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George Romney (artist) British, 1734 - 1802 Mrs. Alexander Blair, 1787-1789 oil on canvas Overall: 127 x 101.5 cm (50 x 39 15/16 in.) framed: 161.3 x 134 x 10.8 cm (63 1/2 x 52 3/4 x 4 1/4 in.) Widener Collection 1942.9.77 |
Object 8 of 8
A configuration of linked ovals, this composition rises from the full skirt through a flounced bodice to a wide-brimmed bonnet that frames the sitter's face like a halo. The oval back of the chair and the pose of the raised wrist echo the flowing curves.
The equally masterful color scheme of variations on black, white, and red is now hard to appreciate because Romney used bitumen. A pigment derived from coal tar, bitumen gives lush depth to shadows, but rapidly decays, causing cracks to appear in the dark areas.
The sheet music and the books provide clues to Mary Johnson Blair's personality. She was a prominent London hostess with acquaintances in musical, literary, and aristocratic circles. The crimson drapery and fluted column are Grand Manner attributes of classical culture. Romney's studio appointment books indicate that Mrs. Blair sat seven times between 13 April 1787 and 4 May 1789.
Ironically, Romney's lifelong ambition to create monumental scenes from history and literature was thwarted by his own rejection of London's Royal Academy, England's only major avenue for exhibiting or selling such narrative pictures. Instead, he achieved fame and fortune for doing what he liked least—creating likenesses. Romney muttered about "this cursed portrait-painting! How I am shackled with it!"
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