art + artists

Still from Ori Gersht's "The Forest," 2006, courtesy of the artist.

on view now

Black Box: Ori Gersht

Ori Gersht (b. 1967, Tel Aviv) currently lives and works in London. He is noted for his series of large-scale photographs and arresting moving-image pieces. The artist’s work encourages viewers to reflect on the power of natural beauty and how it is affected by human intervention. 

in depth

Francis Bacon
Francis Bacon (British, born Dublin, Ireland, 1909–1992) grew up in Dublin and London amidst the upheaval of World War I and the Irish Home Rule movement. After leaving home at 16, he spent the late 1920s in Berlin and Paris, where he worked as an interior designer. He decided to become an artist after seeing an impressive Paris exhibition of Pablo Picasso's works, and in 1929 he returned to London and began painting. Virtually self-taught, Bacon won early praise from influential critics during the 1930s. However, in about 1943, he destroyed most of his early paintings.

staff picks

Kristen's Pick - Richard Artschwager

Kristen's Pick - John Baldessari

Ron Mueck's "Untitled (Big Man)," 2000, from the Hirshhorn's collection.

collection highlights

Strange Bodies: Figurative Works from the Collection

An important strength of the Hirshhorn Museum is its holdings in figurative art. Strange Bodies brings together some of the most praised and popular examples of figuration from the collection to show how expressionistic and surrealistic impulses toward human representation have evolved from the early and mid-twentieth century to recent decades.  The tension between the enthusiastic response that figuration often receives from general audiences and the loaded, at times dark content it can carry is also explored.  Moreover, the installation allows an assessment of past collection building.
Terence Gower

exhibition highlights

Directions--Terence Gower, Public Spirit

Terence Gower’s project "Public Spirit" grew out of his research into the history of the museum during his 2007 artist fellowship with the Smithsonian. The exhibition tells the story of the original proposal for the Hirshhorn Museum, which founder Joseph Hirshhorn envisioned as the centerpiece of a utopian "town of culture" planned for the wilderness of western Ontario, Canada. In the mid-1950’s, Hirshhorn enlisted architect Phillip Johnson to design the town, and although the project was never realized, photographic documentation of his architectural model still exists. Gower uses these photos along with other documentation of the plans for the town and Ezra Stoller’s photographs of the Gordon Bunshaft-designed Hirshhorn Museum and Sculpture Garden for his material.
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