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Date:         Thu, 14 Feb 2008 23:46:25 -0500
Reply-To:     Association for Recorded Sound Discussion List
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Sender:       Association for Recorded Sound Discussion List
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From:         "Steven C. Barr(x)" <[log in to unmask]>
Subject:      Re: Some potential bad news ...
Comments: To: Association for Recorded Sound Discussion List <[log in to unmask]>
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----- Original Message ----- From: "Tom Fine" <[log in to unmask]> > The worst is the sitting on stuff in the vaults. There needs to be a mechanism where if something is > out of print, if it stays out of print xx years it's considered "abandoned" or something akin and > thus a niche-reissuer could get hold of the material, paying the actual copyright owner a royalty. > My belief is, if you own the copyright and it's been in public distribution, you have the right to > collect royalties for however many years the law says but you shouldn't have the right to lock > something away in a vault because you do not know how to sell profitably to a niche audience. > > This all might be resolved by the online per-song model, which requires less of an audience for > profitability in most cases. However, what about the vast holdings that were never digitized and > thus there is a substantial cost involved in making the material available online? It's an > interesting problem ... > Okeh...my thoughts! First, I'd like to see a "use it or lose it" policy on the copyrights. Whenever a given sound recording is no longer readily available to potential purchasers (that would have to be defined legally), said recording falls into the public domain (alternatively, falls into a "mandatory license" situation)...! Second, in the case of 99.99% of the affected sound recordings (i.e. NOT Elvis, possibly not Glenn Miller...?), they get digitized and web-posted by people or institutions who love them...NOT by parties expecting to get filthy rich...! Steven C. Barr


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