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In the early 1900’s President Theodore Roosevelt called for a “renaissance” in American coinage.
An early Augustus Saint-Gaudens Sketch
Courtesy of Dartmouth College Library, Rauner Special Collections Library
He thought the coins of that era were unattractive and wanted them to instead embody our national identity and growing
preeminence on the world stage. The United States of America, a bold experiment in liberty and representative democracy,
had not only succeeded, it had come of age. And its coins should reflect that, Roosevelt felt. Coins were one of the
most visible, tangible representations of a country.
It was this sense of purpose that led Roosevelt to choose Augustus Saint- Gaudens to redesign America’s coins.
Saint-Gaudens was a renowned sculptor and an artist who shared the President’s vision for expressing America’s
national identity visually through art.
In 1905, President Roosevelt personally invited Saint-Gaudens to redesign American coinage, specifically U.S.
gold pieces. What emerged has been called the most beautiful coin ever minted in the U.S. and perhaps the world — the
1907 $20 gold piece, also known as the Double Eagle.
On the obverse, Saint-Gaudens shows Liberty, personified by a statuesque woman striding powerfully forward.
Liberty’s robe harkens back to our roots as a republic based on the ideals of ancient Greece and Rome. Liberty is
leading the way with a torch in her front hand and an olive branch in the back hand. This design underscores that
liberty is central to the American spirit, is beautiful and attractive to all, and wherever Liberty goes, inspired by
enlightenment, peace follows. The United States Capitol dome is also depicted in the background, meaning that through
representative democracy, liberty has been fully achieved in America, strengthening her position to go forth throughout the world.
A young eagle flying during a sunrise is depicted on the reverse. This is America, young and strong, in its ascendancy
with a bright future before it. The motto, “E PLURIBUS UNUM” is on the edge of the coin, allowing a cleaner design on
the obverse and reverse. These stylistic elements represented the visual embodiment of America and made it the definitive
American coin.
There were four variations of the 1907 Double Eagle. The first two attempts were considered ultra high relief
(also referred to as extremely high relief), a 34-mm version and a 27-mm version, both with Roman numerals.
The coining process for the 34-mm version was too arduous, and the United States Mint would later find out it had no
authority to mint the 27-mm version. Its third attempt reduced the relief, and was struck in 34-mm version with Roman
numerals. Because its relief was reduced, it did not require as much metal flow to fill the design, and was more suitable
for mass production and approximately 12,000 were made. Finally, in December 1907, a fourth variation was produced,
an even lower relief 34-mm version, with Arabic numerals.
Despite Saint-Gaudens’ artistic masterpiece, the minting process of the day was not conducive to high relief coins,
which he and Roosevelt specifically desired. As a result, despite being considered one of the most beautiful gold pieces
ever minted, Saint-Gaudens’ full vision for the production of an ultra high relief coin was never realized. Until now…
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