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"Jazz Baby," 1919. From Historic American Sheet Music, 1850-1920, courtesy of the American Memory Collection
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Subject Areas |
Literature and Language Arts
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American |
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Fiction |
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Time Required |
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1-2 class periods for each activity |
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Skills |
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Textual Analysis
Contextualizing Literature
Synthesizing Information
Creative Writing |
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Additional Data |
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Date Created: 10/01/02
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The “Secret Society” and FitzGerald's The Great Gatsby
"That was always my experience—a poor boy in a rich town; a poor
boy in a rich boy's school; a poor boy in a rich man's club at Princeton.... However,
I have never been able to forgive the rich for being rich, and it has colored
my entire life and works." —F. Scott Fitzgerald: A Life in Letters, ed.
Matthew J. Bruccoli. New York: Scribners, 1994. pg. 352. (Cited in "Quotations,"
from the EDSITEment-reviewed F.
Scott Fitzgerald Centenary.) IntroductionThe
high school social scene is rife with drama. Who's out? Who's in? What's cool?
What's not? Behind many of the questions is a burning desire to belong. To assert
their status in a crowd, students must learn the unwritten and unspoken codes
of behavior. Students' own experience of the struggle to belong can provide a
starting point for an exploration of how concerns about wealth, race, geographical
origins, and other factors affect the perception of social status in F. Scott
Fitzgerald's The Great Gatsby. In Fitzgerald's
novel, "class struggle" in America is portrayed as an intensely personal affair,
as much a tension within the mind of a single character as a conflict between
characters. During his evening at the Buchanans', Nick Carraway says Daisy "looked
at [him] with an absolute smirk on her lovely face as if she had asserted her
membership in a rather distinguished secret society to which she and Tom belonged"
(p. 22 in the Scribners paperback edition). Nick, a transplanted midwesterner
uneasy in the East, is anxious to belong yet sensitive to the subtle snub; his
mixed emotions are suggested here in the juxtaposition of "lovely" and "smirk"
in his description of Daisy. Through a close study of the text of The Great
Gatsby, an examination of Fitzgerald's letters and other statements, and a
consideration of class, wealth, and status during the turbulent 1920's, students
will explore the nature of the "secret society" implied in Daisy's knowing smirk.
Guiding Questions:What tensions about
wealth and status are revealed in The Great Gatsby? How are these tensions
reflected in Nick Carraway's struggle to belong? Learning ObjectivesIn
this lesson, students will - Engage in practical textual analysis and critical
thinking
- Reflect on the class struggles of early twentieth century
- Combine
critical thinking, textual analysis, and imaginative writing skills
- Write
a "credo" for the "secret society" implied in The Great Gatsby.
Preparing to Teach this Lesson
- Reread the first two chapters of the novel, focusing on and highlighting
Nick's comments on money, the differences between the East and the Midwest and
between East Egg and West Egg, Nick's unease at Tom and Daisy's home, Tom's racist
proclamations, and descriptions of Tom, Daisy, and Jordan.
- Pay particular
attention to Nick's comment that Daisy "looked at [him] with an absolute smirk
on her lovely face as if she had asserted her membership in a rather distinguished
secret society to which she and Tom belonged" (p. 22 in the Scribners paperback
edition).
- Tour the EDSITEment-reviewed F.
Scott Fitzgerald Centenary. Its many resources include biographies (a good
place to start), texts, and critical essays. Important for this lesson is the
Fitzgeralds' interesting relationship with money, which you can find by clicking
on "A Brief Life of Fitzgerald."
Scott's father had significant ups and downs in business, including failing miserably
in furniture manufacturing in 1898 and then being released by Proctor and Gamble
ten years later, an event that led the Fitzgeralds to move from Buffalo to St.
Paul, MN when Fitzgerald was 12. He was able to go to boarding school in the East
(through the benefit of his mother's inheritance) and then to Princeton, where,
he later said, he always felt like "the poor boy." The "Quotations"
section of the Centenary website includes many great, short quotes by and about
Fitzgerald, including this gem from a 1938 letter: "That was always my experience—a
poor boy in a rich town; a poor boy in a rich boy's school; a poor boy in a rich
man's club at Princeton.... However, I have never been able to forgive the rich
for being rich, and it has colored my entire life and works." Students might able
to browse through the quotes before focusing on Fitzgerald's concepts of class.
- If you are not already familiar with it and wish to pursue the item listed
in Extending the Lesson, browse the Timeline
of the Harlem Renaissance, which will help to contextualize Tom's acute status-anxiety
("It's up to us who are the dominant race to watch out or those other races will
have control of things"), which coincides with African-Americans' unprecedented
rising prominence in Harlem just a few miles away. Also, the EDSITEment-reviewed
The
New Americans tackles conceptions of and misconceptions about immigrants.
- Download and photocopy the pdf worksheet, Teacher
Time!
- Download and photocopy the pdf worksheet, Shhh…Secret
Society.
Suggested Activities
1. An Inside Joke 2.
A Secret Society 3. Synthesizing
and Writing 1. An Inside
Joke To introduce the novel, ask students
if they have any "inside jokes" with their friends. What are they? What makes
them "inside jokes"? Who's on the outside? Why? What do "inside jokes" do for/to
people on the inside and people on the outside? If no one brings it up, you might
suggest that "inside jokes" are ways of defining groups, that is, asserting one's
membership in a group. They work sometimes in the ways that uniforms do for sports
teams or armies - making clear distinctions between those who are members and
those who are not. Then, ask if there are other things the students and their
friends do to assert their membership in a group: handshakes, styles of dress,
places to hang-out, music, etc. (Obviously, the answer will be "yes," but be conscious
of status-anxiety or muscle-flexing among members of different groups. It is probably
helpful to ask students to limit examples to their own perceived group,
rather than others. Ideally, the discussion will take a lighthearted, communally
self-deprecating tone!) - Distribute the Teacher
Time! handout and divide students into groups. Ask students to complete it
(it should take about 10 minutes) and then reconvene. This lesson will take a
little humility on the part of the teacher, as students will likely jump at the
opportunity to skewer teachers and teachers' "codes of conduct." However, the
power/status divide that often exists in the classroom between teacher and student
interestingly replicates the power/status divide between Nick, on the one hand,
and Daisy, Tom, and Jordan on the other. Thus, students get an immediate sense
of Nick's position.
- Have a representative from each group read/write on
the board the group's observations. Discuss different groups' similarities and
differences.
- For homework, have the class read the first two chapters
of The Great Gatsby.
2.
A Secret Society - Give the class
a brief biography of F. Scott Fitzgerald, such as the biographical
information available at the F. Scott
Fitzgerald Centenary site.
- If you have a computer lab available,
you might give students a few minutes to explore the Quotations
section at the site, whetting their appetite. After a few minutes, focus on this
gem from a 1938 letter: "That was always my experience— a poor boy in a rich town;
a poor boy in a rich boy's school; a poor boy in a rich man's club at Princeton....
However, I have never been able to forgive the rich for being rich, and it has
colored my entire life and works." Ask students to paraphrase this piece…What
is Fitzgerald really saying here? Is he assuming that rich and poor are definitionally
different? Are rich and poor definitionally different? That is, is it even
possible to cross class boundaries and still fit in? Then, discuss whether the
essence of this quote comes through in the first two chapters of Gatsby.
Where in the first two chapters do questions of class, wealth, and privilege come
to the fore? Who's rich and who's poor here? Of course, Nick isn't exactly "poor"—but
is his money or status in any way different from those of the other characters?
You might spend some time reading over passages that students suggest and engaging
in some close textual analysis as a class.
- If no one suggests it, highlight
Nick's comment that Daisy "looked at [him] with an absolute smirk on her lovely
face as if she had asserted her membership in a rather distinguished secret society
to which she and Tom belonged." Ask the class what, exactly, this comment is suggesting?
How might you relate it to Fitzgerald's comments on his experiences?
- Distribute
the worksheet Shh…Secret
Society and ask students to work either individually or in groups - maybe
even the same groups that did Teacher
Time—on the potential characteristics of this "secret society." Highlight
to students that they will certainly need their text to do this well, but also
that there are very few "right" answers here. Much of this is necessarily speculative—after
all, they've presumably only read two chapters. Also, tell them that this sheet
will come in very handy for an exercise they'll be doing in a few days—writing
the "Credo" for this "secret society." This should take about 20 minutes.
- Finally,
reconvene as a class. Have a representative from each group read/write on the
board the group's observations. Discuss different groups' similarities and differences.
3. Synthesizing and Writing
- As we discussed, at one point during his evening at the Buchanans', Nick
Carraway says Daisy "looked at [him] with an absolute smirk on her lovely face
as if she had asserted her membership in a rather distinguished secret society
to which she and Tom belonged" (22). Is Fitzgerald trying to give his readers
the impression that Daisy and Tom are somehow different from Nick? In light of
the two chapters of The Great Gatsby, what might be the characteristics
of this "secret society"? Which characters are a part and which are not? Why?
Please invent the credo for this "secret society" based on what you see in the
text. In it, you might pay particular attention to the selection criteria (that
is, how does one become a member?) and the guidelines for comportment (that is,
how does one act once one is a member?). Ask them to use the Shh…Secret
Society handouts to help them write. The credo should be somewhere between
250-300 words.
- After hearing a few such student "credos," discuss common
elements, dealing in particular with concepts of class, wealth, and status as
well as with codes of conduct associated with a particular class. How are these
class codes related to the historical context? That is, what do students think
these class codes have to do with the recent influx of immigrants and the rising
prominence of African-Americans? Finally—and central to the novel—ask students
what makes Nick different from the members of this secret society? Why does he
feel that he's on the outside? Discuss how feeling on the outside, as Nick does,
changes the way you might perceive things. This will blur into a discussion of
character and characterization—with focus on Nick, Daisy, Tom, and Jordan.
Extending the Lesson
- Contextualizing Status Anxiety. Ask students if they know of any
public figure who used to be powerful or popular, but who has since faded away for
one reason or another. As they come up with examples, list them on the board.
Then, choose one to focus on (be sure to choose someone who likely didn't wish
his/her status to drop): What could he/she have done to have remained in the spotlight?
Why did his/her popularity wane? How do you think he/she felt about it?
Then, project (if you have the technology to) this cartoon from Harper's Weekly
entitled "Every
Dog (No Distinction Of Color) Has His Day," from the EDSITEment-reviewed HarpWeek.
The feature says much about class anxiety, anti-immigrant stances, and the protection
of old wealth and interests. Ask students to imagine the desires of both the new
immigrants and the pre-established. How do you get into a situation where you
have such animosity? You might also use the discussion in The
New Americans about misconceptions of immigrants for some greater depth. If
you wish, you might also walk students through the following timeline, borrowed
from The New Americans website:
1880 Anti-Chinese riots
in San Francisco lead to treaty barring Chinese unskilled laborers.
1881
The nation begins to grow in population due to the migration of millions of immigrants
looking for new places of employment and better living conditions. Portuguese,
Spanish, Greek, Russian and other Eastern Europeans enter United States. Most
of these immigrants move to cities, where they find jobs in factories. Living
conditions were very poor.
1882 The Chinese Exclusion Act of 1882—"to
prohibit the coming of Chinese laborers into the United States" for 10 years.
The first major restriction on immigration to the United States.
1885
Statue Of Liberty, a gift from France, erected at Liberty Island.
1892
Immigrants begin entering the United States at Ellis Island.
1901
First significant immigration from India or from the Canadian Province of British
Columbia.
1901 Scottish immigrant Andrew Carnegie sells Carnegie
Steel for $450 million and becomes The Richest Man in the World.
1910
Angel Island Immigration Station put into operation near San Francisco—primarily
a result of the Chinese Exclusion Act.
1910 English immigrant Charlie
Chaplin arrives in America.
1912 At the Olympic Games in Sweden,
Native American Jim Thorpe wins Olympic Gold in Track and Field Competition. In
1950 Thorpe was selected by American sports writers and broadcasters as the greatest
American athlete and the greatest football player of the first half of the 20th
century.
1917 World War I—The conflict in Europe involves many
countries. The United States declares war on Germany.
1918 Quota
systems are set up that favor the British and Northern European immigrants.
1924 The Immigration Act of 1924 limits numbers of non-European immigrants.
Then, let students explore the the Timeline
of the Harlem Renaissance. Remind them that Fitzgerald publishes The Great
Gatsby in 1925. Highlight how Tom's status-anxiety corresponds with African-Americans'
rise in prominence. What is Tom trying to protect? Why? - Continued
Thematic Reading: As you continue to read The Great Gatsby, discuss
whether characters would be part of the "secret society." Clearly, it is Gatsby's
desire to be "in it" that leads him to change his name, hold the parties, act
as lavishly as he does, etc. Yet Gatsby's stance, Like Nick's (and perhaps for
similar reasons), seems curiously ambivalent. Continue to reinforce the themes
of inclusion and exclusion as you continue to read the novel.
Selected EDSITEment Websites Other Information
Standards Alignment
- NCSS-1
Culture and cultural diversity. more
- NCSS-2
Time, continuity, and change. The ways human beings view themselves in and over time. more
- NCSS-4
Individual development and identity. more
- NCSS-6
Power, authority, and governance. more
- NCTE/IRA-12
Students use spoken, written, and visual language to accomplish their own purposes (e.g., for learning, enjoyment, persuasion, and the exchange of information). more
- NCTE/IRA-3
Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes. more
- NCTE/IRA-4
Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes. more
- NCTE/IRA-5
Students employ a wide range of strategies as they write and use different writing process elements appropriately to communicate with different audiences for a variety of purposes. more
- NCTE/IRA-6
Students apply knowledge of language structure, language conventions (e.g., spelling and punctuation), media techniques, figurative language, and genre to create, critique, and discuss print and nonprint texts. more
- NCTE/IRA-8
Students use a variety of technological and information resources (e.g., libraries, databases, computer networks, video) to gather and synthesize information and to create and communicate knowledge. more
- NCTE/IRA-9
Students develop an understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.
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