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Date:         Tue, 17 Jul 2007 08:27:14 -0700
Reply-To:     Association for Recorded Sound Discussion List
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Sender:       Association for Recorded Sound Discussion List
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From:         Rod Stephens <[log in to unmask]>
Organization: Stephens Audio Video Enterprises (S.A.V.E.)
Subject:      Re: off-topic: guilty pleasure in hi-fi demo records
Comments: To: Association for Recorded Sound Discussion List <[log in to unmask]>
In-Reply-To:  <[log in to unmask]>
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In sending this out (below) last night, I transposed the identification of the "Italian" to Herr Beethoven when it was really for Signori Resphigi. Rod Rod Stephens wrote: > Hello Rod, > > This reply is from another Rod (myself), and the one recording I > bought when Hi-Fi hit our country was the Westminster demo record (it > was mono, since this preceded stereo), "WESTMINSTER'S HI-FI > DEMONSTRATION RECORD" #DRB. From the cover, "A PRESENTATION OF MUSIC > FROM OUTSTANDING WESTMINSTER RECORDINGS SELECTED FOR DEMONSTRATION > PURPOSES OF FINE, WIDE-RANGE PHONOGRAPH EQUIPMENT > > * The Contents > > FREQUENCY TONES IN ALL AUDIBLE RANGES FROM 40 TO 15,000 CPS. > > MUSIC WITH CONTROLLABLE RANGE FROM 30 TO 15,000 CPS. > > DEFINITION IN LOUD PASSAGES WITHOUT INTERMODULATION > > SEPARATE BANDS OF SOUND OF PERCUSSION, STRING, WOODWIND > AND BRASS GROUPS, PIANO, HARPSICHORD AND GUITAR > > STROBOSCOPE FOR CONTROL OF TURNTABLE > SPEED (The logo of > the > > Westminster clock tower) > with the inscription, "Natural Balance Westminster Long Playing > Records" > > It exposed me to classical music that I hadn't ever really listened to > before, but as a result, became a fan of such as those "far out" > Russians like Gliere and Rachmaninoff and that crazy Italian, > Beethoven and his later friend, Respighi. > > Ah, the joys of discovery when you're a young person (not to mention, > Britten's "Y.P.'s Guide to the Orchestra"). > > Rod Stephens > > David Lennick wrote: > >> Steven C. Barr(x) wrote: >> >>> ----- Original Message ----- From: "rodbrown" <[log in to unmask]> >>> >>>> Hi all, >>>> >>>> I'm timidly un-lurking for a moment because I have a question for >>>> which I'm sure the ARSClist subscribership would have a broad range >>>> of useful, informed opinions. >>>> >>>> I've recently become reacquainted with an LP I really enjoyed as a >>>> kid: "An Adventure In High Fidelity", subtitled "A 'New >>>> Orthophonic' High Fidelity Recording." This is an RCA Victor boxed >>>> set, LM-1802. I find I still enjoy hearing this old record. >>>> >>>> It purports to present great-sounding (monaural) classical and >>>> semi-classical music, but also offers some very entertaining pop >>>> instrumentals. It's an interesting listen, full of ear-catching, >>>> exotic sounds, highs and lows, softs and louds. It tries to be all >>>> things to a broad range of listeners, and doesn't fail too badly, >>>> seems to me. >>>> >>>> I'm sure there must be any number of similar efforts committed to >>>> vinyl by various companies who sought to interest the public in a >>>> particular label, or a brand of equipment, or a supposed technical >>>> breakthrough. Was this record a better-than-average example of a >>>> genre? Would any of you care to mention any fond recollections on >>>> this type of recording? Any recommendations? >>>> >>> Well, I can only comment on/in my own area of expertise...that being >>> "one level earlier" in technical terms (shellac 78rpm discs...!). >>> And there WERE a number of "demonstration records" issued from the >>> beginning of that format onward. I have heard, and seen, "demonstration >>> records" made by Berliner c.1900, to be played for potential machine >>> buyers (don't own copies, though...!). Columbia issued at least three >>> different such discs (with a fourth version for Canada >>> only...!)...Victor >>> issued several different records in their D- series...I have similar >>> discs >>> on the Perfect, Bell and Gennett labels...and Philco issued two >>> c.1930 discs intended to sell their radio-phonograph sets, along >>> with a set of >>> several c.1940 "demo discs" of the same sort, which feature Columbia >>> artists and are on the Columbia label. I also own a Hit-Of-The-Week >>> disc >>> featuring a "Medley Of Canadian Songs," which may have been used for >>> promotion here in Canada (and bears a rubber-stamped "Sample" legend >>> as well). And...Victor DID issue a "promo record" for their first >>> 33-1/3 >>> "Program Transcription" line...with a "DL-" number. >>> >>> Steven C. Barr >>> >> In the LP era, there were all sorts of demos and promos.."Adventure >> in High Fidelity" is sure a better sample than "Hearing is Believing" >> (music samples on side 2 are fine, but the comparisons on side 1 >> include modern versions vs acousticals!). In the early stereo days, >> RCA put out "Bob And Ray Throw a Stereo Spectacular" and "Sounds in >> Space"..the latter has crossed my hands 3 times, never in playable >> condition (the last copy had the Glenn Gould "So You Want To Write a >> Fugue" flexi scotch taped to it!). >> >> dl >> >


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