ARSCLIST Archives – March 2004

1. -Misspellings corrected. Historical off air recordings. Boston Symphony Orchestra broadcasts.
   • -Misspellings corrected. Historical off air recordings. Boston Symphony Orchestra broadcasts. (22 lines)
     From: Don Saklad <[log in to unmask]>
     Date: Fri, 19 Mar 2004 18:24:26 -0500
   • Re: -Misspellings corrected. Historical off air recordings. Boston Symphony Orchestra broadcasts. (36 lines)
     From: Mike Richter <[log in to unmask]>
     Date: Fri, 19 Mar 2004 16:38:32 -0800
   • Re: -Misspellings corrected. Historical off air recordings. Boston Symphony Orchestra broadcasts. (23 lines)
     From: Karl Miller <[log in to unmask]>
     Date: Mon, 22 Mar 2004 10:55:31 -0600
   • Re: -Misspellings corrected. Historical off air recordings. Boston Symphony Orchestra broadcasts. (34 lines)
     From: Mike Richter <[log in to unmask]>
     Date: Mon, 22 Mar 2004 09:31:00 -0800
   • Re: -Misspellings corrected. Historical off air recordings. Boston Symphony Orchestra broadcasts. (38 lines)
     From: Karl Miller <[log in to unmask]>
     Date: Mon, 22 Mar 2004 13:01:26 -0600
   • Re: -Misspellings corrected. Historical off air recordings. Boston Symphony Orchestra broadcasts. (39 lines)
     From: Mike Richter <[log in to unmask]>
     Date: Mon, 22 Mar 2004 12:07:32 -0800
   • Re: -Misspellings corrected. Historical off air recordings. Boston Symphony Orchestra broadcasts. (32 lines)
     From: Don Cox <[log in to unmask]>
     Date: Mon, 22 Mar 2004 21:36:37 +0000
   • Re: -Misspellings corrected. Historical off air recordings. Boston Symphony Orchestra broadcasts. (24 lines)
     From: Karl Miller <[log in to unmask]>
     Date: Mon, 22 Mar 2004 16:56:15 -0600
   • Re: -Misspellings corrected. Historical off air recordings. Boston Symphony Orchestra broadcasts. (38 lines)
     From: Steven C. Barr <[log in to unmask]>
     Date: Thu, 25 Mar 2004 15:45:37 -0500

2. 16 2/3 rpm
   • 16 2/3 rpm (56 lines)
     From: phirsch <[log in to unmask]>
     Date: Thu, 4 Mar 2004 10:42:58 -0500

3. 2003 National Recording Registry Announced
   • 2003 National Recording Registry Announced (184 lines)
     From: Mary R Bucknum <[log in to unmask]>
     Date: Fri, 19 Mar 2004 16:44:51 -0500

4. 25Hz - 60Hz issues
   • 25Hz - 60Hz issues (54 lines)
     From: Art Shifrin <[log in to unmask]>
     Date: Fri, 5 Mar 2004 20:51:39 -0500
   • Re: 25Hz - 60Hz issues (39 lines)
     From: George Brock-Nannestad <[log in to unmask]>
     Date: Sat, 6 Mar 2004 07:59:46 +0100
   • Re: 25Hz - 60Hz issues (53 lines)
     From: Richard L. Hess <[log in to unmask]>
     Date: Fri, 5 Mar 2004 23:28:43 -0800
   • Re: 25Hz - 60Hz issues (58 lines)
     From: Steven C. Barr <[log in to unmask]>
     Date: Sat, 6 Mar 2004 14:46:34 -0500

5. 4 track reel machines
   • 4 track reel machines (347 lines)
     From: retreat <[log in to unmask]>
     Date: Wed, 31 Mar 2004 11:36:15 -0800
   • Re: 4 track reel machines (31 lines)
     From: Mike Richter <[log in to unmask]>
     Date: Wed, 31 Mar 2004 11:56:19 -0800
   • Re: 4 track reel machines (48 lines)
     From: Richard L. Hess <[log in to unmask]>
     Date: Wed, 31 Mar 2004 11:56:25 -0800
   • Re: 4 track reel machines (313 lines)
     From: Rod Stephens <[log in to unmask]>
     Date: Wed, 31 Mar 2004 11:59:22 -0800
   • Re: 4 track reel machines (410 lines)
     From: Steven Smolian <[log in to unmask]>
     Date: Wed, 31 Mar 2004 16:43:38 -0500
   • Re: 4 track reel machines (174 lines)
     From: Richard L. Hess <[log in to unmask]>
     Date: Wed, 31 Mar 2004 14:20:09 -0800

6. 78s relatively inexpensive? I disagree (was Victor film)
   • 78s relatively inexpensive? I disagree (was Victor film) (47 lines)
     From: Art Shifrin <[log in to unmask]>
     Date: Thu, 18 Mar 2004 13:17:00 -0500
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (49 lines)
     From: Mike Richter <[log in to unmask]>
     Date: Thu, 18 Mar 2004 13:33:54 -0800
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (73 lines)
     From: James L Wolf <[log in to unmask]>
     Date: Thu, 18 Mar 2004 16:46:14 -0500
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (86 lines)
     From: Steven C. Barr <[log in to unmask]>
     Date: Thu, 18 Mar 2004 18:03:59 -0500
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (24 lines)
     From: Steven C. Barr <[log in to unmask]>
     Date: Thu, 18 Mar 2004 18:11:59 -0500
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (30 lines)
     From: Steven C. Barr <[log in to unmask]>
     Date: Thu, 18 Mar 2004 18:18:11 -0500
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (27 lines)
     From: Matt Love <[log in to unmask]>
     Date: Thu, 18 Mar 2004 16:15:13 -0800
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (20 lines)
     From: Art Shifrin <[log in to unmask]>
     Date: Thu, 18 Mar 2004 19:37:51 -0500
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (37 lines)
     From: Mike Richter <[log in to unmask]>
     Date: Thu, 18 Mar 2004 16:44:37 -0800
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (35 lines)
     From: Mike Richter <[log in to unmask]>
     Date: Thu, 18 Mar 2004 16:54:22 -0800
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (35 lines)
     From: George Brock-Nannestad <[log in to unmask]>
     Date: Fri, 19 Mar 2004 07:20:52 +0100
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (37 lines)
     From: [log in to unmask]
     Date: Fri, 19 Mar 2004 13:42:43 EST
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (31 lines)
     From: Steven C. Barr <[log in to unmask]>
     Date: Tue, 23 Mar 2004 15:09:34 -0500
   • Re: 78s relatively inexpensive? I disagree (was Victor film) (51 lines)
     From: RA Friedman <[log in to unmask]>
     Date: Tue, 23 Mar 2004 12:16:23 -0800

7. A-D converters and sound cards
   • A-D converters and sound cards (17 lines)
     From: Jay Gaidmore <[log in to unmask]>
     Date: Tue, 9 Mar 2004 12:54:30 -0500
   • Re: A-D converters and sound cards (26 lines)
     From: Mike Richter <[log in to unmask]>
     Date: Tue, 9 Mar 2004 11:41:01 -0800
   • Re: A-D converters and sound cards (32 lines)
     From: [log in to unmask] <[log in to unmask]>
     Date: Tue, 9 Mar 2004 13:40:28 -0600
   • Re: A-D converters and sound cards (29 lines)
     From: Mike Richter <[log in to unmask]>
     Date: Tue, 9 Mar 2004 12:06:17 -0800

8. Academy of Certified Archivists exam in Atlanta?
   • Academy of Certified Archivists exam in Atlanta? (36 lines)
     From: Watsky, Lance <[log in to unmask]>
     Date: Wed, 24 Mar 2004 14:33:53 -0500

9. Any experience with KAB
   • Any experience with KAB (39 lines)
     From: Eugene Hertz <[log in to unmask]>
     Date: Tue, 23 Mar 2004 18:41:11 -0800

10. appraisal
    • appraisal (71 lines)
      From: [log in to unmask]
      Date: Wed, 3 Mar 2004 07:50:14 EST
    • Re: appraisal (37 lines)
      From: Karl Miller <[log in to unmask]>
      Date: Wed, 3 Mar 2004 08:26:32 -0600
    • Re: appraisal (71 lines)
      From: [log in to unmask]
      Date: Wed, 3 Mar 2004 09:30:52 EST
    • Re: appraisal (77 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Wed, 3 Mar 2004 07:43:19 -0800
    • Re: appraisal (23 lines)
      From: [log in to unmask] <[log in to unmask]>
      Date: Wed, 3 Mar 2004 09:57:38 -0600
    • Re: appraisal (50 lines)
      From: Steven Smolian <[log in to unmask]>
      Date: Wed, 3 Mar 2004 12:26:21 -0500
    • Re: appraisal (45 lines)
      From: Karl Miller <[log in to unmask]>
      Date: Thu, 4 Mar 2004 08:15:43 -0600

11. Appraisal of Sound Recordings
    • Re: Appraisal of Sound Recordings (32 lines)
      From: Steven Smolian <[log in to unmask]>
      Date: Tue, 2 Mar 2004 13:48:00 -0500
    • Re: Appraisal of Sound Recordings (48 lines)
      From: David S Sager <[log in to unmask]>
      Date: Tue, 2 Mar 2004 14:33:00 -0500
    • Re: Appraisal of Sound Recordings (58 lines)
      From: Steven Smolian <[log in to unmask]>
      Date: Tue, 2 Mar 2004 16:45:51 -0500
    • Re: Appraisal of Sound Recordings (81 lines)
      From: David S Sager <[log in to unmask]>
      Date: Tue, 2 Mar 2004 17:02:08 -0500
    • Re: Appraisal of Sound Recordings (50 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Tue, 2 Mar 2004 20:39:38 -0500
    • Re: Appraisal of Sound Recordings (105 lines)
      From: Steven Smolian <[log in to unmask]>
      Date: Tue, 2 Mar 2004 18:34:39 -0500
    • Re: Appraisal of Sound Recordings (104 lines)
      From: Copeland, Peter <[log in to unmask]>
      Date: Thu, 18 Mar 2004 15:16:28 -0000
    • Re: Appraisal of Sound Recordings (104 lines)
      From: Paul Jackson <[log in to unmask]>
      Date: Thu, 18 Mar 2004 12:01:59 -0800
    • Re: Appraisal of Sound Recordings (36 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Thu, 18 Mar 2004 13:04:40 -0800

12. ARSC Awards
    • ARSC Awards (44 lines)
      From: Steve Ramm <[log in to unmask]>
      Date: Mon, 15 Mar 2004 09:52:44 EST

13. ARSC Conference 2005
    • ARSC Conference 2005 (49 lines)
      From: Steve Ramm <[log in to unmask]>
      Date: Mon, 15 Mar 2004 09:54:46 EST

14. ARSCList Archives Update
    • ARSCList Archives Update (53 lines)
      From: Mary R Bucknum <[log in to unmask]>
      Date: Mon, 15 Mar 2004 16:18:11 -0500

15. ARSCLIST Digest - .BWF backward compatibility
    • Re: ARSCLIST Digest - .BWF backward compatibility (29 lines)
      From: Dave Radlauer <[log in to unmask]>
      Date: Sat, 27 Mar 2004 14:27:33 EST
    • Re: ARSCLIST Digest - .BWF backward compatibility (43 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Sat, 27 Mar 2004 12:33:21 -0800
    • Re: ARSCLIST Digest - .BWF backward compatibility (77 lines)
      From: John Spencer <[log in to unmask]>
      Date: Sun, 28 Mar 2004 17:41:17 -0600
    • Re: ARSCLIST Digest - .BWF backward compatibility (32 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Sun, 28 Mar 2004 18:52:04 -0500
    • Re: ARSCLIST Digest - .BWF backward compatibility (34 lines)
      From: Karl Miller <[log in to unmask]>
      Date: Mon, 29 Mar 2004 10:09:02 -0600
    • Re: ARSCLIST Digest - .BWF backward compatibility (45 lines)
      From: John Spencer <[log in to unmask]>
      Date: Mon, 29 Mar 2004 15:44:18 -0600
    • Re: ARSCLIST Digest - .BWF backward compatibility (67 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Mon, 29 Mar 2004 20:01:07 -0500
    • Re: ARSCLIST Digest - .BWF backward compatibility (80 lines)
      From: [log in to unmask]
      Date: Mon, 29 Mar 2004 21:36:13 EST
    • Re: ARSCLIST Digest - .BWF backward compatibility (36 lines)
      From: Don Cox <[log in to unmask]>
      Date: Tue, 30 Mar 2004 09:55:16 +0000
    • Re: ARSCLIST Digest - .BWF backward compatibility (52 lines)
      From: John Spencer <[log in to unmask]>
      Date: Tue, 30 Mar 2004 16:54:50 -0600

16. ARSCLIST Digest - 23 Mar 2004 to 24 Mar 2004 (#2004-65)
    • Re: ARSCLIST Digest - 23 Mar 2004 to 24 Mar 2004 (#2004-65) (34 lines)
      From: Dave Radlauer <[log in to unmask]>
      Date: Thu, 25 Mar 2004 11:56:09 EST
    • Re: ARSCLIST Digest - 23 Mar 2004 to 24 Mar 2004 (#2004-65) (27 lines)
      From: Dave Radlauer <[log in to unmask]>
      Date: Thu, 25 Mar 2004 12:02:09 EST
    • Re: ARSCLIST Digest - 23 Mar 2004 to 24 Mar 2004 (#2004-65) (28 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Thu, 25 Mar 2004 09:48:59 -0800

17. artist fees and contracts (was: 78s relatively ine xpensive? I disagree)
    • Re: artist fees and contracts (was: 78s relatively ine xpensive? I disagree) (79 lines)
      From: Prentice, Will <[log in to unmask]>
      Date: Wed, 24 Mar 2004 16:23:32 -0000

18. Ask Telarc!
    • Ask Telarc! (51 lines)
      From: Louise Spear <[log in to unmask]>
      Date: Mon, 8 Mar 2004 22:52:12 -0800

19. Book: Preservation And Storage Of Sound Recordings
    • Book: Preservation And Storage Of Sound Recordings (39 lines)
      From: Graham Newton <[log in to unmask]>
      Date: Sat, 27 Mar 2004 22:55:30 -0500
    • Re: Book: Preservation And Storage Of Sound Recordings (54 lines)
      From: Lawrence A Appelbaum <[log in to unmask]>
      Date: Sat, 27 Mar 2004 23:37:22 -0500
    • Re: Book: Preservation And Storage Of Sound Recordings (40 lines)
      From: Graham Newton <[log in to unmask]>
      Date: Sat, 27 Mar 2004 23:47:17 -0500
    • Re: Book: Preservation And Storage Of Sound Recordings (48 lines)
      From: George Brock-Nannestad <[log in to unmask]>
      Date: Sun, 28 Mar 2004 11:12:32 +0200

20. Can You Identify This Tune? [78-l] [ARSCLIST]
    • Can You Identify This Tune? [78-l] [ARSCLIST] (33 lines)
      From: John Mehlberg <[log in to unmask]>
      Date: Sat, 20 Mar 2004 22:25:12 -0600
    • Re: Can You Identify This Tune? [78-l] [ARSCLIST] (31 lines)
      From: Aaron Z Snyder <[log in to unmask]>
      Date: Sun, 21 Mar 2004 00:12:24 -0500
    • Re: Can You Identify This Tune? [78-l] [ARSCLIST] (60 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Wed, 24 Mar 2004 19:08:34 -0500
    • Re: Can You Identify This Tune? [78-l] [ARSCLIST] (27 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Wed, 24 Mar 2004 16:22:17 -0800

21. Carrie Bickner/MHT/Nypl is out of the office.
    • Carrie Bickner/MHT/Nypl is out of the office. (17 lines)
      From: Carrie Bickner <[log in to unmask]>
      Date: Mon, 8 Mar 2004 01:01:12 -0500
    • Carrie Bickner/MHT/Nypl is out of the office. (17 lines)
      From: Carrie Bickner <[log in to unmask]>
      Date: Tue, 23 Mar 2004 01:00:18 -0500

22. Cash Reward Offered For Information
    • Cash Reward Offered For Information (44 lines)
      From: Dismuke <[log in to unmask]>
      Date: Sun, 14 Mar 2004 15:27:47 -0600

23. Cost to clean and digitize 78s.
    • Cost to clean and digitize 78s. (45 lines)
      From: Joel Bresler <[log in to unmask]>
      Date: Mon, 8 Mar 2004 09:36:42 -0500
    • Re: Cost to clean and digitize 78s. (62 lines)
      From: Steven Smolian <[log in to unmask]>
      Date: Mon, 8 Mar 2004 11:04:30 -0500

24. Disc doctor on cylinders?
    • Disc doctor on cylinders? (34 lines)
      From: Eugene Hertz <[log in to unmask]>
      Date: Wed, 24 Mar 2004 21:32:24 +0000

25. ERPANET Training Seminar: Programme released (Vienna, 10-11 May 2004)
    • ERPANET Training Seminar: Programme released (Vienna, 10-11 May 2004) (97 lines)
      From: Swiss Editor <[log in to unmask]>
      Date: Wed, 31 Mar 2004 13:49:20 +0200

26. Fair Use
    • Fair Use (14 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Sat, 20 Mar 2004 07:43:55 -0500
    • Re: Fair Use (21 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Sat, 20 Mar 2004 07:56:10 -0500

27. Fw: Gennett again
    • Fw: Gennett again (436 lines)
      From: Dick Spottswood <[log in to unmask]>
      Date: Wed, 24 Mar 2004 12:44:39 -0500
    • Re: Fw: Gennett again (49 lines)
      From: Malcolm Rockwell <[log in to unmask]>
      Date: Wed, 24 Mar 2004 09:13:38 -1000
    • Re: Fw: Gennett again (82 lines)
      From: Aaron Z Snyder <[log in to unmask]>
      Date: Wed, 24 Mar 2004 15:10:30 -0500
    • Re: Fw: Gennett again (94 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Wed, 24 Mar 2004 18:36:56 -0500

28. Glenn Gould and The Goldberg Variations (1955)
    • Re: Glenn Gould and The Goldberg Variations (1955) (48 lines)
      From: Aaron Luis Levinson <[log in to unmask]>
      Date: Mon, 15 Mar 2004 20:56:06 -0500
    • Re: Glenn Gould and The Goldberg Variations (1955) (31 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Mon, 15 Mar 2004 21:54:16 -0500
    • Re: Glenn Gould and The Goldberg Variations (1955) (26 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Mon, 15 Mar 2004 19:48:50 -0800
    • Re: Glenn Gould and The Goldberg Variations (1955) (26 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Sun, 16 May 2004 09:09:09 -0400
    • Re: Glenn Gould and The Goldberg Variations (1955) (49 lines)
      From: [log in to unmask] <[log in to unmask]>
      Date: Tue, 16 Mar 2004 10:39:47 -0600

29. greater Buffalo area
    • greater Buffalo area (14 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Tue, 30 Mar 2004 20:10:41 -0500
    • Re: greater Buffalo area (21 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Tue, 30 Mar 2004 20:42:56 -0500
    • Re: greater Buffalo area (25 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Tue, 30 Mar 2004 22:21:15 -0500
    • Re: greater Buffalo area (28 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Tue, 30 Mar 2004 22:29:23 -0500

30. Harmonies: electric or not?
    • Harmonies: electric or not? (77 lines)
      From: Art Shifrin <[log in to unmask]>
      Date: Sun, 21 Mar 2004 10:54:54 -0500
    • Re: Harmonies: electric or not? (105 lines)
      From: Dick Spottswood <[log in to unmask]>
      Date: Sun, 21 Mar 2004 20:23:19 -0500

31. Harmony label
    • Re: Harmony label (125 lines)
      From: Dick Spottswood <[log in to unmask]>
      Date: Wed, 17 Mar 2004 12:40:27 -0500
    • Re: Harmony label (86 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Wed, 17 Mar 2004 13:41:02 -0500
    • Re: Harmony label (43 lines)
      From: david diehl <[log in to unmask]>
      Date: Fri, 19 Mar 2004 14:32:47 -0600

32. Harmony label (and other things)
    • Re: Harmony label (and other things) (437 lines)
      From: Copeland, Peter <[log in to unmask]>
      Date: Fri, 19 Mar 2004 11:07:40 -0000
    • Re: Harmony label (and other things) (390 lines)
      From: Dick Spottswood <[log in to unmask]>
      Date: Fri, 19 Mar 2004 11:23:17 -0500
    • Re: Harmony label (and other things) (571 lines)
      From: Steven Smolian <[log in to unmask]>
      Date: Fri, 19 Mar 2004 12:01:46 -0500
    • Re: Harmony label (and other things) (59 lines)
      From: Paul Charosh <[log in to unmask]>
      Date: Fri, 19 Mar 2004 13:15:16 EST
    • Re: Harmony label (and other things) (671 lines)
      From: Steven Smolian <[log in to unmask]>
      Date: Fri, 19 Mar 2004 17:02:02 -0500
    • Re: Harmony label (and other things) (89 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Tue, 23 Mar 2004 18:32:47 -0500
    • Re: Harmony label (and other things) (63 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Tue, 23 Mar 2004 19:15:34 -0500
    • Re: Harmony label (and other things) (30 lines)
      From: Dick Spottswood <[log in to unmask]>
      Date: Tue, 23 Mar 2004 21:18:58 -0500
    • Re: Harmony label (and other things) (212 lines)
      From: Dick Spottswood <[log in to unmask]>
      Date: Tue, 23 Mar 2004 21:24:01 -0500
    • Re: Harmony label (and other things) (282 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Fri, 26 Mar 2004 14:07:26 -0500
    • Re: Harmony label (and other things) (26 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Fri, 26 Mar 2004 14:12:27 -0500
    • Re: Harmony label (and other things) (276 lines)
      From: Dick Spottswood <[log in to unmask]>
      Date: Fri, 26 Mar 2004 20:18:45 -0500

33. Historical off air recordings. Boston Symphony Orchestra broadcasts.
    • Re: Historical off air recordings. Boston Symphony Orchestra broadcasts. (12 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Sat, 20 Mar 2004 07:30:13 -0500
    • Re: Historical off air recordings. Boston Symphony Orchestra broadcasts. (32 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Sat, 20 Mar 2004 07:31:15 -0500
    • Re: Historical off air recordings. Boston Symphony Orchestra broadcasts. (23 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Tue, 23 Mar 2004 22:23:53 -0500
    • Re: Historical off air recordings. Boston Symphony Orchestra broadcasts. (24 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Tue, 23 Mar 2004 22:49:03 -0500
    • Re: Historical off air recordings. Boston Symphony Orchestra broadcasts. (26 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Fri, 26 Mar 2004 14:23:09 -0500

34. Historical off air recordings. Boston Sysmphony Orchestra broadcasts.
    • Historical off air recordings. Boston Sysmphony Orchestra broadcasts. (20 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Fri, 19 Mar 2004 18:19:31 -0500
    • Re: Historical off air recordings. Boston Sysmphony Orchestra broadcasts. (42 lines)
      From: John Ross <[log in to unmask]>
      Date: Fri, 19 Mar 2004 16:53:02 -0800
    • Re: Historical off air recordings. Boston Sysmphony Orchestra broadcasts. (15 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Fri, 19 Mar 2004 22:49:08 -0500
    • Re: Historical off air recordings. Boston Sysmphony Orchestra broadcasts. (54 lines)
      From: John Ross <[log in to unmask]>
      Date: Fri, 19 Mar 2004 16:53:02 -0800
    • Re: Historical off air recordings. Boston Sysmphony Orchestra broadcasts. (37 lines)
      From: Karl Miller <[log in to unmask]>
      Date: Mon, 22 Mar 2004 11:01:52 -0600

35. HMV sets
    • HMV sets (18 lines)
      From: David S Sager <[log in to unmask]>
      Date: Tue, 2 Mar 2004 09:14:11 -0500
    • Re: HMV sets (63 lines)
      From: Bewley, Nigel <[log in to unmask]>
      Date: Tue, 2 Mar 2004 14:29:47 -0000
    • Re: HMV sets (80 lines)
      From: David S Sager <[log in to unmask]>
      Date: Tue, 2 Mar 2004 10:05:51 -0500
    • Re: HMV sets (99 lines)
      From: Richard Warren <[log in to unmask]>
      Date: Wed, 3 Mar 2004 08:57:54 -0500
    • Re: HMV sets (83 lines)
      From: Copeland, Peter <[log in to unmask]>
      Date: Fri, 12 Mar 2004 13:22:52 -0000

36. Identifying the recording lathe - advertisement
    • Identifying the recording lathe - advertisement (22 lines)
      From: George Brock-Nannestad <[log in to unmask]>
      Date: Sun, 21 Mar 2004 11:47:08 +0100

37. Identifying the recording lathe - the beef
    • Identifying the recording lathe - the beef (127 lines)
      From: George Brock-Nannestad <[log in to unmask]>
      Date: Sun, 21 Mar 2004 11:51:55 +0100

38. Information on open reel players and tapes
    • Information on open reel players and tapes (38 lines)
      From: Jay Gaidmore <[log in to unmask]>
      Date: Fri, 26 Mar 2004 10:15:17 -0500
    • Information on open reel players and tapes (37 lines)
      From: Jay Gaidmore <[log in to unmask]>
      Date: Fri, 26 Mar 2004 10:26:41 -0500
    • Re: Information on open reel players and tapes (74 lines)
      From: Michael Shoshani <[log in to unmask]>
      Date: Fri, 26 Mar 2004 14:01:43 -0600
    • Re: Information on open reel players and tapes (28 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Fri, 26 Mar 2004 12:13:16 -0800
    • Re: Information on open reel players and tapes (31 lines)
      From: Michael Shoshani <[log in to unmask]>
      Date: Fri, 26 Mar 2004 14:42:33 -0600
    • Re: Information on open reel players and tapes (116 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Fri, 26 Mar 2004 14:44:42 -0800
    • Re: Information on open reel players and tapes (33 lines)
      From: Michael Shoshani <[log in to unmask]>
      Date: Fri, 26 Mar 2004 16:56:12 -0600
    • Re: Information on open reel players and tapes (38 lines)
      From: Parker Dinkins <[log in to unmask]>
      Date: Fri, 26 Mar 2004 17:54:32 -0600
    • Re: Information on open reel players and tapes (29 lines)
      From: Dave Bradley <[log in to unmask]>
      Date: Fri, 26 Mar 2004 19:46:18 -0500
    • Re: Information on open reel players and tapes (74 lines)
      From: Dave Bradley <[log in to unmask]>
      Date: Fri, 26 Mar 2004 19:58:01 -0500
    • Re: Information on open reel players and tapes (33 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Fri, 26 Mar 2004 17:43:02 -0800
    • Re: Information on open reel players and tapes (70 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Fri, 26 Mar 2004 20:22:36 -0800
    • Re: Information on open reel players and tapes (56 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Fri, 26 Mar 2004 20:29:29 -0800
    • Re: Information on open reel players and tapes (88 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Sat, 27 Mar 2004 11:45:41 -0500
    • Re: Information on open reel players and tapes (33 lines)
      From: Nigel Champion (FOA ANT) <[log in to unmask]>
      Date: Tue, 30 Mar 2004 15:40:37 +1200
    • Re: Information on open reel players and tapes (34 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Mon, 29 Mar 2004 19:55:09 -0800
    • Re: Information on open reel players and tapes (37 lines)
      From: Nigel Champion (FOA ANT) <[log in to unmask]>
      Date: Tue, 30 Mar 2004 16:41:19 +1200
    • Re: Information on open reel players and tapes (43 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Mon, 29 Mar 2004 21:06:46 -0800

39. Is this 1929 Harmony Recording Acoustic? (Harmony 308H)
    • Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (88 lines)
      From: RA Friedman <[log in to unmask]>
      Date: Fri, 19 Mar 2004 13:02:16 -0800
    • Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (134 lines)
      From: RA Friedman <[log in to unmask]>
      Date: Fri, 19 Mar 2004 13:02:16 -0800
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (199 lines)
      From: Dick Spottswood <[log in to unmask]>
      Date: Fri, 19 Mar 2004 19:57:11 -0500
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (26 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Sat, 20 Mar 2004 11:38:28 -0500
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (31 lines)
      From: Aaron Z Snyder <[log in to unmask]>
      Date: Sat, 20 Mar 2004 13:02:20 -0500
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (51 lines)
      From: [log in to unmask]
      Date: Sat, 20 Mar 2004 14:28:49 EST
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (43 lines)
      From: RA Friedman <[log in to unmask]>
      Date: Sat, 20 Mar 2004 12:24:01 -0800
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (42 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Sat, 20 Mar 2004 15:35:56 -0500
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (42 lines)
      From: Aaron Z Snyder <[log in to unmask]>
      Date: Sat, 20 Mar 2004 23:51:59 -0500
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (118 lines)
      From: Dick Spottswood <[log in to unmask]>
      Date: Sun, 21 Mar 2004 09:35:32 -0500
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (56 lines)
      From: [log in to unmask]
      Date: Sun, 21 Mar 2004 17:09:34 EST
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (28 lines)
      From: [log in to unmask]
      Date: Sun, 21 Mar 2004 17:15:06 EST
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (25 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Sun, 21 Mar 2004 18:30:00 -0500
    • Re: Is this 1929 Harmony Recording Acoustic? (Harmony 308H) (31 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Wed, 24 Mar 2004 20:38:36 -0500

40. Is this 1929, (1926) Harmony Recording Acoustic? (Harmony 308H)
    • Re: Is this 1929, (1926) Harmony Recording Acoustic? (Harmony 308H) (36 lines)
      From: RA Friedman <[log in to unmask]>
      Date: Fri, 19 Mar 2004 17:05:01 -0800

41. joint sessions at ARSC-SAM in Cleveland
    • joint sessions at ARSC-SAM in Cleveland (45 lines)
      From: Louise Spear <[log in to unmask]>
      Date: Mon, 8 Mar 2004 23:55:49 -0800

42. KAB better URL for the product
    • KAB better URL for the product (34 lines)
      From: Eugene Hertz <[log in to unmask]>
      Date: Wed, 24 Mar 2004 03:14:30 +0000

43. Keith Monks at the ARSC conference in Cleveland...
    • Keith Monks at the ARSC conference in Cleveland... (38 lines)
      From: Graham Newton <[log in to unmask]>
      Date: Sun, 7 Mar 2004 12:19:35 -0500

44. Long term in print recordings -was: Gould Golbergs
    • Long term in print recordings -was: Gould Golbergs (25 lines)
      From: phirsch <[log in to unmask]>
      Date: Tue, 16 Mar 2004 10:02:47 -0500
    • Re: Long term in print recordings -was: Gould Golbergs (50 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Tue, 16 Mar 2004 08:20:25 -0800
    • Re: Long term in print recordings -was: Gould Golbergs (26 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Tue, 16 Mar 2004 11:26:21 -0500
    • Re: Long term in print recordings -was: Gould Golbergs (28 lines)
      From: Don Cox <[log in to unmask]>
      Date: Tue, 16 Mar 2004 18:06:30 +0000

45. MUSIC FROM CLEVELAND
    • MUSIC FROM CLEVELAND (48 lines)
      From: Louise Spear <[log in to unmask]>
      Date: Mon, 8 Mar 2004 23:57:27 -0800

46. Nakamichi Dragon Questions
    • Nakamichi Dragon Questions (50 lines)
      From: andy kolovos <[log in to unmask]>
      Date: Tue, 9 Mar 2004 13:38:12 -0500
    • Re: Nakamichi Dragon Questions (40 lines)
      From: Parker Dinkins <[log in to unmask]>
      Date: Tue, 9 Mar 2004 12:52:37 -0600
    • Re: Nakamichi Dragon Questions (55 lines)
      From: andy kolovos <[log in to unmask]>
      Date: Tue, 9 Mar 2004 15:11:11 -0500
    • Re: Nakamichi Dragon Questions (67 lines)
      From: Jerry <[log in to unmask]>
      Date: Tue, 9 Mar 2004 12:16:23 -0800

47. Net music piracy 'does not harm record sales'
    • Net music piracy 'does not harm record sales' (21 lines)
      From: David Seubert <[log in to unmask]>
      Date: Wed, 31 Mar 2004 08:39:34 -0800
    • Re: Net music piracy 'does not harm record sales' (33 lines)
      From: Don Cox <[log in to unmask]>
      Date: Wed, 31 Mar 2004 21:20:22 +0000
    • Re: Net music piracy 'does not harm record sales' (34 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Wed, 31 Mar 2004 23:29:23 -0500

48. New western swing release on OJL
    • New western swing release on OJL (87 lines)
      From: Cary Ginell <[log in to unmask]>
      Date: Sun, 7 Mar 2004 03:13:15 EST

49. New York chapter ??
    • Re: New York chapter ?? (45 lines)
      From: Susan Stinson <[log in to unmask]>
      Date: Tue, 2 Mar 2004 11:34:02 -0500

50. New: digital benefits and rarities still to find
    • New: digital benefits and rarities still to find (46 lines)
      From: Dave Radlauer <[log in to unmask]>
      Date: Wed, 31 Mar 2004 01:36:07 EST

51. Odd Speed
    • Odd Speed (30 lines)
      From: Marie O'Connell <[log in to unmask]>
      Date: Thu, 4 Mar 2004 08:30:57 -0600
    • Re: Odd Speed (20 lines)
      From: Art Shifrin <[log in to unmask]>
      Date: Thu, 4 Mar 2004 09:56:22 -0500
    • Re: Odd Speed (49 lines)
      From: Steven Smolian <[log in to unmask]>
      Date: Thu, 4 Mar 2004 10:19:59 -0500
    • Re: Odd Speed (59 lines)
      From: Marie O'Connell <[log in to unmask]>
      Date: Thu, 4 Mar 2004 09:45:32 -0600
    • Re: Odd Speed (53 lines)
      From: Aaron Luis Levinson <[log in to unmask]>
      Date: Thu, 4 Mar 2004 10:44:53 -0500
    • Re: Odd Speed (40 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Thu, 4 Mar 2004 07:57:56 -0800
    • Re: Odd Speed (55 lines)
      From: Aaron Luis Levinson <[log in to unmask]>
      Date: Thu, 4 Mar 2004 12:30:09 -0500
    • Re: Odd Speed (43 lines)
      From: [log in to unmask] <[log in to unmask]>
      Date: Thu, 4 Mar 2004 11:17:20 -0600
    • Re: Odd Speed (61 lines)
      From: Marie O'Connell <[log in to unmask]>
      Date: Thu, 4 Mar 2004 12:03:25 -0600
    • Re: Odd Speed (51 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Thu, 4 Mar 2004 13:04:56 -0800
    • Re: Odd Speed (47 lines)
      From: [log in to unmask]
      Date: Thu, 4 Mar 2004 16:33:54 EST
    • Re: Odd Speed (113 lines)
      From: Steven Smolian <[log in to unmask]>
      Date: Thu, 4 Mar 2004 17:44:02 -0500
    • Re: Odd Speed (145 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Thu, 4 Mar 2004 14:41:12 -0800
    • Re: Odd Speed (57 lines)
      From: [log in to unmask]
      Date: Thu, 4 Mar 2004 20:06:43 EST
    • Re: Odd Speed (137 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Thu, 4 Mar 2004 17:39:29 -0800
    • Re: Odd Speed (22 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Thu, 4 Mar 2004 21:43:01 -0500
    • Re: Odd Speed (44 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Fri, 5 Mar 2004 14:59:10 -0500
    • Re: Odd Speed (21 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Fri, 5 Mar 2004 15:05:00 -0500
    • Re: Odd Speed (42 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Fri, 5 Mar 2004 12:42:03 -0800
    • Re: Odd Speed (46 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Fri, 5 Mar 2004 16:31:14 -0800
    • Re: Odd Speed (163 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Fri, 5 Mar 2004 17:32:29 -0800
    • Re: Odd Speed (56 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Fri, 5 Mar 2004 21:22:05 -0500
    • Re: Odd Speed (38 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Fri, 5 Mar 2004 19:39:37 -0800
    • Re: Odd Speed (76 lines)
      From: [log in to unmask]
      Date: Fri, 5 Mar 2004 22:45:45 EST

52. Ohio Art Punk talk
    • Ohio Art Punk talk (225 lines)
      From: David Lewis <[log in to unmask]>
      Date: Mon, 15 Mar 2004 10:08:41 -0500

53. Outboard ADC recommendations
    • Outboard ADC recommendations (32 lines)
      From: Vernon Miller <[log in to unmask]>
      Date: Mon, 15 Mar 2004 08:55:15 -0500
    • Re: Outboard ADC recommendations (30 lines)
      From: Karl Miller <[log in to unmask]>
      Date: Mon, 15 Mar 2004 08:29:30 -0600
    • Re: Outboard ADC recommendations (68 lines)
      From: Dave Meyers <[log in to unmask]>
      Date: Mon, 15 Mar 2004 08:41:18 -0600
    • Re: Outboard ADC recommendations (39 lines)
      From: Don Cox <[log in to unmask]>
      Date: Mon, 15 Mar 2004 18:06:34 +0000
    • Re: Outboard ADC recommendations (352 lines)
      From: Rod Stephens <[log in to unmask]>
      Date: Mon, 15 Mar 2004 10:12:58 -0800
    • Re: Outboard ADC recommendations (58 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Mon, 15 Mar 2004 13:53:58 -0500
    • Re: Outboard ADC recommendations (90 lines)
      From: Rod Stephens <[log in to unmask]>
      Date: Mon, 15 Mar 2004 14:59:41 -0800
    • Re: Outboard ADC recommendations (115 lines)
      From: Rod Stephens <[log in to unmask]>
      Date: Mon, 15 Mar 2004 23:15:02 -0800
    • Re: Outboard ADC recommendations (42 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Sun, 16 May 2004 09:28:00 -0400
    • Re: Outboard ADC recommendations (14 lines)
      From: Vernon A. Miller <[log in to unmask]>
      Date: Tue, 16 Mar 2004 15:36:27 +0000

54. Prefered format for digital archiving?
    • Prefered format for digital archiving? (42 lines)
      From: Brandon Burke <[log in to unmask]>
      Date: Wed, 24 Mar 2004 15:37:29 -0600
    • Re: Prefered format for digital archiving? (77 lines)
      From: John Spencer <[log in to unmask]>
      Date: Wed, 24 Mar 2004 16:47:52 -0600
    • Re: Prefered format for digital archiving? (58 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Wed, 24 Mar 2004 15:43:57 -0800
    • Re: Prefered format for digital archiving? (44 lines)
      From: Brandon Burke <[log in to unmask]>
      Date: Wed, 24 Mar 2004 17:50:36 -0600
    • Re: Prefered format for digital archiving? (78 lines)
      From: John Spencer <[log in to unmask]>
      Date: Wed, 24 Mar 2004 18:37:36 -0600
    • Re: Prefered format for digital archiving? (117 lines)
      From: Brandon Burke <[log in to unmask]>
      Date: Wed, 24 Mar 2004 23:59:43 -0600
    • Re: Prefered format for digital archiving? (264 lines)
      From: Scott D. Smith <[log in to unmask]>
      Date: Thu, 25 Mar 2004 10:31:29 -0600
    • Re: Prefered format for digital archiving? (35 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Fri, 26 Mar 2004 22:48:34 -0500
    • Re: Prefered format for digital archiving? (48 lines)
      From: Don Cox <[log in to unmask]>
      Date: Sat, 27 Mar 2004 09:23:45 +0000

55. RCA Victor record plant film available on DVD
    • RCA Victor record plant film available on DVD (53 lines)
      From: Graham Newton <[log in to unmask]>
      Date: Thu, 18 Mar 2004 11:32:12 -0500
    • Re: RCA Victor record plant film available on DVD (37 lines)
      From: Aaron Z Snyder <[log in to unmask]>
      Date: Thu, 18 Mar 2004 12:18:39 -0500

56. refresh plan
    • refresh plan (44 lines)
      From: Holly Dzyban <[log in to unmask]>
      Date: Tue, 2 Mar 2004 13:37:59 -0800
    • Re: refresh plan (27 lines)
      From: Don Cox <[log in to unmask]>
      Date: Wed, 3 Mar 2004 10:51:35 +0000
    • Re: refresh plan (66 lines)
      From: Holly Dzyban <[log in to unmask]>
      Date: Wed, 3 Mar 2004 09:24:22 -0800
    • Re: refresh plan (35 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Wed, 3 Mar 2004 11:41:05 -0800
    • Re: refresh plan (94 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Wed, 3 Mar 2004 12:26:00 -0800
    • Re: refresh plan (40 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Wed, 3 Mar 2004 23:56:12 -0500

57. Repairing cracked 78s
    • Repairing cracked 78s (19 lines)
      From: Andrew Brown <[log in to unmask]>
      Date: Sat, 6 Mar 2004 21:01:30 -0600
    • Re: Repairing cracked 78s (72 lines)
      From: Bewley, Nigel <[log in to unmask]>
      Date: Mon, 8 Mar 2004 08:33:48 -0000

58. REVOX A77
    • REVOX A77 (63 lines)
      From: D Basson <[log in to unmask]>
      Date: Sun, 28 Mar 2004 12:04:12 +0200
    • Re: REVOX A77 (142 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Sun, 28 Mar 2004 11:31:47 -0800

59. SAM Brass Band in Cleveland
    • SAM Brass Band in Cleveland (41 lines)
      From: [log in to unmask]
      Date: Fri, 5 Mar 2004 15:47:39 -0600
    • Re: SAM Brass Band in Cleveland (58 lines)
      From: Nipper <[log in to unmask]>
      Date: Sun, 7 Mar 2004 21:50:11 -0600
    • Re: SAM Brass Band in Cleveland (56 lines)
      From: Cary Ginell <[log in to unmask]>
      Date: Mon, 8 Mar 2004 01:40:54 EST

60. Sound Archives. Boston Public Library.
    • Sound Archives. Boston Public Library. (21 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Tue, 2 Mar 2004 05:39:28 -0500
    • Re: Sound Archives. Boston Public Library. (49 lines)
      From: RA Friedman <[log in to unmask]>
      Date: Tue, 2 Mar 2004 04:36:12 -0800
    • Re: Sound Archives. Boston Public Library. (35 lines)
      From: Frank Strauss <[log in to unmask]>
      Date: Tue, 2 Mar 2004 10:35:00 -0500
    • Re: Sound Archives. Boston Public Library. (33 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Tue, 2 Mar 2004 07:57:42 -0800
    • Re: Sound Archives. Boston Public Library. (51 lines)
      From: Eugene Hertz <[log in to unmask]>
      Date: Tue, 2 Mar 2004 08:05:13 -0800
    • Re: Sound Archives. Boston Public Library. (17 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Tue, 2 Mar 2004 20:04:53 -0500
    • Re: Sound Archives. Boston Public Library. (176 lines)
      From: Rob Lomas / The Edisonshop <[log in to unmask]>
      Date: Tue, 2 Mar 2004 21:21:50 -0500
    • Re: Sound Archives. Boston Public Library. (70 lines)
      From: [log in to unmask]
      Date: Wed, 3 Mar 2004 23:27:31 EST

61. Southern California chapter ??
    • Southern California chapter ?? (19 lines)
      From: David Seubert <[log in to unmask]>
      Date: Tue, 2 Mar 2004 10:25:41 -0800
    • Re: Southern California chapter ?? (38 lines)
      From: David Lewis <[log in to unmask]>
      Date: Tue, 2 Mar 2004 13:36:57 -0500
    • Re: Southern California chapter ?? (57 lines)
      From: David Lewis <[log in to unmask]>
      Date: Tue, 2 Mar 2004 13:37:53 -0500
    • Re: Southern California chapter ?? (40 lines)
      From: Pete Tinker <[log in to unmask]>
      Date: Tue, 2 Mar 2004 14:55:47 -0800

62. Speed correction equipment.
    • Speed correction equipment. (14 lines)
      From: Don Saklad <[log in to unmask]>
      Date: Mon, 22 Mar 2004 12:34:01 -0500
    • Re: Speed correction equipment. (31 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Mon, 22 Mar 2004 09:52:52 -0800
    • Re: Speed correction equipment. (55 lines)
      From: Richard L. Hess <[log in to unmask]>
      Date: Mon, 22 Mar 2004 10:41:17 -0800

63. static removal on cylinders?
    • static removal on cylinders? (37 lines)
      From: Eugene Hertz <[log in to unmask]>
      Date: Thu, 25 Mar 2004 02:04:31 +0000
    • Re: static removal on cylinders? (27 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Fri, 26 Mar 2004 23:15:49 -0500

64. Studer 820 specs
    • Studer 820 specs (32 lines)
      From: andy kolovos <[log in to unmask]>
      Date: Fri, 26 Mar 2004 15:14:45 -0500

65. substitute for Kodak Lens Cleaner
    • substitute for Kodak Lens Cleaner (22 lines)
      From: Karl Miller <[log in to unmask]>
      Date: Wed, 24 Mar 2004 08:17:50 -0600
    • Re: substitute for Kodak Lens Cleaner (31 lines)
      From: Aaron Z Snyder <[log in to unmask]>
      Date: Wed, 24 Mar 2004 11:45:03 -0500
    • Re: substitute for Kodak Lens Cleaner (37 lines)
      From: Graham Newton <[log in to unmask]>
      Date: Wed, 24 Mar 2004 12:00:04 -0500
    • Re: substitute for Kodak Lens Cleaner (40 lines)
      From: [log in to unmask] <[log in to unmask]>
      Date: Wed, 24 Mar 2004 12:27:40 -0600
    • Re: substitute for Kodak Lens Cleaner (45 lines)
      From: [log in to unmask] <[log in to unmask]>
      Date: Wed, 24 Mar 2004 12:30:46 -0600

66. SV: [ARSCLIST] refresh plan
    • SV: [ARSCLIST] refresh plan (535 lines)
      From: Lars Gaustad <[log in to unmask]>
      Date: Thu, 4 Mar 2004 09:08:09 +0100
    • Re: SV: [ARSCLIST] refresh plan (44 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Thu, 4 Mar 2004 00:17:14 -0800

67. tape foramts, azimuth, etc.
    • tape foramts, azimuth, etc. (52 lines)
      From: Art Shifrin <[log in to unmask]>
      Date: Fri, 26 Mar 2004 13:24:23 -0500

68. To write one sector
    • To write one sector (26 lines)
      From: Murat Aydin <[log in to unmask]>
      Date: Sat, 6 Mar 2004 07:11:19 -0800

69. transition from acoustic to electric (was Harmony)
    • transition from acoustic to electric (was Harmony) (77 lines)
      From: Art Shifrin <[log in to unmask]>
      Date: Wed, 17 Mar 2004 13:10:20 -0500

70. Two Questions--CD-R burning
    • Two Questions--CD-R burning (55 lines)
      From: andy kolovos <[log in to unmask]>
      Date: Mon, 8 Mar 2004 13:59:08 -0500
    • Re: Two Questions--CD-R burning (27 lines)
      From: Jos Van Dyck <[log in to unmask]>
      Date: Mon, 8 Mar 2004 23:07:35 +0100

71. Was: .BWF backward compatibility New: digital benefits and rarities still to find
    • Was: .BWF backward compatibility New: digital benefits and rarities still to find (50 lines)
      From: Dave Radlauer <[log in to unmask]>
      Date: Tue, 30 Mar 2004 14:36:34 EST
    • Re: Was: .BWF backward compatibility New: digital benefits and rarities still to find (68 lines)
      From: Mike Richter <[log in to unmask]>
      Date: Tue, 30 Mar 2004 13:01:42 -0800
    • Re: Was: .BWF backward compatibility New: digital benefits and rarities still to find (93 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Tue, 30 Mar 2004 19:02:58 -0500

72. Wax Cylinder Damage
    • Wax Cylinder Damage (29 lines)
      From: Colin Schlachta <[log in to unmask]>
      Date: Wed, 24 Mar 2004 11:26:14 -0500
    • Re: Wax Cylinder Damage (47 lines)
      From: David S Sager <[log in to unmask]>
      Date: Thu, 25 Mar 2004 11:11:39 -0500
    • Re: Wax Cylinder Damage (39 lines)
      From: Steven C. Barr <[log in to unmask]>
      Date: Fri, 26 Mar 2004 22:00:07 -0500