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Date:         Thu, 6 Oct 2005 10:47:45 -0500
Reply-To:     "[log in to unmask]" <[log in to unmask]>
Sender:       Association for Recorded Sound Discussion List
              <[log in to unmask]>
From:         "[log in to unmask]" <[log in to unmask]>
Subject:      Re: Curatorial Responsibility, formerly Copyright of treasures
Comments: To: Association for Recorded Sound Discussion List <[log in to unmask]>
Content-Type: text/plain; charset="iso-8859-1"

----- Original Message ----- From: "Karl Miller" <[log in to unmask]> > I am reminded of the copy of the Horowitz, Barbirolli Rachmaninoff Third > (at the Library of the Performing Arts) that made its way around > collecting circles...of course I have a copy. While neither the NYPhil nor > the Horowitz estate sued when that performance, possibly from a different > source, was issued in the UK and sold in the US, I wonder, if they had, > could the library have been sued as well (assuming the release came > from the library copy). Proving where the source came from, would that not be difficult? > as in the case of the > Houston Symphony, the union required that the broadcasts (Stokowski years > in particular) be destroyed...fortunately some off air copies survive. Some of the musicians were able to make copies of the tapes as well. I recall a copy of some Barbirolli material that made its way to the composer of some works performed by Sir John. js


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