Award Abstract #0841047
Does Training in Acting Foster Theory of Mind, Empathy, and Emotion Regulation?

NSF Org:	SBE Directorate for Social, Behavioral & Economic Sciences
Initial Amendment Date:	August 20, 2008
Latest Amendment Date:	August 20, 2008
Award Number:	0841047
Award Instrument:	Standard Grant
Program Manager:	Joan Straumanis SBE Directorate for Social, Behavioral & Economic Sciences SBE Directorate for Social, Behavioral & Economic Sciences
Start Date:	September 1, 2008
Expires:	August 31, 2009 (Estimated)
Awarded Amount to Date:	$199570
Investigator(s):	Ellen Winner winner@bc.edu(Principal Investigator)
Sponsor:	Boston College 140 Commonwealth Avenue Chestnut Hill, MA 02467 617/552-8000
NSF Program(s):	SLC ACTIVITIES
Field Application(s):
Program Reference Code(s):	OTHR,7279,0000
Program Element Code(s):	7704

ABSTRACT

Does Training in Acting Foster Theory of Mind, Empathy, and Emotion Regulation? Abstract Ellen Winner August 4, 2008 Training in theater requires that one take the perspective of other characters. Actors must analyze their characters? mental worlds (theory of mind), experience their characters? emotions (empathy), and exert control over their own emotions (emotion regulation). The study of acting can therefore provide a new way to understand how these key interpersonal and personal abilities are learned. Two studies will test the hypothesis that theater training fosters these abilities in children and adolescents. Study 1 will investigate how acting teachers train these skills in 8-10 year-olds and 13-15 year-olds. Theater classes for these age groups will be videotaped and analyzed to determine the habits of mind taught. Study 2 will follow these two age groups over the course of one school year, comparing those receiving theater training (40 in each age group) vs. a control group receiving visual arts training (40 in each age group). A set of tests will be administered in early fall 2008, and in late spring 2009 to assess skill in understanding others? minds, empathy, and emotion regulation. A comparison of the two groups at the beginning of the year will reveal whether those who choose to take acting classes come to this endeavor with already heightened skill in these three areas. A comparison of the two groups after a full year of study will tell us whether, to what extent, and in what way acting training increases these three target skills. The ability to infer what another individual believes and feels, the proclivity to feel empathy, and the ability to exert control over one?s emotions in a positive way are undeniably important social and emotional skills. These skills develop throughout childhood and adolescence, with some individuals (e.g., psychotherapists, negotiators, leaders) reaching higher levels than others. A demonstration that acting training can lead to expertise in these abilities would have clear practical and educational implications. Such understanding could lead to the development of intervention strategies for children and adolescents deficient in understanding others (e.g. individuals with autism spectrum disorder), deficient in empathy (e.g. bullies), and deficient in emotion regulation (e.g. those with depression or aggression disorders). The research could also lead to intervention strategies for typical children and adolescents, as the skills in question here are of value to individuals of any age, whether in school, in the family, among friends, or in the workplace.

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