Date:Tue, 9 Jan 2007 18:37:48 -0600
Reply-To:Association for Recorded Sound Discussion List
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From:phillip holmes <[log in to unmask]>
Subject:Re: early CD bashing
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That just goes to prove it was a mastering EQ decision that ruined many
discs. The 6 eye and 2 eye stuff was good vinyl, pressed and plated
well. There are a few of the 6 eye records that are very good, but
those got by the inspection process without setting off the alarms.
David Lennick wrote:
> Not surprising..in the 70s when I programmed classical radio,
> Columbias were pretty near the final choices (aside from my being
> bored to death by most Ormandy performances and wondering when
> Bernstein was going to stop being such a freaking showoff). Their eq
> was definitely weird and usually earsplitting. Two pressings of the
> same disc could sound vastly different. I opened the US sample of
> Berman playing the Rachmaninoff 3rd Concerto and was knocked out. The
> Canadian pressing had no life to it. (And at the time the Canadian
> pressings were far superior..the US pressings were always accompanied
> by little bits of plastic shavings which scratched the discs before
> you ever played them.)
>
> dl
>
> phillip holmes wrote:
>> Yes, recent CD transfers (done by Sony, right?) and the original
>> 7.5ips tapes were very good. Yes, they had limitations, but they
>> didn't have the weird EQ that the LPs had.
>> Phillip
>>
>> Don Cox wrote:
>>> On 08/01/07, phillip holmes wrote:
>>>
>>>> I snatch up Columbia promo copies whenever I see them. The classical
>>>> promo copies are especially good, compared to the regular issues, even
>>>> though the Columbia classical sound doesn't measure up to RCA,
>>>> Mercury, EMI and Decca standards--mostly because of EQ decisions
>>>> made--house sound?--the tapes and CD reissues sound much better than
>>>> the LPs.
>>>
>>> That has been my experience with Columbia LPs, especially if you mean
>>> recent CD transfers.
>>>
>>>
>>
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