Mary Pickford Theater
Past Screenings : April - June 2008
Tuesday, April 1 (7:00pm)
Night of the Juggler (Jay Weston/Columbia, 1980). Dir
Robert Butler. Wrt Bill Norton, Sr. & Rick Natkin, from the novel
by William P. McGivern. With James Brolin, Cliff Gorman, Richard
Castellano, Abby Bluestone, Dan Hedaya, Julie Carmen (100 min,
Technicolor, 35mm)
The Big Town gets a rough going over in this chaotic chase film.
From the South Bronx to 42nd Street (years before its Disney makeover),
New York City's local color is the hero of this kidnaping yarn.
The outstanding street photography is the work of Victor J. Kemper.
Wednesday, April 2 (7:00pm)
Jazz Film Series
Imagine the Sound (Sphinx Productions, 1981). Dir Ron
Mann. (90 min, color, DVD)
preceded by:
Jazz--Rhythms of Freedom (JAK Films, 2007). Dir Mike Welt.
(32 min, color, DigiBeta video)
Ron Mann's recently restored version of his now classic 1981 documentary
features interviews and beautifully shot studio performances by
four free-jazz firebrands: pianist Paul Bley, trumpeter Bill Dixon,
saxophonist Archie Shepp and pianist Cecil Taylor.
Preceded by the short film Jazz--Rhythms of Freedom , one
of 94 historical documentaries recently produced by Lucasfilm,
which explores the use of jazz as a tool for liberation with profiles
of contemporary musicians Billy Taylor, Kahil El'Zabar and Joe
McPhee.
Thursday, April 3 (7:00pm)
Pinter by Pinter
The Caretaker ; U.S. release title: The Guest (Caretaker
Films, U.K., 1964). Dir Clive Donner. Wrt Harold Pinter, from his
own play. With Alan Bates, Donald Pleasence , Robert Shaw. (105
min, b&w, 35mm)
Shot on a shoestring budget in six weeks, The Caretaker involves
a pair of brothers who engage a vagrant to mind a semi-derelict
house. First performed in 1960, the play was Pinter's breakthrough
success earning him serious recognition as a dramatist.
Friday, April 4 (7:00pm)
Pinter by Pinter
The Homecoming (American Express Films - Ely Landau Organisation,
for The American Film Theatre, U.S./U.K., 1973). Dir Peter Hall.
Wrt Harold Pinter, from his own play. With Cyril Cusack, Ian Holm,
Michael Jayston, Vivien Merchant, Terence Rigby, Paul Rogers. (114
min, color, 35mm)
A philosophy professor returns from America with his wife to his
North London home and family. The second film made for the National
Film Theater project, this is a deliberately stage-bound filming
of Harold Pinter's play reuniting the director and cast members
from the original 1965 Royal Shakespeare Company production at
London's Aldwych Theatre and the subsequent Broadway run. In characteristically
uncompromising fashion, Pinter sets loose a savage familial corpus
that bleeds all over the fixtures of the traditional drawing room
drama.
Tuesday, April 8 (7:00pm)
Pinter by Pinter
Betrayal (Horizon Pictures, U.K., 1982). Dir David Jones.
Wrt Harold Pinter, from his own play. With Jeremy Irons, Ben Kingsley,
Patricia Hodge, Avril Elgar. (95 min, color, 35mm)
First performed as a play in 1978, Betrayal tells the story
of a literary agent (Kingsley) who discovers his wife (Hodge) and
best friend (Irons) are having an affair. Pinter's love triangle
unfolds over a nine year period and is told in reverse chronology,
beginning in ashes and culminating with first sparks.
Wednesday, April 9 (7:00pm)
Jazz Film Series
Anita O'Day--The Life of a Jazz Singer (Elan Entertainment/UGO
Productions, 2007). Dir Robbie Cavolina & Ian McCrudden. Producers
Robbie Cavolina, Ian McCrudden, Melissa Davis. (90 min, color,
DVD)
Legendary jazz vocalist Anita O'Day (Anita Colton) became popular
singing with the Gene Krupa and Stan Kenton Big Bands before carving
out a long career as a solo artist. In this new documentary, the
so-called "Jezebel of Jazz" looks back over her life and tells
the story of her struggles in the music world and triumphs over
addiction, with rarely seen film performances and interviews with
Annie Ross, Margaret Whiting, Bill Holman, Johnny Mandel and Gerald
Wilson
Friday, April 11 (7:00pm)
Bitter Sweet (British and Dominions Film Corp./United
Artists, U.K., 1933). Dir Herbert Wilcox. Wrt Lydia Hayward, Wilcox,
Monckton Hoffe, from the operetta by Noël Coward. With Anna Neagle,
Fernand Gravey, Miles Mander, Clifford Heatherley, Esmé Percy,
Ivy St. Hélier. (93 min, b&w, 35mm)
Noël Coward's operetta gets its first big screen treatment by Irish-born
British producer/director Herbert Wilcox. (As for the MGM version,
starring Jeanette MacDonald and Nelson Eddy, released in 1940,
Coward wrote, "It is, on all counts, far and away the worst picture
I have ever seen.") Wilcox intended Bitter Sweet as a star-making
property for Anna Neagle, his lovely young protégée. Thanks to
this film and others she made after it, Neagle became a show business
institution in the U.K. Today Bitter Sweet has many other
attractions beyond the leading lady's dewy appeal, principally
its beguiling music and its evocation of a bygone world. The depiction
of café life in Vienna is full of charm, but with a slight tinge
of menace.
Tuesday, April 15 (7:00pm)
Ann-Margret
R. P. M. (Columbia, 1970). Dir Stanley Kramer. Wrt Erich
Segal. With Anthony Quinn, Ann-Margret, Gary Lockwood, Paul Winfield,
Graham Jarvis. (92 min, Eastmancolor, 35mm, print exhibits color
fading)
A celebration of the multifaceted career of one of Hollywood's
greatest "Sex Kittens" - actually, the one for whom the term was
coined. What sets Ann-Margret apart from most of her contemporary
movie goddesses was her versatility as a performer. She made her
start as a dancer and then moved on to acting, eventually becoming
a fine actress in her own right, with a career ranging from Viva
Las Vegas and surf movies to Tommy and Grumpier
Old Men. Her performance alongside Jack Nicholson in Carnal
Knowledge won her an Academy Award for Best Supporting Actress.
She starred in her own show in Vegas, had an ongoing love affair
with Elvis, and worked with Bob Hope for U.S.O. This mini series
will focus on Ann-Margret's early films that have not been seen
in decades. A real visual treat and the start of a long and successful
career.
In R.P.M., in a complete change from his usual role, Anthony
Quinn stars as a hip, progressive college professor who surprisingly
gets promoted to dean to try to quell the swell of social unrest
that is crippling the school. As a sociologist, he wants to test
his theories by using his students as guinea pigs. Ann-Margret
plays his girlfriend and confidante who tries to help him through
this deepening mess. An amazing role-reversal for Quinn as he gets
to show a much softer and more progressive side of his character.
Wednesday, April 16 (7:00pm)
Jazz Film Series
Brotherly Jazz--The Heath Brothers (DanSun Productions,
2006). Dir Jesse Block. Producer Danny Scher. (70 mins, color,
DVD)
In a series of revealing interviews, Brotherly Jazz paints
a vivid portrait of Philadelphia's hard-bopping Heath Brothers;
bassist Percy Heath talks about his long tenure with the Modern
Jazz Quartet; saxophonist/composer Jimmy Heath discusses his painful
past and how he turned his life around; and youngest brother, drummer
Al "Tootie" Heath admits that "had it not been for my older brothers,
I might have gone astray and become a doctor or lawyer." The film
features selections from a 2004 California concert that marked
one of the last times the brothers performed together.
Thursday, April 17 (7:00pm)
Ann-Margret
Kitten with a Whip (Universal, 1964). Dir Douglas Heyes.
Wrt Heyes, from the novel by Wade Miller. With Ann-Margret, John
Forsythe, Peter Brown, Patricia Barry, Richard Anderson, James
Ward. (83 min, b&w, 35mm)
with:
The Flintstones. Ann Margrock Presents (Hanna-Barbera Productions/ABC,
9/19/1963). Dir William Hanna, Joseph Barbera. Wrt Harvey Bullock,
R. S. Allen. Voices Alan Reed, Mel Blanc, Ann-Margret. (30 min,
b&w, 16mm)
Ann Margret is a very naughty girl. Kicked out of reform school
and on the run, she is discovered in her nighty at the home of
a wealthy married man (Forsythe), who instead of turning her in
invites her to stay. Join us for the hijinks.
Shown with a classic Flintstones episode in which Fred and Barney
find a very special babysitter to look after Pebbles. She even
helps the two with their musical act and gets them a spot in a
big show.
Friday, April 18 (7:00pm)
Ann-Margret
The Swinger (Paramount, 1966). Dir George Sidney. Wrt
Lawrence Roman. With Ann-Margret, Tony Franciosa, Robert Coote,
Yvonne Romain, Horace McMahon. (81 min, Technicolor, 35mm)
with:
Simply Beautiful (Peckham Productions for Avon Cosmetics,
1966). (14 min, color, 16mm)
Filmed in dazzling Technicolor, The Swinger is a feast for
the eyes and senses. Ann-Margret is the catalyst for all the action
in this visual romp that has been called the first music video
by the few who have seen it. More a series of vignettes than a
cohesive whole, the film is an early portrayal of the 60's counter
culture offering a free flowing slice of the new found freedom.
Don't miss this visually unique and colorful testament to the charms
of the birth of a new era later labeled the "Swinging Sixties."
Preceded by a Revlon instructional film which allows us to explore
the efforts that go into keeping Hollywood actresses "simply beautiful." Filmed
on Kodachrome 16mm stock this is one of the most visually stunning
narrow-gauge color prints in the Library's collection.
Tuesday, April 22 (7:00pm)
Omnibus. VII, Vol. 9, The Medium (Robert Saudek Associates/NBC,
2/15/1959). Dir Gian-Carlo Menotti, William A. Graham. Wrt Menotti.
With Claramae Turner, Lee Venora, Jose Perez, Beverly Dame, Donald
P. Morgan. (60 min, b&w, U-matic video)
with:
The Medium (Transfilm Productions/Lopert Films, 1951). Dir
Gian-Carlo Menotti. With Marie Powers, Leo Coleman, Anna Maria
Alberghetti, Beverly Dame, Belva Kibler; Donald Morgan. (84 min,
b&w, 35mm)
As introduced by Alistair Cooke for the NBC television Omnibus production, "Nobody
has done more to make opera be an American citizen than Gian Carlo
Menotti. He doesn't write about medieval dukes, or hired assassins,
or middle aged Italian heroines whose grief is as mountainous as
their girth. He writes about The Saint of Bleecker Street, The
Consul, The Telephone and today The Medium."
Most middle-aged U.S. citizens remember first seeing "The Medium" as
a TV broadcast, thirteen years after the opera was composed. Subsequently,
professional, amateur and university productions picked up on the
success of this popular and accessible work. Menotti originally
wrote the main role, Madame Flora, for the San Francisco Opera
based contralto, Miss Claramae Turner, who sang the lead in the Omnibus production.
Other singers include, from the concert and Broadway stage, the
middle aged Lee Venora singing Monica, the role of the young daughter,
and Jose Perez as the mime character Toby. The other smaller vocal
parts were given to the singers who performed the same roles in
the earlier film adaptation.
Following the first disastrous, then later successful Broadway
production, originally staged as an Efrem Zimbilist, Jr. production
in the mid 1940's, Menotti directed this Italian-made film adaptation
in the early 1950's. He also provided additional incidental music
which is usually required for cinematic versions of operas: an
interesting percussive introduction for the opening credits and
extra instrumental and choral music for the added street scenes.
In this operatic film noir, Marie Powers takes on the dark role
of Madame Flora with great success. In her film debut, a very young
Anna Maria Alberghetti sings the role of Monica, and Toby is acted
by Leo Coleman.
Wednesday, April 23 (7:00pm)
Jazz Film Series
'Tis Autumn--The Search for Jackie Paris (Outsider Pictures,
2006). Dir & Wrt Raymond De Felitta. Producer Peter Peterson. (100
min, color, DVD)
For a time in the 1950s and 60s, the Italian-American jazz singer
and guitarist Jackie Paris seemed poised for stardom. He worked
on 52nd Street during its heyday, won the Down Beat Critics Poll,
toured with Charlie Parker, Dizzy Gillespie and Lionel Hampton,
and recorded with luminaries Charles Mingus, Donald Byrd and Gigi
Gryce. Then inexplicably, Paris's career went into free-fall and
he lapsed into undeserved obscurity. Filmmaker Raymond De Felitta
searches out the 79-year old singer while he attempts a comeback
and unravels the mystery behind the roller coaster career of this über-hip
jazz singer.
Thursday, April 24 (7:00pm)
Roller Disco Cinema
The Unholy Rollers (Roger Corman Productions/AIP, 1972).
Dir Vernon Zimmerman. Wrt Howard R. Cohen, from a story by Zimmerman
and Cohen. With Claudia Jennings, Betty Anne Rees, Roberta Collins,
Candice Roman, Charlene Jones, Alan Vint. (88 min, De Luxe color,
35mm)
with:
Le Mariage de Thomas Poirot = Fun with the Bridal Party (Georges
Méliès, France, 1908). Dir Georges Méliès. (7 min, b&w, 35mm)
And When She Was Bad [Trailer] (1973). (2 min 30 sec, color,
35mm).
Door to Door Maniac [Trailer] (1961). (2 min, b&w, 35mm)
Personal Health for Girls (Coronet Instructional Films,
1972). (13 min, color, 16mm)
1970's "Playboy Playmate of the Year", Claudia Jennings, shocked
audiences and critics alike for her gritty and gut wrenching portrayal
of Karen Walker, a woman who appears to have nitroglycerine pumping
through her veins where blood should be. The Sexual Revolution
and counter culture of the late 1960's & early 1970's have left
Karen bored and disillusioned. 23 years old and stuck in a dead
end job at a cat food plant, it would appear as there was little
hope for her future. That is until the day that her boss made an
unwanted advance. With frenzied anger she trashes the plant and
loses her job.
Karen turns her vengeance to the sport of roller derby, where her
breathtaking beauty makes her a shoe-in for a team. What they get
is most unexpected, a gladiator of epic proportions. Soon she is
leading "The Avengers" to countless victories. Loved by the crowds
and hated by her teammates she goes on a kamikaze mission, laying
her wrath upon all those on and off the tracks, slipping further
and further into madness.
This is not a tale of redemption or absolution, nor a tale of deeper
understanding of one's fellow human beings. This is a tale of a
true non-conformist, a warrior of great magnitude. This is a tale
of an unholy roller.
Helmed by Vernon Zimmerman as a follow-up to his debut film Deadhead
Miles, The Unholy Rollers was edited by film icon Martin
Scorsese (Taxi Driver, Raging Bull, Goodfellas) and showcases
a plethora of astounding camera techniques and fits of athletic
prowess.
Preceded by a couple of trailers, a delightful comedy by Georges
Méliès in which a turn-of-the-century wedding turns chaotic as
the attendees are all wearing roller-skates, and a short intended
for classroom viewing about how important it is to live a healthy
lifestyle and be a proper young lady.
Friday, April 25 (7:00pm)
Iranian Film Series
Zir-e darakhtan-e zeyton = Through the Olive Trees (Abbas
Kiarostami Productions, Iran, 1994). Dir & Wrt Abbas Kiarostami.
With Mohamad Ali Keshavarz, Hossein Rezai, Zarifeh Shiva, Tahereh
Ladanian. (103 min, color, 35mm, in Persian with English subtitles)
Through the Olive Trees is the final part of Kiarostami's
Earthquake Trilogy, and the plot revolves around the production
of the second episode, Life, and Nothing More..., which
itself was a revisitation of the first film, Where Is the Friend's
Home?. Like many of Kiarostami's films, it is filmed in a
simplistic, naturalistic way, while also being a complex study
of the link between art and life, constantly blurring the boundaries
between fiction and reality. Rezai plays a local stonemason turned
actor who, outside the film set, makes a marriage proposal to his
leading lady, a student recently orphaned after the earthquake.
She considers his offer insulting however, as he is poor and illiterate,
and refuses to speak to him again. She continues to ignore him
even when they are filming, as she seems to have trouble grasping
the difference between her role and real life.
Tuesday, April 29 (7:00pm)
Iranian Film Series
Rang-e Khoda = The Color of Paradise (Varahonar Co., Iran,
1999). Dir & Wrt Majid Majidi. With Hossein Mahjoub, Mohsen Ramezani,
Salameh Feyzi, Farnaz Saffati. (90 min, color, 35mm, in Persian
with English subtitles)
The Color of Paradise is a fable of a child's innocence
and a complex look at faith and humanity. Visually magnificent
and wrenchingly moving, the film tells the story of a boy whose
inability to see the world only enhances his ability to feel its
powerful forces. The film was nominated for an Academy Award and
is one of the most successful (financially and critically) Iranian
films released in the States.
Wednesday April 30 (7:00 pm)
Jazz Film Series
The Gig (Castle Hill Productions, 1985). Dir & Wrt Frank
D. Gilroy. With Wayne Rogers, Cleavon Little, Andrew Duncan, Daniel
Nalbach, Warren Vaché. (91 min, color, 35mm)
Frank Gilroy's often overlooked feature film concerns five white
middle-aged amateur jazz musicians who accept an offer for a gig
in the Catskills, only to find problems when they must fill out
the group with a young, jaded black professional bassist (played
by Cleavon Little). Cast also includes actors and amateurs, including
Andrew Duncan, Jerry Matz, Daniel Nalbach, Wayne Rogers, Joe Silver
and real-life trumpeter Warren Vache who plays his own music onscreen.
Musicians on the soundtrack include Kenny Davern, Milt Hinton,
George Masso, Dick Wellstood, John Bunch and Reggie Johnson.
Thursday, May 1 (7:00pm)
Iranian Film Series
Safar-i Qandahar = Kandahar (Makhmalbaf Film House - Bac
Films, Iran/France, 2001). Dir & Wrt Mohsen Makhmalbaf. With Nelofer
Pazira , Hassan Tantai, Sadour Teymouri, Hayatalah Hakimi. (85
min, color, 35mm, in Persian, English & Polish with English subtitles)
Pazira plays Nafas, a reporter who was born in Afghanistan but
fled with her family to Canada when she was a child. However, her
sister wasn't so lucky; she lost her legs to a land mine while
young, and when the family left the country, the sister was accidentally
left behind. Nafas receives a letter from her sister announcing
that she's decided to commit suicide during the final eclipse before
the dawn of the 21st century; desperate to spare her sister's life,
Nafas makes haste to Afghanistan, where she joins a caravan of
refugees who, for a variety of reasons, are returning to the war-torn
nation. As she searches for her sister, she soon gets a clear and
disturbing portrait of the toll the Taliban regime has taken upon
its people.
Friday, May 2 (7:00pm)
Iranian Film Series
Osama (Barmak Films -- LeBrocquy Fraser Productions - NHK,
Afghanistan/Ireland/Japan, 2003). Dir & Wrt Siddiq Barmak. With
Marina Golbahari, Khwaja Nader, Arif Herati, Zubaida Sahar. (83
min, color, 35mm, in Persian & Pashtu with English subtitles)
A 12-year-old Afghan girl and her mother lose their jobs when the
Taliban closes the hospital where they work. The Taliban have also
forbidden women to leave their houses without a male "legal companion." With
her husband and brother dead, killed in battle, there is no one
left to support the family. Without being able to leave the house,
the mother is left with nowhere to turn. Feeling that she has no
other choice, she disguises her daughter as a boy. Now called 'Osama,'
the girl embarks on a terrifying and confusing journey as she tries
to keep the Taliban from finding out her true identity. Inspired
by a true story, Osama is the first entirely Afghan film
shot since the fall of the Taliban.
Tuesday, May 6 (7:00pm)
Roller Disco Cinema
Skatetown U.S.A. (Skatetown Co./Columbia, 1979). Dir William
A. Levey. Wrt Nick Castle. With Scott Baio, Flip Wilson, Maureen
McCormick, Patrick Swayze, Ron Palillo. (93 min, color, 35mm)
with:
Roller Skating Safety (Charles Cahill & Associates/Aims
Instructional Media, 1980). (15 min, color, 16mm)
Roller Skate Fever (Shaper-Panahi Productions/Pyramid Films,
1981). Dir Paul M. Shaper & Iradj Panahi. With Fred Dagher, Terry
Caccia, Tom Peterson. (9 min, color, 16mm)
"Skatetown is a place of magic! Nobody leaves here the same as they came in!" cries
the DJ aka "the Wizard". This is roller disco cinema at its finest! It is the
Championship Disco Derby at Harvey Ross's (Wilson) mega roller disco palace,
Skatetown, USA. Richie (Baio) persuades good boy Stan (Bradford) to sign up for
the competition. Along for the fun is Stan's boy crazed sister Suzie (McCormick)
who flirts with every man in the place. Winning the contest isn't so easy for
Stan because Skatetown, USA is the turf of a skate gang called the Westside Wheelers.
The leader of the gang is Ace played by future leading man Patrick Swayze (this
is Swayze's first starring role). Another notable appearance is from future minor
cult figure Dorothy Stratten (Playboy Playmate 1980) who plays the girl at the
snack bar. The soundtrack is disco-tastic with hits such as Earth Wind and Fire's "Boogie
Wonderland" and the Jackson's "Shake your Body." This film will definitely leave
you wondering where you've put your roller skates.
Preceded by the amusing and dated Roller Skating Safety ,
in which the County Sheriff's Department of Glendale California
goes over the do's and don't of roller skating, and Roller Skate
Fever , a hypnotic, wordless film that captures the fantastic
skills of rollerskaters on Venice Beach, California in 1981.
Thursday, May 8 (7:00pm)
Two by Loach
Family Life, a.k.a. Wednesday's Child (Kestrel Films,
U.K., 1971). Dir Ken Loach. Wrt David Mercer, from his TV play "In
Two Minds." With Sandy Ratcliff, Bill Dean, Grace Cave, Malcom
Tierney, Hilary Martyn, Michael Riddall. (108 min, Technicolor,
35mm)
In this rarely seen early drama by British director Ken Loach,
the generation gap between an emotionally confused teenage girl
and her rigid, puritan-minded parents serves as the backdrop for
the film's austere "cinéma vérité" style. Janice, an otherwise
normal young woman, suffers a breakdown after having an abortion
and winds up in a state medical hospital. Her unruly behavior (she
throws tantrums, destroys objects, and has extreme mood shifts)
embarrasses her parents, who make weekly visits to demonstrate
their love, in spite of Janice's unacceptable behavior. Reminiscent
of European, documentary-inspired films of the '60's, Family
Life focuses less on character development and drama, and
more on revealing the subtle complexities that undercut family
life.
Friday, May 9 (7:00pm)
Two by Loach
Black Jack (Kestrel Films, U.K., 1979). Dir & Wrt Ken
Loach, based on the novel by Leon Garfield. With Stephen Hirst,
Louise Cooper, Jean Franval, Phil Askham, Andrew Bennett, Packie
Byrne. (110 min, color, 35mm)
Based on the novel by Leon Garfield set in Yorshire in 1750, Black
Jack explores the lives of two young teens, Tolly, an orphan
apprenticed to a draper, and Belle Carter, a young mentally disturbed
girl who never fully recovered from a severe fever. The film begins
with Tolly's discovery that the corpse he is guarding is not dead.
Black Jack, a rogue who has escaped being hanged by lodging a spoon
in his mouth to keep his neck from snapping, opens his eyes to
see the schocked response of Tolly, who stands by the casket in
disbelief. Without wasting any time, Black Jack grabs Tolly and
they escape from the locked room. Meanwhile, Belle is being placed
in an asylum so her parents can avoid public scrutiny of her unstable
mental condition, which threatens to interfere with her older sister's
social-climbing marriage. During her transport to the asylum, a
staged accident frees Belle, and she and Tolly meet. Moving together
across Yorshire, Tolly works for a doctor in a traveling medicine
show as Belle slowly begins to recover.
Tuesday, May 13 (7:00pm)
La Leggenda di Faust = Faust and the Devil (Cineopera,
Italy, 1948). Dir Carmine Gallone. With Italo Tajo, Nelly Corradi,
Gino Mattera, Thérèse Dorny, Gilles Quéant, Cesare Barbetti. (87
min, b&w, 35mm, in Italian with English subtitles & voiceover)
Carmine Gallone (1866-1973), a prolific Italian film director,
producer and sometime actor, adapts Johann Wolfgang von Goethe's
drama using both the popular arias and tunes of the French composer
Charles Gounod's opera, as well as Italian opera's perspective
on the story, Arrigo Boito's orchestral sketches of "Mefistofele." The
performers sing in Italian, which this U.S. release version (distributed
by Columbia) translates via English subtitles, while the elder
Dr. Faustus's thoughts are delivered in English voiceover. Gallone's
cutting of Gounod's original five act opera into an 87-minute film
was a major chore, similar to the one Tim Burton had to face when
shooting last year's film version of Stephen Sondheim's operatic
musical "Sweeney Todd." There's so much great music there, but
something has to go.
Thursday, May 15 (7:00pm)
3:10 to Yuma (Columbia, 1957). Dir Delmer Daves. Wrt Halsted
Welles, from the short story by Elmore Leonard. With Glenn Ford,
Van Heflin, Felicia Farr, Leora Dana, Henry Jones, Richard Jaeckel.
(92 min, b&w, 35mm)
In spite of its bigger budget and considerably longer running time,
the recent remake of 3:10 to Yuma could not match the taut
intensity of the original. In this memorable variation on High
Noon, farmer Van Heflin, desperate to pay his debts, takes
on an apparently simple job: escort a smooth talking but vicious
bandit Glenn Ford to the Federal Prison at Yuma. One by one, Heflin's
allies desert him as Ford's gang draws a tight ring around the
isolated town, until only the town drunk stands between him and
death. 3:10 to Yuma was one of the first, and best metaphysical
westerns, with plenty of action and suspense in its moral universe.
Friday, May 16 (7:00pm)
Il Mondo di Yor = Yor, the Hunter from the Future (Diamant
Film - RAI, Italy, 1983). Dir Anthony M. Dawson (=Antonio Margheriti).
Wrt Dawson, Robert Bailey, from the novel by Juan Zanotto and Ray
Collins. With Reb Brown, John Steiner, Corinne Clery, Carole Andre,
Alan Collins (=Luciano Pigozzi), Sergio Nicolai. (90 min, color,
35mm, dubbed in English)
with
Tron [Trailer] (1982) (2 min, color, 35mm)
Doc Savage: The Man of Bronze [Trailer] (1975) (2 min, color,
35mm)
Black Samurai [Trailer] (1977) (2 min, color, 35mm)
Warlords of the 21st Century [Trailer] (1982) (2 min, color,
35mm)
Creature [Trailer] (1985) (2 min, color, 35mm)
and:
Spaced Vision (ABBA Productions, 1972). (2 min, color, 16mm)
On a strange and distant planet, not unlike a desert in Arizona,
there is a peaceful clan of cave people that seem to have invented
hair spray, the bikini and rouge, prior to the invention of the
wheel. Without warning the clan is attacked in a haze of laser
beams from UFOs. Out of the storm comes Yor, who gallantly saves
the clan from the barrage! Who is this muscular platinum-blond
man who speaks in a Southern Californian accent? Unfortunately,
Yor does not seem to know.
The members of the hair-sprayed bikini clan notice the mysterious
gold medallion on his waxed chest (it seems that Yor's clan may
have also invented hair waxing). They tell him of a desert goddess
who wears the same medallion. Yor decides that he must go on a
quest to find her and learn his true identity. Along the way he
encounters dinosaurs and other prehistoric monsters, half-man half-beast
creatures, sex hungry ape-men, an android army, spaceships, and
an overacting John Steiner, proving that he has to eat (and eat
he does by chewing ever scene that he is in).
A cornerstone of "Il cinema ridicolo" (Cinema Ridiculous), the
film is often both intentionally and unintentionally humorous.
Part of Italian cinema's long-running tradition of interpreting
American blockbusters, Yor is an absurd take on multiple
films and genres. The soundtrack by Guido & Maurizio De Angelis
has to be heard to be believed. Seeing this in a theater is rare
at best, and the notion of Library of Congress screening a 1980's
film where a caveman uses a pterodactyl as a hang glider is almost
as absurd as the film itself!
Preceded by a selection of trailers and an experimental short that
has animated images projected off a woman while music from India
plays. Hypnotic.
Tuesday, May 20 (7:00pm)
The Legacy of "Bojangles"
The Little Colonel (Fox, 1935). Dir David Butler. Wrt
William Conselman, based on the novel by Annie Fellows Johnston.
With Shirley Temple, Lionel Barrymore, Evelyn Venable, John Lodge,
Sidney Blackmer, Hattie McDaniel. (80 min, b&w, 35mm)
In 1870's Kentucky, Elizabeth Sherman is evicted by her Southern
father for deigning to marry a "Northerner." When Elizabeth returns
home with her daughter Lloyd, "The Little Colonel," the ill-tempered
codger (Lionel Barrymore) refuses to reconcile, although he slowly
warms up to his determined grand daughter. Bill Robinson delights
in his hoofing with the irrepressible Temple!
Wednesday, May 21 (7:00pm)
The Legacy of "Bojangles"
The Littlest Rebel (Twentieth Century-Fox, 1935). Dir
David Butler. Wrt Edwin Burke, based on the play by Edward Peple.
With Shirley Temple, John Boles, Jack Holt, Karen Morley, Bill
Robinson, Guinn Williams. (73 min, b&w, 35mm)
When Shirley Temple's rebel officer father slinks back to his plantation
to see his family, he is arrested. A Yankee soldier takes pity
and arranges an escape. Everyone is captured and both soldiers
are to be executed. Temple and "Bojangles" dance their way to Washington,
DC to beg President Lincoln to intercede.
Thursday, May 22 (7:00pm)
The Legacy of "Bojangles"
Stormy Weather (Twentieth Century-Fox, 1943). Dir Andrew
Stone. Wrt Frederick Jackson, Ted Koehler, H. S. Kraft, from an
original story by Jerry Horwin & Seymour B. Robinson. With Lena
Horne, Bill Robinson, Cab Calloway, Katherine Dunham, Fats Waller,
Nicholas Brothers, Ada Brown, Dooley Wilson. (78 min, b&w, 35mm)
with:
Celebrity Profile. The Nicholas Brothers--Flying High (Van
Ness Films, 1999). Dir Steven Smith. Host Harry Smith. Narrated
by Peter Graves. (60 min, color, U-matic video)
In Stormy Weather , dancing legend Bill "Williamson," just
back from World War I, meets lovely singer Selina Rogers (Horne)
at a soldiers' ball and promises to come back to her when he establishes
his career. Years later, Bill's and Selina's rising careers intersect
only briefly, as Selina is unwilling to "settle down." Will she
ever change her mind? This was Bojangles's biggest role--a part
that he played with dignity and clarity--and his dancing was the
most contextual. Concludes with an all-star show hosted by Cab
Calloway.
Shown with a profile of Fayard and Harold, from their earliest
appearances in 1920's Philadelphia, through the Cotton Club in
1932 and the Ziegfeld Follies of 1936 to the end of the 20th century,
combating racism and inspiring generations of black entertainers.
Friday, May 23 (7:00pm)
A Rage to Live (Mirisch Corp. - Rage Productions/United
Artists, 1965). Dir Walter Grauman. Wrt John T. Kelley, from the
novel by John O'Hara. With Suzanne Pleshette, Bradford Dillman,
Ben Gazzara, Peter Graves, Bethel Leslie, Carmen Mathews. (101
min, b&w, Panavision, 35mm)
Prior to her success as second banana in The Bob Newhart Show,
Suzanne Pleshette, who died on Jan. 19 this year, appeared as the
sexually insatiable society belle in this somewhat underrated melodrama.
In this loose film adaptation from the novel by John O'Hara, Ms.
Pleshette holds the screen as a remarkably self-contained yet clearly
troubled young woman. Her steamiest scenes are with Ben Gazzara,
who played sexual angst better than any young actor in the 1960's.
Tuesday, May 27 (7:00pm)
Wild River (Twentieth Century-Fox, 1960). Dir Elia Kazan.
Wrt Paul Osborn, based on the novels "Mud on the Stars" by William
Bradford Huie and "Dunbar's Cove" by Borden Deal. With Montgomery
Clift, Lee Remick, Jo Van Fleet, Albert Salmi, J. C. Flippen, James
Westerfield, Barbara Loden. (110 min, De Luxe color, CinemaScope,
35mm)
Elia Kazan had long wanted to make a motion picture about the New
Deal. Wild River , his film about a Tennessee Valley Authority
employee who tries to convince an elderly woman to leave her island
home, turned out to be one of the director's finest. Anchored by
Jo Van Fleet's masterly performance as the wise matriarch, it's
a passionate and humane exploration of the costs of progress. Wild
River was selected to the National Film Registry in 2002; we
will be screening a pristine print donated to the Library by 20th
Century-Fox.
Thursday, May 29 (7:00pm)
Two by Warhol
I, a Man (Andy Warhol Films, 1967). Dir Andy Warhol, Paul
Morrissey. With Tom Baker, Nico, Valerie Solanis, Bettina Coffin,
Ingrid Superstar. (99 min, color, 16mm)
with:
Fashion. Flowers (Manhattan Cable, 1980). (30 min, color,
U-matic video)
The Pickford Theater is proud to present two of Andy Warhol's lesser-known
feature films, complete with long takes, strobe-cuts (the glitches
you hear in the soundtrack are deliberate alienating affects) and
the unbearable loggorhea of Factory superstars. I, a Man follows
Tom Baker as he meets a series of New York women for conversation,
confrontation, copulation, and sometimes all of the above. The
most notable of these females may be chanteuse Nico of Velvet Underground
fame, but the most notorious is certainly Valerie Solanas, who
a year later would shoot and nearly kill Warhol. Co-star Baker
described the budding would-be assassin as "intelligent, funny,
almost charming, and very, very frightened."
Shown with Flowers , from a series Warhol produced for Manhattan
Cable television. In this episode, four different New York florists
with four distinct approaches to the trade are interviewed.
Friday, May 30 (7:00pm)
Two by Warhol
The Nude Restaurant (Andy Warhol Films, 1967). Dir & Wrt
Andy Warhol. With Viva, Brigid Polk, Julian Burrough, Taylor Mead,
Allen Midgette. (100 min, color, 16mm, print exhibits some color
fading)
with:
Andy Warhol's TV. The Best of Andy Warhol's TV (Madison
Square Garden Network, 1981). (30 min, color, U-matic video)
The Nude Restaurant was one of the first vehicles for Warhol
superstar Susan Hoffman, aka Viva. For much of the film displays
that quality which, according to biographer Victor Bockris, most
endeared her to Warhol: "she complained endlessly about personal
things that no respectable woman talked about in public, with an
upper-class languor which Andy began to imitate in his own speech." Also
starring Taylor Mead, who most recently has been seen in a segment
of Coffee and Cigarettes.
Shown with The Best of Andy Warhol's TV , featuring Debbie
Harry, David Hockney, and Fran Leibowitz, among others.
Tuesday, June 3 (7:00pm)
Tudors on Film
Anne of the Thousand Days (Universal, U.K., 1969). Dir
Charles Jarrott. Wrt Bridget Boland, John Hale, Richard Sokolove,
based on the play by Maxwell Anderson. With Richard Burton, Genevieve
Bujold, Irene Papas, Anthony Quayle, John Colicos, Michael Hordern.
(145 min, Technicolor, Panavision, 35mm)
As one of the most interesting dysfunctional families ever, the
Tudors of Great Britain continue to fascinate us even though they
reigned more than 400 years ago. So if you can't get enough of The
Tudors on Showtime or The Other Boleyn Girl, watch
this series of Tudor-themed films, showing various interpretations
of Henry VIII, Anne Boleyn, Elizabeth, Edward, and Mary, Queen
of Scots.
Anne of the Thousand Days is a largely sympathetic portrayal
of Anne Boleyn which shows her life from the moment King Henry
VIII first spies her on the dance floor. Immediately taken with
her, he pursues Anne, but is rebuffed until he promises to marry
her. Anne's ambitions soar, but her inability to give Henry a son
dooms her. The film was nominated for ten Academy Awards and won
the award for best costumes.
Thursday, June 5 (7:00pm)
Red, White and Zero (Holly Productions for Woodfall/United
Artists, U.K., 1967). Red and Blue . Dir Tony Richardson.
Wrt Richardson, Julian More. With Vanessa Redgrave, John Bird,
Gary Raymond, Michael York, Douglas Fairbanks, Jr. The Ride
of the Valkyrie . Dir & Wrt Peter Brook. With Zero Mostel,
Julia Foster, Frank Thornton. The White Bus . Dir Lindsay
Anderson. Wrt Shelagh Delaney. With Patricia Healey, Arthur Lowe,
John Sharp, Julie Perry, Anthony Hopkins. (97 min, b&w/color, 35mm)
Originally intended as a trilogy of stories by Shelagh Delaney, Red,
White, and Zero was never released as such. When two of the
three directors filmed non-Delaney subjects, UA shelved the project
as there was no unifying theme.
In Lindsay Anderson's film of Delaney's quasi-autobiographical The
White Bus , a young woman returning to her hometown joins a
conducted bus tour, only to find herself increasingly cut off from
her surroundings and other people. Here Anderson displays the melancholy
satire and poetic surrealism that he would further explore in If... and O
Lucky Man!
Peter Brooks' inexplicable romp The Ride of the Valkyrie features
Zero Mostel running around the streets of London.
In Red and Blue , Tony Richardson's wistful, candy-colored
Demy-inflected musical, Vanessa Redgrave is a wayward chanteuse
who gets fatefully involved with gangster Douglas Fairbanks, Jr.
Red, White, and Zero received its belated Washington premiere
when it was screened at the Pickford Theater in 2000.
Friday, June 6 (7:00pm)
Queen of Burlesque (Sigmund Neufeld Productions/PRC, 1946).
Dir Sam Newfield. Wrt David Lang. With Evelyn Ankers, Carleton
Young, Marian Martin, Craig Reynolds, Rose La Rose. (70 min, b&w,
35mm)
with:
Tiger Fangs (PRC, 1943). Dir Sam Newfield. Wrt Arthur St.
Claire. With Frank Buck, June Duprez, Duncan Renaldo, Howard Banks,
J. Farrell MacDonald. (60 min, b&w, 16mm)
Killer show girls and crazed flesh eating tigers are at the center
of our B-picture double bill. First, competition between dancers
on the burlesque stage leads to blackmail and a series of murders
in Queen of Burlesque . Variety noted this "routine murder" mystery
as "adequate" but with "dialogue of questionable taste." The film
boasts song and dance numbers popular in 40's burlesque houses
and features the "original TNT girl" Rose La Rose in a supporting
role. Then in Tiger Fangs , an East Asian rubber plantation
is terrorized by tigers and the American government, in need of
rubber for the war effort, sends a world famous explorer to investigate.
The locals believe the animals are possessed by evil spirits but
clues lead to the work of a Nazi saboteur.
Tuesday, June 10 (7:00pm)
Tudors on Film
Young Bess (MGM, 1953). Dir George Sidney. Wrt Jan Lustig,
Arthur Wimperis, based on the novel by Margaret Irwin. With Jean
Simmons, Stewart Granger, Deborah Kerr, Charles Laughton, Kay Walsh.
(111 min, Technicolor, 35mm)
Young Bess focuses on the early years of Queen Elizabeth
before she attains the throne. Elizabeth 's early life is hard
as her father frequently banishes her from court, and she not only
loses a mother, but also a succession of stepmothers. Henry's last
wife, Catherine Parr, treats Elizabeth kindly and brings her back
to court. Elizabeth falls in love with Thomas Seymour, brother
of Henry's wife, Jane Seymour, but he marries Catherine Parr after
Henry's death. Her close relationship with him, however, causes
her to be taken into custody to testify against him. Jean Simmons
and Stewart Granger were married to each other in real life when
this was filmed.
Thursday, June 12 (7:00pm)
Borzage's Germany
Three Comrades (Metro-Goldwyn-Mayer, 1938). Dir Frank
Borzage. Wrt F. Scott Fitzgerald, Edward E. Paramore, from the
novel by Erich Maria Remarque. With Robert Taylor, Margaret Sullavan,
Franchot Tone, Robert Young, Guy Kibbee, Lionel Atwill. (100 min,
b&w, 35mm)
Adapted from Erich Maria Remarque's novel set in post-World War
I Germany, the tale follows the struggles of three war veterans
who attempt to eke out a living running an auto repair shop and
taxi service. Their friendship is strengthened by their shared
love of a woman dying of tuberculosis. The ethereal presence of
Margaret Sullavan's character bestows a sense of hope and transcendence
in the face of poverty, disease and the threat of facism. It is
considered to be her finest performance. Borzage's lush romanticism
is skillfully realized by Joseph Ruttenberg's cinematography and
Franz Waxman's score. This is F. Scott Fitzgerald's only screenwriting
credit.
Friday, June 13 (7:00pm)
Borzage's Germany
The Mortal Storm (Metro-Goldwyn-Mayer, 1940). Dir Frank
Borzage. Wrt George Froeschel, Anderson Ellis, Claudine West, from
the novel by Phyllis Bottome. With Margaret Sullavan, James Stewart,
Robert Young, Frank Morgan, Robert Stack. (100 min, b&w, 35mm)
This is the most explicit anti-Nazi film to be released in pre-war
America. The loyalties of a family living in a small Bavarian village
become divided when news of Hitler's rise to power reaches them.
Despite the one-dimensionality of its propaganda, it is a telling
analogy for Germany as a whole and a compelling story of persecution.
Tuesday, June 17 (7:00pm)
Tudors on Film
The Prince and the Pauper (Warner Bros., 1937). Dir William
Keighley. Wrt Laird Doyle, based on the novel by Mark Twain. With
Errol Flynn, Billy Mauch, Bobby Mauch, Claude Rains, Alan Hale,
Henry Stephenson, Barton MacLane. (118 min, b&w, 35mm)
Based on the novel by Mark Twain, The Prince and the Pauper shows
two young boys living in very different circumstances who resemble
one another. One is Edward, a prince and heir to the throne, while
the other lives in poverty. When they meet by chance, they decide
to trade places, but then are forced to stay in the roles they
have adopted.
Thursday, June 19 (7:00pm)
Japan at War
Gekido no showashi--Okinawa kessen = The Battle of Okinawa (Toho,
1971). Dir Kihachi Okamoto. Wrt Kaneto Shindo. With Keiju Kobayashi,
Tetsuro Tanba, Tatsuya Nakadai, Wakako Sakai, Mayumi Ozora, Yuzo
Kayama, Ryo Ikebe. (150 min, color, scope, 35mm, in Japanese with
English subtitles)
It is somewhat surprising that the recent focus on an American
filmmaker depicting a World War II battle from a Japanese perspective
(Clint Eastwood in Letters from Iwo Jima) did not translate
into an increased interest in Japanese cinema's own take on the
war. With a few notable exceptions, such as the anti-militarist
films of Kon Ichikawa (The Burmese Harp, Fires on the Plain)
and Masaki Kobayashi (The Human Condition trilogy), the
Japanese war movie is largely an unknown quantity in the West,
in no small part due to the unavailability of some of the key works
of the genre outside of Japan. Our modest attempt to shed light
on the topic consists of two treatments of the same event, the
bloody battle for the island of Okinawa (see also June 12).
Unlike Iwo Jima, its immediate predecessor, the assault on Okinawa
was marked by a high civilian casualty rate - a third of the island's
pre-war population died in the battle. Director Kihachi Okamoto,
who had himself seen military service during the war, skillfully
provides the big picture by detailing the historical timeline and
introducing all the major players while at the same time portraying
the harrowing human toll on the indigenous residents. The film,
however, stops short of accusing the Japanese military for the
civilan deaths, to this day a controversial subject in Japan. The
cast includes several well-known names (even to Western audiences),
including Tatsuya Nakadai as the U.S.-educated Col. Hiromichi Yahara,
the highest ranking officer to survive the battle. The Japanese
title translates as "A Tempestuous Chronicle of the Showa Period
- Battle of Okinawa."
Friday, June 20 (6:30pm)
Tokyo Orinpikku = Tokyo Olympiad (Organizing Committee
for the Games of the XVIII Olympiad - Toho, Japan, 1965). Dir Kon
Ichikawa. Wrt Natto Wada, Yoshio Shirasaka, Shuntaro Tanikawa,
Ichikawa. With Abebe Bikila, Dawn Fraser, Billy Mills, Don Schollander,
Anton Geesink, Joe Frazier, Avery Brundage, Emperor Hirohito, and
a cast of thousands. (170 min, Eastmancolor, CinemaScope, 35mm)
"I tried to grasp the solemnity of the moment when man defies his limits,
and to express the solitude of the athlete who, in order to win, struggles against
himself. I wanted people to rediscover with astonishment that wonder which is
a human being." -- Kon Ichikawa
Kon Ichikawa was the surprise choice of the Olympic Committee to
document the 1964 Summer Olympics in Tokyo. He was one of Japan's
top directors of dramatic films, not a documentarian, and he admitted
to being no sports fan. Still, the challenge must have been irresistible.
Ichikawa and his crew often found drama, wonder and humor throughout
the games, and utilizing over 100 widescreen cameras, created a
visually stunning and deeply humanitarian celebration of the human
spirit expressed in athletics.
In it's initial U.S. release, Tokyo Olympiad was seen only
in a severely truncated, re-edited version barely half the length
of the original, and was also the victim of a hopelessly inept
publicity campaign. We will see the film at its full length, in
the restored, subtitled version released in the U.S. for the first
time in the 1990s.
Tuesday, June 24 (7:00pm)
Tudors on Film
Mary, Queen of Scots (Hal Wallis Productions - Universal,
U.S./U.K., 1971). Dir Charles Jarrott. Wrt John Hale. With Vanessa
Redgrave, Glenda Jackson, Patrick McGoohan, Timothy Dalton, Nigel
Davenport., Trevor Howard (128 min, Technicolor, Panavision, 35mm)
Mary, Queen of Scotland, and likely heir to the English throne,
faces a tumultuous life as she battles the plotting of her lords
to unseat her and fights to have her claim to the English throne
recognized. She is imprisoned by her cousin Queen Elizabeth, who
accuses her of treason. This film was nominated for 5 Academy Awards,
including Best Actress.
Thursday, June 26 (7:00pm)
Japan at War
Himeyuri no To = The Eternal Monument = Tower of the Lilies (Geneisha/Toho,
1982). Dir Tadashi Imai. Wrt Yoko Mizuki. With Komaki Kurihara,
Yuko Kotegawa, Kumiko Oba, Yoshiko Tanaka, Tomoko Saito. (140 min,
color, 35mm, in Japanese with English subtitles)
Unlike The Battle of Okinawa (see June 5), which is primarily
a large scale war epic, The Eternal Monument is more intimate
in scope as it tells the story of a group of female high school
students assigned to the island's army field hospitals. The picture
is based on real life events which have over the years received
several cinematic treatments, the first of which (1953) was also
directed by Tadashi Imai. With its focus on suffering and self-sacrifice
and its unabashedly sentimental celebration of the Japanese spirit,
the film was obviously aimed at local audiences (it was a box office
hit in Japan), and has never been released in the West. The title
refers to the Okinawa monument commemorating almost 200 girls who
perished in the battle.
Friday, June 27 (7:00pm)
Wake in Fright, a.k.a. Outback (NLT Productions - Group
W Films, Australia/U.S., 1971). Dir Ted Kotcheff. Wrt Evan Jones,
from the novel by Kenneth Cook. With Gary Bond, Donald Pleasence,
Chips rafferty, Sylvia Kay, Jack Thomspon. (96 min, color, 35mm)
with:
Frightmare [Trailer] (1974). (2 min, color, 35mm)
Love and Bullets [Trailer] (1979). (2 min, color, 35mm)
Mary, Mary, Bloody Mary [Trailer] (1975). (2 min, color,
35mm)
and:
Small Apartment (Andrew T. Betzer Films, 2008). Dir: Andrew
T. Betzer. With Alex Wasinski, Alexandre Marouani, Julia Fragias.
(8 min, color, 35mm)
John Grant is a mild mannered young schoolteacher in the desolate
Australian outback town of Tiboonda. Summer vacation occurs and
John is taking leave to heavily populated Sydney, where his girlfriend
awaits. Along the way, he must stop in the town of Bundanyabba
(or "Yabba") to catch a flight. Once there, John encounters a clan
of people unlike anything he has ever known. They are charming
people who inhale alcohol in equal quantities as they do air. Men
who are quickly prone to violence and derive pleasure in it, including
their main joy of hunting and slaughtering kangaroos. John slowly
finds himself slipping further and further into the madness of
his surroundings.
Controversial and unsettling, the highly praised Wake in Fright is
often named by Aussie critics as "The Greatest of Australian Film
Achievements". It was nominated for the Golden Palm at the 1971
Cannes Film Festival. The script was penned by Evan Jones (Eva,
These Are the Damned, King & Country) from the award winning
novel by Kenneth Moore. Directed by Ted Kotcheff, who went on to
a long and extremely successful career directing such films as First
Blood, North Dallas Forty, and The Apprenticeship of Duddy
Kravitz. Wake in Fright is a difficult film to see
as all but a handful of prints have been lost or are incomplete.
The print that will be screened tonight is an original in excellent
condition.
Preceded by a selection of trailers and the short Small Apartment .
In the latter, a middle-aged man, his son, and daughter-in-law
explore love and perversion in 700 square feet of space. Winner
of the Grand Jury Prize at the 2008 South By Southwest Film Festival.
The Mary Pickford Theater is programmed by Matthew Barton,
Jennifer Harbster, Jerry Hatfield, Wilbur King, Steve Leggett,
Karen Lund, Mike Mashon, David Novack, Jennifer Ormson, Pat Padua,
Lynne Parks, Sam Serafy, Christel Schmidt, Zoran Sinobad, John
Snelson, Chris Spehr, Brian Taves, and Kim Tomadjoglou.
Projectionists: Amy Gallick, David March, Jennifer Ormson, Mike
Smith
Theater Managers: Jerry Hatfield, Christel Schmidt, Chris Spehr
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