October 16, 1996
Contact: Steve Leggett (202) 707-5912
Landmark Film Preservation Act Signed by President Clinton
On October 11, President Clinton signed into law H.R. 1734,
"The National Film Preservation Act of 1996." This historic,
bipartisan legislation will help to ensure the survival of
America's rich motion picture heritage.
The legislation signed by the president does two important
things: 1) it reauthorizes the National Film Preservation Board
for seven years, and 2) creates a federally chartered, private
National Film Preservation Foundation.
Librarian of Congress James H. Billington lauded passage of
H.R. 1734, calling it "of vital importance to film archives
across the nation."
He said, "We are honored that Congress entrusted this
independent foundation to the Library of Congress, which
possesses the world's largest film collection (built over 100
years) and which for more than 25 years has had its own active
film preservation program. We will continue our leadership role
and discharge this new responsibility in ways benefiting all
institutions in the film preservation arena, but will need strong
support from the private sector and other film related
organizations to make the most of this new opportunity.
Under provisions of the legislation, the Librarian will
continue to name up to 25 "culturally, historically or
aesthetically significant" films each year to the National Film
Registry and seek archival copies of each film for preservation
within the Library of Congress. In addition to advising on
Registry selections, the National Film Preservation Board
counsels the Librarian of Congress on implementation of the
national film preservation plan, Redefining Film Preservation,
published in 1994. In its seven years of existence, the Board
has played a critical role in increasing the American public's
awareness of film preservation and fostering increased
cooperation among all parties in the motion picture community
(film studios, film artists, nonprofit archives, educators and
others), making certain film preservation efforts are effective
and complementary. NFPB Chair Fay Kanin thanked Congress for
reauthorizing the Board, thus confirming the success of its
work. "Many remarkable individuals have served on the Board to
date, and the results have been more far more successful than we
could possibly have hoped. It's time to get back to work,
however, for much remains to be done."
Title 2 of H.R. 1734 creates the independent private sector
National Film Preservation Foundation to serve as a public-
private partnership for film preservation. The foundation,
modeled on other similar foundations created by Congress, will
raise private funds (both cash and in kind contributions), match
these with limited federal funds, and provide grants to nonprofit
film archives, historical societies and other nonprofit
institutions with film collections throughout the nation. Grants
will focus on non Hollywood films and films without commercial
protectors, including public domain films, silent films,
documentaries, independent films, films of historical and
regional importance, and films by or documenting minorities;
these films are of vital educational and historical importance
but possess little commercial value. Unlike Hollywood features,
these films, commonly called "orphans," have no preservation
benefactors and will not survive without public intervention.
Congress has structured the foundation to be a lean private
entity; no federal funds will be used for administrative
expenses.
David Francis, Chief of the Library of Congress's Motion
Picture, Broadcasting and Recorded Sound Division, called on all
portions of the film community to continue to rally behind the
national plan. "Congress has given us a superb chance to save
film history and we must not waste this opportunity. To make a
successful movie requires thousands of persons working together.
Building a foundation from the ground up will be no different and
no less challenging."
Maxine Fleckner Ducey, President of the Association of
Moving Image Archivists (AMIA), said, "AMIA would like to thank
Congress and the administration for recognizing the enduring
value of America's film heritage by establishing the National
Film Preservation Foundation. In so doing, they have
acknowledged the important work of film archivists throughout the
country; and even more significantly, they have provided the
archive community with our best hope for solving the crisis in
film preservation."
Martin Scorsese, film director and film preservation
champion, said, "This Foundation will be the ideal mechanism
to ensure the long term preservation of America's film heritage,
especially that portion not controlled by commercial interests.
Serving as the much needed central fund raising repository and
administrator of film preservation grants, the Foundation will
unite the public and private sectors (studios, film producers and
artists, archives, the educational community and others) in a
cooperative effort to preserve American film. I, along with
other film artists, plan to support the work of this Foundation
actively and enthusiastically."
H.R. 1734 was introduced by Rep. Carlos Moorhead (R-Calif.)
in the House of Representatives, while Senator Patrick J. Leahy
(D-Vt.) served as the bill's primary sponsor in the Senate.
Many other members from both parties helped achieve passage of
the bill. Further information on the legislation can be obtained
from Steve Leggett, Library of Congress, National Film
Preservation Board, (202) 707-5912, fax (202) 707 2371; email:
sleg@loc.gov; or the Internet home page of the National Film
Preservation Board: http://www.loc.gov/film/.
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PR 96-144
10/16/96
ISSN 0731-3527