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Date:         Tue, 3 Jul 2007 01:22:13 -0400
Reply-To:     Association for Recorded Sound Discussion List
              <[log in to unmask]>
Sender:       Association for Recorded Sound Discussion List
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From:         "Steven C. Barr(x)" <[log in to unmask]>
Subject:      Re: Blues harp amplified (was Re: [ARSCLIST] Is The Record Shop
              Dead?)
Comments: To: Association for Recorded Sound Discussion List <[log in to unmask]>
Content-Type: text/plain; charset="iso-8859-1"

----- Original Message ----- From: "Tom Fine" <[log in to unmask]> > Hi Steve: > If you mean the triangular chrome-colored Ampex-badged mics, those were actually Electrovoice, > forgot the EV model number. They were P.A.-grade mics, dynamics. Like several EV models of the time, > they had a 4-pin screw-in connector that could be wired for hi-z unbalanced 2-wire or low-z balanced > 3-wire. If you're talking about the Ampex-badged little plastic mics about the size of a large > cigar, those were generic Japanese dynamics and were sold with the solid-state Ampex reel decks of > the late 60's. Those mics actually are surprisingly good interview mics and I use them often with my > little cassette recorder and get very nice audible human voice pickup. Ampex also re-badged the > Altec cardioid and omni dynamic mics of the late 60's and sold them as accessories to broadcasters > buying the AG-600 and AG-500 tape decks. Those Altec mics, especially the omni, were actually quite > hi-fi as far as having pretty even response and wide frequency range and decent sensitivity. Nothing > like a Schoeps small-capsule or an Altec "lipstick" mic, but pretty darn good. > > I would guess, as far as stage cool and general availability, you probably used the chrome-colored > EV mics? > Given your description(s), I'd say I had the second type! Voice-oriented bandwidth, 1/4" plug output... Steven C. Barr


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