Skip
repetitive navigational links
L-Soft  -  Home of  the  LISTSERV  mailing list  manager LISTSERV(R) 14.5
Skip repetitive navigational links
Previous messageNext messagePrevious in topicNext in topicPrevious by same authorNext by same authorPrevious page (October 2008)Back to main ARSCLIST pageJoin or leave ARSCLISTReplyPost a new messageSearchProportional fontNon-proportional fontLog in
Date:         Wed, 15 Oct 2008 21:27:27 +0200
Reply-To:     Association for Recorded Sound Discussion List
              <[log in to unmask]>
Sender:       Association for Recorded Sound Discussion List
              <[log in to unmask]>
From:         George Brock-Nannestad <[log in to unmask]>
Subject:      Re: Aren't recordings original sources?
Content-type: text/plain; charset=US-ASCII

From: Patent Tactics, George Brock-Nannestad Hello, I usually get all ARSCLIST messages double and have to delete half of them. The text below did not even arrive once, so I repeat it: being the one having introduced the concept "source criticism" regarding sound recordings way back in 1981, I have a comment, based on research: an acoustic record actually has the potential of giving a truer account of many of the features of the sound that was available in the recording venue than electric recordings. This is provided 1) you know (possibly have available) the precise recording apparatus (horn, conduit, soundbox, stylus shank, characteristics of the original recording material) and 2) the groove has not been modified or the recording re-recorded. Then you are able to document even the absolute sound level of the sound pressure used for recording. The spatial distribution of e.g. a mouth as a sound source combined with the horn as a receiver will tell you something about the distance. Any amplification means tampering with the level, and I have not heard about any electric recording, where the level was fixed beforehand (calibrated) and nothing tampered with (some experimental records may have this feature, though). Hermann Scherchen's wartime broadcasts in Switzerland went out with no gain riding and no individual balancing: he had found a concert hall setup in which his orchestra sounded just as he wanted on the radio; the musicians just took their seats and played according to his direction. A sound recording, irrespective of tampering, is a source and may be analysed to determine if the features one wishes to retrieve are sufficiently uninfluenced by any processing. Digitizing throws away many of the available features (a lot being fixed in/on the original carrier as ancillary or secondary information), and for this reason any digital version is a poorer source. Its usefulness must be viewed in the light of the survivability of the original, however, and the original's possibility of being played at all. Kind regards, George > ----- Original Message ----- > From: "Marie O'Connell" <[log in to unmask]> > > Another twist to this is the actual transcript of a sound recording. > > Having > > worked on hundreds of Civil Rights oral histories whilst working in the > > South, I found that often the transcribers put a completely different > > emphasis on statements and words, which in turn gave what you were reading > > a > > completely different meaning. It wasn't until I was reading the > > transcript > > AND preserving the audio that I was able to put my finger on it. > > Ofcourse, > > I made notes clarifying this. > > In several instances there was one interviewer I recall who actually > > added, > > he did the transcribing aswell, complete questions and changed the > answers > > of the 'talent' for purposes unknown! I found this unacceptable. I > > believe > > these transcripts were originally made where perhaps it was thought that > > no > > one would listen to the actual recording 30 years down the track. > > Therefore, who DO you believe? If someone has only researched the > > transcript, then, in my experience, I would only find it more believeable > > if > > the audio had been listened to in tandem. > > My 6 cents worth. > > > But...ever since magnetic tape became a standard recording medium...there > is NO practical way to be ABSOLUTELY sure that the recording to which > one is listening is an ABSOLUTELY accurate representation of the event > which was (in theory) recorded...! The only sure way to know this is for > one NEVER to have had the recording out of one's physical posession...?! > > As well...unless a sound recording (1) was properly made, and (2) is > being played back on a high-quality machine...there will ALWAYS be > places where two listeners CAN...and WILL...disagree as to what > was actually said and recorded...! > > OTOH, though...Wikipedia having comcerns about accuracy is > something like Smith & Wesson having concerns about the murder > rates...?! > > Steven C. Barr ------- End of forwarded message -------


Back to: Top of message | Previous page | Main ARSCLIST page

LISTSERV.LOC.GOV CataList email list search Powered by LISTSERV email list manager