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Events will be added as they are scheduled. Please check back regularly for the most up-to-date calendar of events information.
Talks, Tours, Films
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Lecture-related events are free and open to the public. Seating is available on a first-come, first-seated basis. Registration is not required.
Lecture Abstracts Archive
Lectures are free and open to the public. Seating is available on a first-come, first-seated basis. Registration is not required.
Leo Villareal, artist, in conversation with Molly Donovan, associate curator of modern and contemporary art, National Gallery of Art
Nancy Anderson, curator of American and British paintings, National Gallery of Art
Book signing of George de Forest Brush: The Indian Paintings follows
Helen Tangires, administrator, Center for Advanced Study in the Visual Arts, National Gallery of Art
Book signing of Public Markets follows
Rafael Moneo, architect; Miguel Zugaza, director, Museo Nacional del Prado; and Selma Holo, director of Fisher Gallery and professor of art history, University of Southern California
This program is coordinated with and supported by the Embassy of Spain in Washington, DC.John Elderfield, chief curator emeritus of painting and sculpture, Museum of Modern Art
Charles Palermo, associate professor of art history, The College of William and Mary
Book signing of Fixed Ecstasy: Joan Miró in the 1920s follows
Carol Mattusch, Mathy Professor of Art History, George Mason University
Martin M. Winkler, professor of classics at George Mason University and editor of the recent essay collections Gladiator: Film and History, Troy: From Homer's Iliad to Hollywood Epic, and Spartacus: Film and History, will present an illustrated lecture on the destruction of Pompeii as impulse for the popular imagination, focusing especially on Edward Bulwer-Lytton's 1834 novel The Last Days of Pompeii and its adaptations to stage and screen.
Jan Lievens in Black and White: Etchings, Woodcuts, and Collaborations in Print
Arthur Wheelock, curator of northern baroque paintings, National Gallery of Art
Stephanie S. Dickey, Bader Chair in Northern Baroque Art, Queen’s University
Peter Schjeldahl, senior art critic, New Yorker magazine
Book signing of Let’s See: Writings on Art from the New Yorker follows
Paul Zanker, professor of art history, Scuola Normale Superiore, Pisa
Collectors Dorothy and Herbert Vogel in conversation with Ruth Fine, curator of special projects in modern art, National Gallery of Art
Calvin Tomkins, author and staff writer of The New Yorker, in conversation with Harry Cooper, curator of modern and contemporary art, National Gallery of Art
Book signing of Lives of the Artists follows
Marcello Simonetta, writer and historian
Book signing of The Montefeltro Conspiracy: A Renaissance Mystery Decoded follows
Conrad Rudolph, professor of medieval art history, University of California at Riverside
Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art
John Hand, curator of northern Renaissance paintings, National Gallery of Art
Rosamond Mack, independent scholar
Douglas Brine, Andrew W. Mellon Postdoctoral Fellow, Center for Advanced Study in the Visual Arts, National Gallery of Art
Kimberly Schenck, head of paper conservation, National Gallery of Art
Jennifer Wagelie, department of academic programs, National Gallery of Art
Conrad Rudolph, professor of medieval art history, University of California at Riverside
The Diamonstein-Spielvogel Lecture Series provides a forum for distinguished artists to discuss the genesis and evolution of their work in their own words. Dr. Barbaralee Diamonstein–Spielvogel and the Honorable Carl Spielvogel generously endowed this series in 1997 to make such conversations available to the public.
Rachel Whiteread, artist, in conversation with Molly Donovan, associate curator of modern and contemporary art, National Gallery of Art
British sculptor Rachel Whiteread (b. 1963) has enjoyed international acclaim for her provocative sculptural practice. Beginning in the early 1990s with her positive casts of empty architectural spaces and household objects, Whiteread has continued to articulate typically unseen, immaterial space in increasingly public settings. Her breakthrough work, Ghost (1990), on view on the Mezzanine of the East Building, was given to the National Gallery of Art in 2004 by The Glenstone Foundation. With this work, cast in plaster from the interior of a Victorian parlor, Whiteread creates a mausoleum-like structure from a living space. Opposites conjoin to make Ghost the powerful work that it is: one simultaneously about presence and absence, interior and exterior, concision and complexity.
This conversation will cover all aspects of Whiteread’s career with a particular focus on Ghost.
Jeffrey M. Davis, MSCE, EIT
Materials Research Engineer, NIST
Traditional X-ray fluorescence has been a mainstay of analytical chemistry and microanalysis for over 40 years. The ability to extract quantitative surface information from a sample non-destructively is useful in such diverse fields as metallurgy, cement manufacturing, and forensics. With the application of capillary optics to X-ray sources, it becomes possible to focus the X-ray beam into a spot 40 μm in diameter or smaller with little loss in signal intensity. These finer beams allow users to generate elemental X-ray images carrying fine scale microstructural information. This talk will focus on the applications of mXRF imaging (also known as X-ray Spectrum Imaging) to inks, paints, and a variety of other materials. It will also provide a comprehensive overview of the theory of X-ray imaging and mapping.
This conference is co-organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington and the National Museum of the American Indian, Smithsonian Institution, Washington.
This conference is held on the occasion of the exhibitions George de Forest Brush: The Indian Paintings, National Gallery of Art, Washington and Fritz Scholder: Indian/Not Indian, National Museum of the American Indian, Washington
Speakers include:
Nancy Anderson, National Gallery of Art
Ned Blackhawk, University of Wisconsin–Madison
Philip Deloria, University of Michigan
Leah Dilworth, Long Island University
Kate Flint, Rutgers, The State University of New Jersey
Michael Gaudio, University of Minnesota
Katherine Manthorne, The City University of New York
Jolene Rickard, Cornell University
Paul Chaat Smith, National Museum of the
American Indian
William Truettner, Smithsonian American Art Museum
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