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StoryCorps Collection (AFC 2004/001): Frequently Asked Questions
How can
I listen to an interview? [return to FAQ list]
Researchers can listen to interviews in the Folklife Reading Room (Jefferson Building, room G53). Please note that
not all of the recorded interviews have been received. As the
interviews are processed by the StoryCorps staff in New York (only
if a signed release has been obtained from the participants), will we receive files from the StoryCorps
Project. We highly recommend that researchers contact the Folklife Reading Room ahead of time and confirm that the interview is available for listening.
Are
the interviews online? [return to FAQ list]
The National
Public Radio article "StoryCorps: Recording America" includes selected, edited interviews available. The StoryCorps - Listen page also makes selections from interviews available. At present, these are the only interviews available online.
How can I get a copy of an interview? [return
to FAQ list]
Sound Portraits Productions retains all of the rights and permissions for materials created for the StoryCorps Project. This includes not only interviews, but also photographs taken of the participants. Requests for copies should be directed to the StoryCorps - Inquiries page.
How many
StoryCorps interviews do you have at the American Folklife Center? [return
to FAQ list]
To date, we've received over 16,000 interviews and over 28,000 participant photos. These are the interviews that have been processed by the StoryCorps staff in New York, and for which release forms have been obtained.
Do you
have a database I can search? [return to FAQ list]
The database, in its draft
form, is available in the Folklife Reading Room. It
includes only those interviews received thus far, and not (yet)
the interviews to be processed and delivered to us.
I work for a historical/cultural
institution, and we’d like
all recordings made in this area during the Mobile Booth’s visit.
How do we get copies of the interviews? [return
to FAQ list]
Please see the answer
to the question, "How can I get a copy of the interview?" Alternatively,
we suggest that you contact StoryCorps and arrange to have duplicate copies
made from their production copies. You will have to work out an agreement
with StoryCorps for sharing these files.
Can I listen to the Annie
and Danny Perasa interviews? [return
to FAQ list]
The National
Public Radio article "StoryCorps: Recording America" has sound clips from the interviews
on their web site. Some of the Perasa interviews have been received by
the Folklife Center, but not all. There is no known timeline for when they’ll arrive.
What is the Griot Initiative? [return
to FAQ list]
The following excerpt is from the StoryCorps web site::
"StoryCorps Griot is a one-year initiative, funded by the Corporation
for Public Broadcasting, to collect interviews from at least 1,750 African-Americans.
From February 15, 2007, through February 28, 2008, the StoryCorps Griot
Initiative will make stops of up to six weeks in nine locations across
the nation, partnering with radio stations, historically black colleges
and universities, and other cultural institutions and membership organizations,
to record and distribute the stories of 1,750 African-Americans. The
StoryCorps Griot Initiative will place a special emphasis on the stories
of World War II veterans and men and women involved in the Civil Rights
struggle."
Interviews from the initiative will be archived both at the American Folklife
Center, and also at the Smithsonian’s
National Museum of African American History and Culture.
Do you have photos of
the people participating in the interviews (interview subjects and interviewers)? [return to FAQ list]
Photographs are taken at the time of the interview, although it's
not certain if all interviewers and interviewees have been photographed.
Once these photos are processed by StoryCorps staff in New York, they will
be added to the StoryCorps Collection here at the American Folklife Center
and will be available for viewing in the reading room.
Go to the StoryCorps Project Web
site.
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