lines and offer a more
efficient and convenient method for everyone. For information
regarding tickets, call TicketMaster at the telephone numbers
listed below.
In contrast to the previous system of distributing tickets
on the evening of the performance, with seating on a first-come,
first-served basis, the new ticket distribution service will
eliminate the various inconveniences that patrons experienced,
particularly the long pre-concert lines. It will also allow the
Library of Congress to comply with current security regulations
for all federal buildings.
Patrons can order advance tickets for Library of Congress
Music Division events directly from TicketMaster. Seats for each
concert will be available on a regularly scheduled basis,
approximately six weeks before each concert, and patrons may
request specific seats. Exception: Tickets will not be required
for the Library of Congress Jazz Film Series and the Nathan Kroll
Film Series, presented in the Library's Mary Pickford Theater.
The TicketMaster ticketing system is designed to sell tickets on
the "best available seat" basis. Therefore, the sooner patrons
order tickets, the better the seat and the wider the selection.
In the past, due to the popularity of the Library's concert
series, there were not enough tickets for everyone waiting in
line for many of the concerts. Under the new system, when a
concert becomes "Sold Out," that information will be immediately
available when patrons call TicketMaster.
As always, there will be no charge for events in the
Concerts from the Library of Congress Series. However, there
will be a nominal charge for the ticketing services provided for
this series by TicketMaster.
Tickets may be obtained at all TicketMaster outlets,
including Hecht's department stores, Tower Records and Kemp Mill
Music, for a $2 service charge per ticket. For a complete list of
outlets, call TicketMaster at (202) 432-7328, or visit
TicketMaster Washington/Baltimore on the World Wide Web at:
http://www.ticketmaster.com
TicketMaster phone-charge tickets may be obtained for a
$2.75 service charge per ticket plus a $1.25 handling fee per
order (four tickets maximum).
To charge tickets by phone, call (202) 432-7328 in
Washington; (301) 808-6900 in suburban Maryland; (703) 432-7328
in Northern Virginia; (410) 752-1200 in Baltimore; or toll free
from elsewhere at (800) 551-7328.
Season-at-a-Glance
1997
Sept. 12-Oct. 7 Jazz Film Festival
Oct. 8-10 Nathan Kroll Film Series
Oct. 15 1897 Dance Concert & Centennial Celebration
Oct. 30 Juilliard String Quartet
Oct. 31 Il Giardino Armonico
Nov. 6 Jorge Caballero
Nov. 7 Brentano/ Borromeo quartets
Nov. 12 Leonard Slatkin/Chamber Orchestra
Nov. 18 Marietta Simpson/ Jerome Rose
Nov. 19 New York Vocal Arts Ensemble
Nov. 20 Orion String Quartet/ Jerome Rose
Nov. 21 Christophoren Nomura
Nov. 22 Juilliard String Quartet
Nov. 23 Olaf Baer/ Warren Jones
1998
Feb. 20 Ensemble Clement Janequin
Feb. 24 Jean-Pierre Rampal
Feb. 25 Rampal Master Class
Feb. 25 Skampa String Quartet
Feb. 27 Konrad Hunteler
March 4 Grand Music Cinema
March 5 Golden Age of Tango
March 11 NEWBAND
March 20 L'Europa Galante
April 3 Paul Dresher Ensemble
April 9 Beaux Arts Trio
April 10 Beaux Arts Trio
April 11 Arcado String Trio
April 17 Irina Rees
April 18 New York Festival of Song
April 23 Juilliard String Quartet
April 24 Juilliard String Quartet
April 25 Jelly Roll!
May 1 Anthony Braxton
May 6 Mark O'Connor/ Liberty!
May 8 Continuum
# # #
PR 97-132
8/25/97
ISSN 0731-3527