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Current Issue
SEPT/OCT 2008

Features:
~Artistic Dynasties
~Carved Pottery
~Rosebud Sioux

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Table of Contents
   
Featured Articles
2008 September/October Happening (Events)
The 14th annual Gathering of the Northwest Native Basketweavers Association. Plus details on other special events of Native interest across North America. By Daniel Gibson.
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2008 September/October On the Wind (News)
Eel Ground School in Canada uses technology to boost achievement among its young students; Steven Alvarez, renaissance man. Also, other important news in the arts, education, the environment, business, politics, sports, health and other realms of life in Indian Country. By Daniel Gibson.
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Pathways: Mission San Luis in Old Spanish Florida
We check out a little-known Florida treasure, the Mission San Luis, founded by the Spanish in 1656 and once home to a band of Apalachee Indians. By Margaret Barlow.
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Feats of Clay: Carved, Etched and Incised Pottery of Santa Clara Pueblo
Our overview of this decorative and innovative form of pottery features a brief history of 
its development, profiles on five leading artists—Tammy Garcia, Nathan Youngblood, Jennifer Moquino, Grace Medicine Flower and LuAnn Tafoya—and a comprehensive 
list of others working in this field. By Gussie Fauntleroy.
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2008 July/August Spirit of the Harvest
Churro Lamb, La Posada Style
The revival of the fabled La Posada Hotel in Winslow, Arizona is spurred on by the delicious food coming out of its popular kitchen, including this grilled churro lamb dish. By Beverly Cox and Martin Jacobs.
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Bolo Ties and Necklaces
Bolo Ties and Necklaces
A series of brief short profiles and photos of diverse, eye-dazzling necklaces and bolo ties created by 15 living Indian artists. Plus a brief history on bolos and neckwear. By Patty Talahongva (Hopi).
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2008 May/June Spirit of the Harvest (Food)
Breakfast in Montréal’s “Chez Alanis”
Our food editor shares a delightful breakfast of crepes with berries, homemade muesli and other delicacies in the Montréal home of acclaimed Native filmmaker Alanis Obomsawin (Abenaki). 
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2008 January/February Viewpoint
Uncooking the Books: The Fed’s Trust Fund Mess
The federal government owes tribes and Indian individuals billions of dollars in lost trust fund monies derived from Indian land resource extraction and lease fees. By Elouise Cobell (Blackfeet).
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2008 March April Feature
Return of the Buffalo Nation
Ride the range with us as we review the efforts of Plains tribes and several organizations to restore buffalo herds on their lands. Plus, history and natural history regarding this magnificent beast, and where to view them.
(Photo courtesy US fish and wildlife service)
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Scottsdale: Native Arts Mecca
Everyone who lives in or visits the dynamic city of Scottsdale, Arizona, owes a debt of gratitude to the legendary Indian artists who played key roles in its growth and reputation as a vibrant center of arts and culture. Scottsdale is considered a leader in this highly competitive market...
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Native Nacimientos: Cross-Cultural Christmas
Native Nacimientos
Native artists of the Southwest use traditional pottery and carving techniques to create charming Indian-style Nativity scenes, as seen in the work of Mary Trujillo, Troy Sice, Paul and Dorothy Gutierrez, Gerti Sanchez, Wilson Romero, Mary Ellen Toya, Harry Benally, Mary Lucero, and Betty and Robert Naranjo.
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Yo Soy Indio (I Am Indian)
We explore the sometimes difficult but culturally rich personal and social territory found in the mixing of Spanish and Indian people in the Americas, with a focus on the United States/Mexico borderlands. By Ruben Hernandez (Yaqui/Latino). Illustrated with works by various artists.
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Floyd Red Crow Westerman Dies
Our friend Floyd Red Crow—actor, musician, artist and activist—passed away on Dec. 13. We will miss him. See our profile from 2005. Photo by Kitty Leaken.
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Indigenous Animation Movement Rising
A new generation of Indian graphic artists brings storytelling to a new moving-image medium, from a series airing on Canadian television to one-of-a-kind productions. By Kade Twist (Cherokee).
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Artists Behind the Masks
While maskmaking today among Native Americans is not nearly as universal as it was in ancient America, the art and craft of creating these unique tools for human expression did not disappear, and in fact their creation is once again expanding. Indigenous maskmakers of North America today...
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Sacred Ground
American Indians consider the land a living entity and believe certain places have powerful spiritual forces associated with them. Many sacred places are threatened by inappropriate development today, while some have been permanently protected. Read about the significance of holy places and the battles to save them from housing tracts, strip mining, chemical plants and other assaults. 
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Sacred Plants: Native American Herbal Medicine
Nearly all cultures on Earth have integrated plant medicines into their healthcare systems; the United States is a striking exception. Few in this country understand that pharmaceuticals are not easily biodegradable, the elegant complexity and safety of plant medicines, or the contributions of North American tribal cultures. But plants are the oldest medicine...
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Native American Traditional Dance
We delve into the roots of traditional Native dance practices across North America and profile a handful of active Native dance troupes presenting traditional dance: the Yellow Bird Indian Dancers, the Chinle Valley Singers, the American Indian Dance Theater and the Le-La-La Dancers. By Colleen M. Payton.
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Native American Tribes Restore Endangered Wildlife
Return of the Wild
Many Native American tribal governments are embarking on ambitious ecological restoration programs to protect endangered wildlife on their reservations. We visit the Nez Perce gray wolf recovery project, the Yakama Nation shrub-steppe program for sage-grouse, the Iowa Tribe’s eagle aviary, and the Confederated Tribes of Warm Springs’ chinook salmon effort. Plus details on six other endeavors. By Ben Ikenson.
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Splendor in the Glass

Chris Tarpley glass“You’re turning, turning. Softly. Okay, stop. Blow. Stand by in three, two, one. Torch it!”

Dancing? Cooking? No, but to artists such as Tony Jojola and his team of assistants, the art of glass-blowing is as choreographed as a dance and demands the precision timing of a chef preparing crème brûlée. Native American glass art

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Inuit Carving
Spirit Bird, Joe Ekidlak (Sanikiluaq)/Photo courtesy Helene Sobol/Courtesy Images of the North Gallery, San FranciscoThey have charmed visitors to the Arctic for centuries, and today stone carvings by the Inuit people of Canada are treasured by collectors worldwide. They come in a rich array of sizes and materials, and today in themes as well. While rooted in the ancient past of the Inuit, these modern works can stand beside any of the world’s finest contemporary art. Yet, almost all of the sculpture, even the most abstract and progressive, retains a distinctive look and feel that harks back...
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Oaxaca, Heart of Native Mexico
wood carvingWith its moody air of intrigue and large Indian population (Indigenous people comprise 80 percent of the 3,438,765 inhabitants), Oaxaca, Mexico’s southern state, is a microcosm of all of Mexico, old and new. It is home to 16 separate Indian groups, dominated by the Zapotec and Mixtec peoples...
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Basketry: Weaving New Life into Ancient Forms

Fancy curly bowl, brown ash and sweetgrass by Theresa Secord (Penobscot). Photo: Martin Neptune (Penobscot)Basketry is arguably humankind’s oldest art form. From time immemorial, women and men of the Americas have bent, twined and coiled root, grass and branch into superlative art. Weavers crafted more than just baskets for storing and preparing food, though—they also wove clothing, hats, baby carriers and gambling trays for daily use, gifts, ceremonies and trading.

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Tradition! Arts and Crafts Revived

\"scottFor many Native artisans, it was the memory of a grandmother’s deftly moving fingers, or a grandfather’s quiet words, that stirred up a powerful desire to learn and carry on an ancient skill perhaps in danger of being lost to the modern world. In some cases, the effort of a single artist—who taught someone else, who then taught someone else—has revived and preserved important ancient Native crafts.

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