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Date:         Wed, 10 Sep 2008 15:38:00 -0400
Reply-To:     Association for Recorded Sound Discussion List
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Sender:       Association for Recorded Sound Discussion List
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From:         Steven Smolian <[log in to unmask]>
Subject:      Re: Bix Beiderbecke "reissue" 78's
Comments: To: Association for Recorded Sound Discussion List <[log in to unmask]>
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Surely some of the metals went to the scrap drives of WWII. Now THAT was a scrap. Steve Smolian ----- Original Message ----- From: "Dick Spottswood" <[log in to unmask]> To: <[log in to unmask]> Sent: Wednesday, September 10, 2008 8:08 AM Subject: Re: [ARSCLIST] Bix Beiderbecke "reissue" 78's > Most Columbia pre-WW2 jazz reissues derive from original metal parts, and > post-war pressings are always dubs. I suspect that the post-war popularity > of record changers prompted new pressings with lead-in and "improved " > lead-out grooves that activated changer mechanisms more aggressively. > Sometimes you can spot altered lead -out grooves on pressings from > original metals. The 1937 Bessie Smith memorial album and four 1933 > Goodman titles reissued on the special BENNY GOODMAN label (3167-D, > 3168-D) were all dubbed. They also marked the end of Columbia's 1-D > series, created in 1923. > > Victor reissued a lot of 1920s jazz on Bluebird from the mid-30s onward, > from both original and dubbed metals. Album reissue setsof JR Morton, > McKinney's Cotton Pickers etc. appeared in both Canada and the US. > Canadian sets use original parts; US equivalents are dubbed. > > Victor kept most of its Carter Family and Jimmie Rodgers titles available > in the Bluebird and Montgomery Ward catalogs through the 1930s, The first > Bluebird B-5000 series reissues were dubbed, just about everything else > used original parts. > > Dick > > > > > > Steven Smolian <[log in to unmask]> > Sent by: Association for Recorded Sound Discussion List <[log in to unmask]> > 09/10/2008 05:42 AM > Please respond to > Association for Recorded Sound Discussion List <[log in to unmask]> > > > To > [log in to unmask] > cc > > Subject > Re: [ARSCLIST] Bix Beiderbecke "reissue" 78's > > > > > > > Jeff Wheeler has a book in progress on this isssue-er-reissue situation. > > Steve Smolian > > > ----- Original Message ----- > From: "David Lennick" <[log in to unmask]> > To: <[log in to unmask]> > Sent: Wednesday, September 10, 2008 12:16 AM > Subject: Re: [ARSCLIST] Bix Beiderbecke "reissue" 78's > > >> Biltmore, not Biltmor..Biltmor was a Canadian label around 1950. Funny >> about dropping the final E on common names..there was a label up here >> called Yorkshir as well. We drop Es and add Us. >> >> Biltmore, Temple, Sentry (and a few others) all put out dubs of rare > jazz >> 78s. Some of them weren't too atrocious. Some were..but how else were > you >> going to say you owned a copy of Zulu's Ball? >> >> dl >> >> David Lennick wrote: >>> Sweet Sue was a dub, and there are two versions..the complete original >>> (4:25 or so) and one with the "florid introduction" removed. We had the > >>> set with the complete version but the liner notes were unchanged, so > for >>> years I wondered how much longer the original could have been! I didn't > >>> find the shorter version till just a few years ago. >>> >>> And the second album is definitely all dubs, but all the Columbia > reissue >>> albums were dubs by this time, like Crosby Classics Volume II. In fact >>> Columbia was dubbing older European classical masters as well c. 1950. >>> >>> Did Boris Rose have anything to do with Biltmor? I've seen some > lacquers >>> where the labels were the blank sides of old Biltmor labels. >>> >>> dl >>> >>> David Weiner wrote: >>>> Some of the Columbia reissues - especially the first album, are > mostly >>>> master pressings. I think the later album is all dubs. >>>> >>>> The Biltmores are definitely all bootleg dubs. >>>> >>>> Dave W. >>>> ---------------------- >>>> >>>> Hi All: >>>> >>>> I am interested in details about two Bix Beiderbecke reissue 78's. >>>> >>>> First of all, the albums put out by Columbia in the late 40's, > reissues >>>> of >>>> Okeh records -- were those made from old metal parts or are they dubs > of >>>> old records? >>>> >>>> Second, what's the story on the 78's put out on the Biltmore label? >>>> These >>>> seem to be either licensed reissues or bootlegs of old Gennett and >>>> Victor records, of the Wolverines >>>> and the Whiteman band. >>>> >>>> Thanks in advance for any answers! >>>> >>>> -- Tom Fine >>>> >>>> >>> >>> >> >


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