October 14, 1993
Contact: Gary Fitzpatrick (202) 707-8542
Helen Dalrymple (202) 707-1940
Library of Congress Receives Collections of Leonard Bernstein
WASHINGTON, D. C. The Librarian of Congress, Dr. James H.
Billington, announced today that the estate of Leonard Bernstein
has given to the Library his personal and professional archives
in order to launch an initiative to develop an electronic
archives of music materials that can be shared with users
everywhere.
In announcing the gift, Dr. Billington called Leonard Bernstein
"a preeminent composer, educator, conductor, and performer
whose archives are a treasure for the American people." He
noted that "the Library of Congress is taking a leading role in
the information revolution and we hope to join with other
institutions, archives, and private partners to share this
treasure electronically. We are committed to creating a
`library without walls' that would allow free and unrestricted
access to these and other rich collections in the Library's
custody."
Beginning with demonstration projects using the Bernstein
materials, the Library of Congress will produce the core of a
new electronic, multimedia archives. Over time these archives
can expand, depending on available resources, linking up with
multimedia collections in related areas as they develop across
the country and around the world.
Nina Bernstein, who spoke on behalf of the family, said: "My
father would be thrilled to be joining his archives with those
of so many of his colleagues, teachers, and friends. He would
be particularly excited by the educational possibilities that
digital formatting will bring to this material. My father was
driven by a passion for sharing ideas, and it is in that spirit
that we are launching this ambitious project. We offer the
Leonard Bernstein archives as a catalyst for developing other
digital archives across the globe. We look forward to a real
collaboration between the Library of Congress and other research
institutions. Together, they can build a shared archival
network that will enrich the minds of people everywhere."
A panel of six individuals who were associated with Leonard
Bernstein during his career discussed his life and work at the
November 8 news conference announcing the Library's receipt of
the Bernstein archives. Moderated by Schuyler Chapin, long-time
friend and associate of Bernstein and one of the three trustees
of his estate, the panel also included his daughter, Nina
Bernstein, describing the digital archives project; Dr. James W.
Pruett, chief of the Library of Congress Music Division,
discussing the Library's role; Lauren Bacall, recalling
Bernstein's qualities as a humanitarian and friend; Conductor
Michael Tilson Thomas, commenting on Bernstein's conducting
work; Dr. Scott Massey, President and Executive Director of the
Nashville Institute for the Arts, describing Bernstein's
significance as an educator; and Dr. Kristina Woolsey,
Distinguished Scientist for Apple Computer, Inc., commenting on
the technical aspects of making archives widely available in
electronic form.
film and video programs and 1,000 hours of recorded sound. The
collection also comprises unpublished musical sketches and
lyrics, lecture manuscripts, programs, business records,
photographs, and personal papers including correspondence with
major figures in the world of arts and letters. These materials
will join others that Bernstein donated to the Library during
his lifetime. The combined manuscript collection includes such
Bernstein works as "On the Town, "West Side Story", "Candide,"
his three symphonies, and hundreds of other compositions.
The Library of Congress music collections are particularly
strong in the papers and manuscripts of 20th century composers
and musicians. Leonard Bernstein's mentor, Serge Koussevitsky,
established a permanent endowment at the Library in 1950 to
continue the commissioning and programming of new musical
compositions begun by the original Koussevitzky Foundation; the
personal papers of Koussevitzky were bequeathed to the Library
in 1978. Other major creative artists of the 20th century whose
manuscripts are in the Library of Congress include Bartok, Berg,
Berlin, Copland, Rodgers and Hammerstein, Schoenberg,
Stravinsky, and George and Ira Gershwin.
The Library of Congress began collecting Leonard Bernstein's
music manuscripts in 1953, including the piano score of "Fancy
Free," early drafts of songs from "Wonderful Town," and the
score for Serenade for Violin and String Orchestra with
Percussion, commissioned in 1951 by the Serge Koussevitzky Music
Foundation in the Library of Congress. The Library also has
more than 100 of his pressbooks as well as correspondence with
Aaron Copland, Serge Koussevitzky, and others.
The Library will work with the Bernstein family foundation,
Springate, to convert significant portions of the collection to
a digital format for the widest possible availability. This
electronic archives will serve as a model for a larger
multimedia project that will ultimately include a wide range of
related materials from the Library's collections and from those
of other institutions participating in the Bernstein project.
As private sector partners are found to support this project,
the Library will begin a long-range effort to organize and
disseminate these and other creative works in digital form to
the public.
The Bernstein archives will be housed in the Music and Motion
Picture, Broadcasting, and Recorded Sound divisions of the
Library of Congress. Following processing and conservation, the
materials will be available for research in the Library's
Performing Arts Reading Room in the James Madison Memorial
Building, 101 Independence Avenue, S.E. Hours of the reading
room are 8:30 a.m. to 5 p.m. Monday through Saturday.
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PR 93-130
10/28/93
ISSN 0731-3527