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The Midwest
The dark and mysterious Ohio, and Cincinnati and dawn. Then Indiana fields again, and St.
Louis as ever in its great valley clouds of afternoon, the muddy cobbles and the Montana logs,
the broken steamboats, the ancient signs, the grass and the ropes by the river. The endless poem.
By night Missouri, Kansas fields, Kansas night-towns in the secret wides, crackerbox towns with
a sea for the end of every street, dawn in Abilene.
Jack Kerouac, On the Road
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Although the Midwest is often
depicted as a flat, prairie region, the area's writers present a mosaic of landscapes: the Michigan
woods and lake country depicted by Ernest Hemingway; the rural, agricultural areas of Nebraska
and South Dakota rendered by Willa Cather and Hamlin Garland; the small towns so memorably
fictionalized by Bess Streeter Alrich, Sherwood Anderson, and Sinclair Lewis; and the complex,
industrial Chicago portrayed by Carl Sandburg, Upton Sinclair, and Richard Wright. These and
other writers represented in Language of the Land have made everyday Midwestern
life into durable, provocative, literary material.
The region's authors have authenticated Midwestern American experience by creating such
characters as the legendary Paul Bunyan and Babe the Blue Ox, indelibly associated with the
forests of the Great Lakes region; Laura Ingalls Wilder's family, which settled the vast prairies;
and Richard Wright's Bigger Thomas, a Southern black transplanted to Chicago and destroyed by
an unfamiliar environment.
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Farmland, Monona County Iowa May 1940
John Vachon, Photographer
FSA-OWI Collection
Prints & Photographs Division (49a)
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Since I hadn't seen the Middle West for a long time many impressions crowded in on me as I
drove through Ohio and Michigan and Illinois. . . . I had forgotten how rich and beautiful is the
countryside--the deep topsoil, the wealth of great trees, the lake country of Michigan handsome
as a well-made woman, and dressed and jeweled. It seemed to me that the earth was generous
and outgoing here in the heartland, and perhaps the people took a cue from it.
John Steinbeck, Travels with Charley
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Residential street, Elgin, Illinois
August 1941
John Vachon, Photographer
FSA-OWI Collection
Prints & Photographs Division (49b)
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A kindly town where everyone went to the High School before his lot in
life gave him college or work for his daily bread; and old acquaintance was
not forgot. Like most middle-western towns, also, obscure though they
may be, it was touched by all the great issues of the world.
Olive Thanet, The Man of the Hour
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A farm between Columbus and Cincinnati, Ohio
September 1943
Esther Bubley, Photographer
FSA-OWI Collection
Prints & Photographs Division (49c)
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And full ears grow on the corn, and the stalks bow with the weight of fat
kernels, and they become gold. And legumes flower and fall and fill the
land with the fragrance of new-mown hay. When harvest time comes the
women and children sing with joy, the children romping around the stack
of hay.
Feike Feikema, The Golden Bowl
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Freight train pulling out of one of the yards of the Chicago and Northwestern railroad, Chicago,
Illinois December 1942
Jack Delano, Photographer
FSA-OWI Collection
Prints & Photographs Division (50)
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Under the rolling clouds of the prairie a moving mass of steel. An irritable clank and rattle
beneath a prolonged roar. . . . Towns as planless as a scattering of pasteboard boxes on an attic
floor. The stretch of faded gold stubble broken only by clumps of willow encircling white
houses and red barns. No. 7, the way train . . . imperceptibly climbing the giant table land that
slopes in a thousand-mile rise from the hot Mississippi bottoms to the Rockies.
Sinclair Lewis, Main Street
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A Literary Map of Indiana
Indiana Council of Teachers of English, 1974
Courtesy of the Indiana Council of Teachers of English
Geography & Map Division (51)
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Indiana is not Out West or Way Down East or Up North or south in Dixie. . . . Forty or fifty years ago
the native son who went travelling owned up to an indefinite residence between Chicago and
Louisville. To-day the Hoosier abroad claims Indiana fervently, hoping to be mistaken for an
author.
George Ade,"Single Blessedness and Other Observations"
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Illinois Authors
Judie Anderson, Arn Arnam, Tom Heinz, Illustrators
Chicago: Chicago Tribune Educational Services, 1987
Geography & Map Division (52)
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But of all the flowers of Illinois, in the field
Or Meadow pond or by the rivulet
Under grassed hillock, the wood violet
By drifts of forest leaves concealed
Touches the heart's blood deepest with its hues
Like a pale sky its scent half unrevealed:
The legend of the land it typifies,
The pioneer who sought the river woods
And struggled with harsh earth, unfriendly skies
For life and beauty amid far solitudes.
Edgar Lee Masters, Illinois Poems
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Chicago, Illinois April 1942
Jack Delano, Photographer
FSA-OWI Collection
Prints & Photographs Division (53)
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An indescribable city, huge, roaring, dirty noisy, raw, stark, brutal, a city of extremes: torrid
summers and sub-zero winters, white people and black people, the English language and strange
tongues, foreign born and native born, scabby poverty and gaudy luxury, high idealism and hard
cynicism! . . . A city which has become the pivot of the Eastern, Western, Northern, and Southern
poles of the nation.
Richard Wright, "How Bigger Was Born"
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Historical and Literary Map of Iowa
Vira E. Moran, Illustrator
Davenport: Davenport Public Library, 1934
Geography & Map Division (54)
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Iowa is usually imagined as a fecund but unbeautiful state laid out in flat squares. The contrary
is the case. This fair land is unusually personal in its appeal and its beauty [and] in the end
proves to be haunting. . . . The Iowa scene boasts a peculiar picturesqueness which I do not find
elsewhere in the United States.
Carl Van Vechten, "Folksongs of Iowa"
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Harrowing the ground before planting, Jasper County, Iowa
May 1940
John Vachon, Photographer
FSA-OWI Collection Prints & Photographs
Division (55)
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As I look back over my life on that Iowa farm the song of the reaper fills a large place in my
mind. We were all worshippers of wheat in those days. . . . We stood before it at evening when the
setting sun flooded it with crimson . . . and our hearts expanded with the beauty and the mystery of
it--and back of all this was the knowledge that its abundance meant a new carriage, an addition to
the house, or a new suit of clothes.
Hamlin Garland, A Son of the Middle Border
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Nebraska Centennial Literary Map and Guide to Nebraska Authors
Jack Brodie, Illustrator
Omaha Nebraska Centennial Non-Profit Association, 1967
Geography & Map Division (56)
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Cedartown sits beside a great highway which was once a buffalo trail. If you start in one
direction on the highway . . . you will come to the effete east. If you start in the opposite
direction . . . you will come to the distinctive west. Cedartown is neither effete nor distinctive not
is it even particularly pleasing to the passing tourist. It is beautiful only in the eyes of those who
live here and in the memories of the Nebraska-born whose dwelling in far places has given them
moments of homesickness for the low rolling hills, the swell and dip of the ripening wheat, the
fields of sinuously waving corn and the elusively fragrant odor of alfalfa.
Bess Streeter Aldrich, A Lantern in Her Hand
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Nebraska cornfield
Courtesy of the Nebraska Game and Parks Commission (57)
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July came on with that breathless, brilliant heat which makes the plains
of Kansas and Nebraska the best corn country in the world. It seemed as if
we could hear the corn growing in the dewy, heavy-odoured cornfield
where the feathered stalks stood so juicy and green. If all the great plain
from the Missouri to the Rocky Mountains had been under glass, and the
heat regulated by a thermometer, it could not have been better for the
yellow tassels, that were ripening and fertilizing the silk day by day.
Willa Cather, My Antonia
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A Literary Map of Ohio
Donald Wenty, Designer
Columbus: Martha Kinney Cooper Ohioana Library Association, 1983
Courtesy of the Ohioana Library Association (58)
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Beyond the last house on Trunion Pike in Winesburg there is a great stretch of field. . . . In the late
afternoon in the hot summers when the road and the fields are covered with dust, a smoky haze
lies over the great flat basin of land. To look across it is like looking out across the sea. In the
spring when the land is green the effect is somewhat different. The land becomes a wide green
billiard table on which tiny insects toil up and down.
Sherwood Anderson, Winesburg, Ohio
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A Map of Sinclair Lewis' United States as It Appears in His Novels
George Annand, Illustrator
New York, Doubleday, Doran, 1934
Geography & Map Division (60)
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The state of Winnemac is bounded by Michigan, Ohio, Illinois, and Indiana, and like them it is
half Eastern, half Midwestern. There is a feeling of New England in its brick and sycamore
villages, its stable industries, and a tradition which goes back to the Revolutionary War. Zenith,
the largest city in the state, was founded in 1792. But Winnemac is Midwestern in its fields of
corn and wheat, its red barns and silos, and despite the immense antiquity of Zenith, many
counties were not settled until 1860.
Sinclair Lewis, Arrowsmith
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Lone Birch, Makinac Island, Michigan
Detroit: Detroit Publishing Company, ca. 1900
Prints & Photographs Division (62)
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Nick pulled the boat high up the beach. . . . In back of them was the close second-growth timber of
the point and in front was the bay with the mouth of Hortons Creek. It was not quite dark. The
firelight went as far as the water. . . .
Ernest Hemingway, "The End of Something"
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The City Dressed for Her Wedding With Winter
Detroit: Detroit Publishing Company, ca. 1900-1910
Prints & Photographs Division (63)
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That's my Middle West--not the wheat or the prairies or the lost Swede
towns, but the thrilling returning trains of my youth, and the street lamps
and sleigh bells in the frosty dark and the shadows of holly wreaths
thrown by lighted windows on the snow. I am part of that, a little solemn
with the feel of those long winters, a little complacent from growing up
in the Carraway house in a city where dwellings are still called through
decades by a family's name.
Nick Carraway in F. Scott Fitzgerald, The Great Gatsby
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(11/04/99)
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