Two Days, One Night
-
This drama of a woman who must persuade her co-workers to let her keep her job may be the Dardennes’ best, writes Xan Brooks
-
Richard Linklater’s coming of age drama chief victor at New York Critics Circle awards, while Birdman triumphs at Gotham awards and The Boxtrolls leads Annie nominations
-
Andrew Collins: The British Board of Film Classification’s consumer advice, revealing ‘unsuitable or harmful content’ before a film starts, is ruining the experience for some cinemagoers
-
Andrew Pulver: French film about fashion designer faces strong competition from other foreign-language favourites, including the Dardenne brothers’ Two Days, One Night
-
Steve Rose: From the micro-solidarity of Two Days, One Night, via the political corruption of On the Waterfront and everything Ken Loach has ever made to new feelgood mining drama Pride – labour rights are a surprisingly cinematic topic
-
Charles Gant: Dawn of the Planet of the Apes rakes in 50% more than its predecessor, but The Inbetweeners' £31m take is phenomenal for a TV sitcom spinoff
-
The latest from the Dardennes brothers stars the superb Marion Cotillard in an intimate drama with thriller-like intensity, writes Xan Brooks
-
The Guardian Film Show The Guardian Film Show: Lucy, God Help the Girl, What If and Two Days, One Night - video reviews
Xan Brooks, Catherine Shoard and Henry Barnes review Lucy, What If, God Help the Girl and Two Days, One Night
-
Review Two Days, One Night (Deux Jours, Une Nuit) review – Marion Cotillard gives a supremely intelligent performance
5 / 5 starsMarion Cotillard is outstanding as a desperate mother lobbying co-workers for her job back in this agonising social drama from the Dardenne brothers, writes Peter Bradshaw
-
Our pick of the star’s finest performances to date. What others deserve to be on the list?
-
-
Ryan Gilbey: The arthouse favourites’ new film stars A-lister Marion Cotillard as a ‘cowgirl’ heading for a showdown. So with Two Days, One Night, could the brothers finally strike gold?
-
When Marion Cotillard took on Edith Piaf she lived the part, willing herself into the role of a tortured genius. Such commitment is harder now that she has a toddler. But, as Stephanie Rafanelli discovers, that doesn’t stop her trying
-
-
The Dardenne brothers' film about a woman fighting for her job is at once a study of depression, an indictment of capitalism, and a portrait of a struggle against the odds, writes Jim Poe
-
The red carpet has been rolled, the stars departed and the losers (hopefully) dried their eyes. Here's a reviews recap – now we want to know what's whetted your appetite, and which films you'd prefer to avoid …
-
Timothy Spall's best actor win for his grunting, genius turn in Mr Turner was not a shock. The rest of the jury's choices – including their estimable pick for Winter Sleep – were complete curveballs
-
Turkish epic fulfils early predictions to take top prize, while Timothy Spall wins best actor for Mr Turner. But away from best film and best director, surprise wins were in store for Julianne Moore, Jean-Luc Godard and Xavier Dolan
-
The Guardian Film Show Ryan Gosling's Lost River and the Dardennes brothers' Two Days, One Night – Cannes 2014 video review
Cannes darling Ryan Gosling returns to the Croisette with his directorial debut and - blimey - it's a stinker, say Xan Brooks, Peter Bradshaw and Catherine Shoard
-
-
Kylie Minogue and Sophia Loren arrive at the festival, Marion Cotillard presents Two Days, One Night and Ryan Gosling makes his directorial debut with Lost River
-
On the interview circuit things are getting confused as no one can work out who is who – but down in the screening theatre a new Palme d'Or candidate emerges with brilliant clarity
-
The Dardenne brothers' employment rights fable looks likely to beat off stiff competition and bag them their third Palme d'Or, while star Marion Cotillard is on course for best actress
-
Review Cannes 2014 review: Two Days, One Night - Marion Cotillard magnificent in Dardenne brothers' latest
5 / 5 starsCannes favourite Marion Cotillard teams up with festival veterans Jean-Pierre and Luc Dardenne for a brilliantly taut and telling redundancy drama, writes Peter Bradshaw
-