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Date:         Fri, 26 Sep 2003 09:20:55 +0000
Reply-To:     Association for Recorded Sound Discussion List
              <[log in to unmask]>
Sender:       Association for Recorded Sound Discussion List
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From:         Don Cox <[log in to unmask]>
Subject:      Re: Optical Groove Digitization
Comments: To: Association for Recorded Sound Discussi <[log in to unmask]>
In-Reply-To:  <[log in to unmask]>
Content-Type: text/plain

On 25/09/03, [log in to unmask] wrote: > However, I wonder if much of this dissatisfaction is due to the fact > that the comparison of digital to analog reproduction is very often, > while not quite an "apple to oranges" situation, is still a "delicious > apple to granny smith apple" comparison. Most of the time, the > comparison is between an original recording and a processed digital > reissue of that some recording...the latter has likely been well > worked over by engineers who take orders from record-company > management who want a "saleable product" as judged by their ears (in > other words, one similar to a current recording). This, of course, > sounds incorrect to the ears of those familiar with the original...as > well it probably should! This could be a problem, but probably not too much in the classical music field. Even there, it is easy to over-do noise reduction. There are clearly audible differences between older and more recent transfers from analogue tapes - as there are between different transfers from 78s. > The only way to establish whether an actual difference exists would be > to take a given signal, pass it through electronic equipment which is > set to minimize any distortion it might create, and then convert it > to a digital signal and NOT process that signal. This way, one could > compare the original analog signal as it was received by the a/d > converter, and then the converted output (both, of course, at an > identical level). It would be interesting, in fact, to make an > a/b comparison without specifying which signal was which. In > theory, there shouldn't be any difference that our ears can hear > and brain can identify...including any that the brain imagined > it should hear. I have a good 16 bit sound card which was originally sold for the broadcast studio market. When I make a straight transfer to CD from tape or vinyl, I am not hearing any obvious difference. (But then my hearing is ageing - but then again, I have more experience in analysing sound quality than most listeners.) Bear in mind that any differences heard may be due as much to the D->A conversion as to the A->D conversion. As with 78s, there is a lot more music on a CD than most people have heard yet. Regards -- Don Cox [log in to unmask]


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