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Date:         Tue, 3 Jul 2007 13:40:56 -0400
Reply-To:     Association for Recorded Sound Discussion List
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Sender:       Association for Recorded Sound Discussion List
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From:         Aaron Levinson <[log in to unmask]>
Subject:      Re: LP pressing question
Comments: To: Association for Recorded Sound Discussion List <[log in to unmask]>
In-Reply-To:  <[log in to unmask]>
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Actually, what I love is that if a mix went a little long, say over 2:30 in the 60's that the producer would just say it was 2:31 and it would end up that way on the label and they'd leave it at that.That way you gave a Program Director no ammunition to keep your recorded from being added to rotation! A classic case of "fake it till you make it". I don't know why but the audacity of doing a 3:00 mix and printing 2:31 on the record just tickles me pink... AA Michael Shoshani wrote: > Tom Fine wrote: >> When the QC listening was done, it was done with a stop-watch so that >> times could be known for problem, which were noted. > > That's interesting - I read somewhere that records did not carry time > information until after tape was introduced, which led me to conclude > that the time was calculated by measuring the tape footage and > dividing it by the speed, rather than having some poor schlub sit > there all day with a stopwatch. > > Michael Shoshani > Chicago >


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