Golden MSA Colors
By Matthew Skopek in Painting Conservation Catalogue, Volume III: Inpainting, American Institute of Conservation, 2009.
A Sum of Corrections
Carol C. Mancusi-Ungaro in Jasper Johns: An Allegory of Painting, 1955-1965, National Gallery of Art (Washington, D.C., 2007).
Material and Process: Gordon Matta-Clark’s Object Legacy
By Christian Scheidemann in Gordon Matta-Clark: You are the Measure, Whitney Museum of American Art (New York, NY, 2007).
The Re-restoration of Donal Judd’s Untitled, 1965
By Narayan Khandekar, Eleonora E. Nagy, Julian Miller, Pia Gottschaller, and Carol Mancusi-Ungaro in Modern Paints Uncovered, The Getty Conservation Institute (Los Angeles, CA, 2006).
Calder’s Once and Future Circus: A Conservator’s Perspective
By Eleonora Nagy and Carol C. Mancusi-Ungaro, in Alexander Calder: The Paris Years, 1926–1933, Whitney Museum of American Art (New York, 2008).
The Rothko Chapel Paintings: A Personal Account
By Carol C. Mancusi-Ungaro, in Image of the Not-Seen: Search for Understanding, The Rothko Chapel Art Series, The Rothko Chapel (Houston, 2007).
Marden’s Materiality: The Monochromes
By Carol C. Mancusi-Ungaro, in Plane Image: A Brice Marden Retrospective, The Museum of Modern Art (New York, 2006).
Material and Method
By Narayan Khandekar, Eleonora Nagy, Julian Miller, Pia Gottschaller, and Carol C. Mancusi-Ungaro, in "Modern Art: A Collaborative Challenge” in Scientific Examination of Art: Modern Techniques in Conservation and Analysis, National Academy of Sciences (Washington, D.C. 2005).