Skip
repetitive navigational links
L-Soft  -  Home of  the  LISTSERV  mailing list  manager LISTSERV(R) 14.5
Skip repetitive navigational links
Previous messageNext messagePrevious in topicNext in topicPrevious by same authorNext by same authorPrevious page (October 2005)Back to main ARSCLIST pageJoin or leave ARSCLISTReplyPost a new messageSearchProportional fontNon-proportional fontLog in
Date:         Fri, 28 Oct 2005 15:55:13 -0400
Reply-To:     Association for Recorded Sound Discussion List
              <[log in to unmask]>
Sender:       Association for Recorded Sound Discussion List
              <[log in to unmask]>
From:         Dick Spottswood <[log in to unmask]>
Subject:      Re: History help needed
Comments: To: Association for Recorded Sound Discussion List <[log in to unmask]>
In-Reply-To:  <[log in to unmask]>
Content-Type: text/plain; charset="US-ASCII"

Sutton/Nauck's American Record Labels and Companies (Mainspring, 2000) cites two short-lived Majestic labels, one each from 1916/7 and 1923. The former was a product of the Majestic Talkling Machine Company. Dick david diehl <[log in to unmask]> Sent by: Association for Recorded Sound Discussion List <[log in to unmask]> 10/28/2005 02:37 PM Please respond to Association for Recorded Sound Discussion List <[log in to unmask]> To [log in to unmask] cc Subject Re: [ARSCLIST] History help needed >>> [log in to unmask] 10/27/2005 7:18:57 PM >>> Thanks David. <snip> By the way, speaking of Majestic, who were their main artists? I know very little about them. Majestic was an old name in phonographs but didn't get into the disc biz until Feb. 1945 when it purchased Eli Oberstein's Hit label. Majestic was one of several operations that hoped to join the ranks of the majors by cashing in on post-war prosperity. (Didn't matter that the war wasn't over). Louis Prima had done well on Hit (once Italy switched sides it was OK to be Italian again) and stayed until Oberstein could sign him for Victor. Eddie Howard was probably the leading artist. The Three Suns did well and Alfred Newman did some very successful albums of show and movie tunes. Rose Murphy (the Chee Chee Girl) enjoyed some success and Ray McKinley's band did alright. Mildred Bailey made quite a few sides but never clicked with the public. Foy Willing and the Riders of the Purple Sage did well in their niche. Majestic had Jimmie Lunceford replacing Cootie Williams as their leading black band and bought masters from Bel-tone to shore up their race catalog. They signed George Olsen late in the game so much of his work never even got into the catalog. Majestic went belly-up in 1948 and was purchased by Mercury. I had assumed the new studio was probaly the biggest asset. Mercury kept the Eddy Howard and Alfred Newman material but sold the rest back to Eli Oberstein's new Wright Record Corp. in 1949. Unissued sides by Bud Freeman, Dale Evans and George Olsen crop up on all of Obie's later labels. David J. Diehl Library Director Texas State Technical College


Back to: Top of message | Previous page | Main ARSCLIST page

LISTSERV.LOC.GOV CataList email list search Powered by LISTSERV email list manager