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Date:         Wed, 9 Aug 2006 12:32:45 -0400
Reply-To:     Association for Recorded Sound Discussion List
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Sender:       Association for Recorded Sound Discussion List
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From:         Thomas Stern <[log in to unmask]>
Subject:      Josh White   Langston Hughes   Folksay records label   Folksong
              and folksingers  Stinson records
Comments: To: Forum for ballad scholars <[log in to unmask]>,
          [log in to unmask], Association for Recorded Sound Discussion List
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Below I've transcribed the liner notes from the 10" LP JOSH WHITE Folksay Records FLP-15. "Josh White sings Easy" by Langston Hughes. More fuel for the folksinger/folksong controversy, from the literary viewpoint...... Some questions: 1.Is Langston Hughes' liner note also on the STINSON issue of this Josh White album? If Not, what is on the Stinson lp? 2.Elijah Wald notes the following JW-LH connection, what others? > Josh also acted in a BBC radio play about black soldiers, The Man Who > Went to War, written by Langston Hughes, and one of his most popular > songs of this period was a war-and-integration number from Hughes' > pen, "Freedom Road." This was not a strict blues, but both Hughes and > Josh worked to make it fit his style: 3.Can someone provide information about the FOLKSAY record label (appear to be same as Stinson 10" lp's. So far I've only seen LOW catalog numbers). 4.Are the Folksay and Stinson issues RIVAL issues of this material (anyone remember the situation during the 60's blues rediscoveries era when the Piedmont albums were issued on different labels by the feuding principals in that enterprise), OR simply a label change at some point in time? Why? 5.Can someone provide accurate dates when Stinson started releasing their albums on 12"lp's, and when they moved from New York City to California? Thanks! Best wishes, Thomas. Folksay Records FLP #15 Josh White JOSH WHITE SINGS EASY You could call Josh White the Minstrel of the Blues, except that he is more than a Minstrel of the Blues. The Blues are Negro music, but. although he is a Negro, Josh is a fine folk-singer of anybody's songs - southern Negro or southern white, plantation work-songs or modern union songs, English or Irish ballads - any songs that come from the heart of the people. When Josh was a little boy, he used to lead the famous Blind Lemmon Jefferson around, and he probably passed the tin cup. Blind Lemmon was a singer of Blues and Moans and Shouts. Blind Lemmon was great at those lonely songs that one man or one woman sings alone. Perhaps it was from Blind Lemmon that Josh absorbed the common loneliness of the folk song that binds one heart to all others-and all others to the one who sings the song. For Josh has a way of taking a song like Hard Times Blues and making folks who have never even had a hard time feel as though they had experienced poverty. The guitar that Josh White plays is as eloquent, as simple and direct as are his songs themselves. His guitar keeps a heart-beat rhythm that makes you feel his songs in your heart. His guitar has in it at one and the same time, sadness and gaiety, despair and faith. Sometimes his guitar laughs behind a sad song. Sometimes it cries behind a happy song. Sometimes it makes a Chaplinesque comment on One Meat Ball. Josh White and His Guitar used to be billed together. They are one and inseparable. Josh White sings with such ease that you never feel like he is trying. That is the secret of true folk-singing-for the folk-song never tries to get itself sung. If it just doesn't ease itself into your soul and then out of your mouth spontaneously, to stay singing around your head forever, then it isn't a folk-song. If it doesn't sing easy and wear like an old shoe, it isn't a folk-song. And if the singer tries too hard and gets nowhere with such a song, that singer isn't a folk-singer. The popular song hits sort of go in one ear, ring around in your head for a bit, then out the other ear. But folk songs like Water Boy, or Lord Randall, or any good old Blues, sort of soak into your being and remain there with no effort. The great folk-singers give them off again-with no effort, either. From Blind Lemmon to Burl Ives, from Bessie Smith to Aunt Molly Jackson there runs a wave of singing easy. Josh White also sings easy. By LANGSTON HUGHES


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