Most recent
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9 Oct 2014:
Letters: If any boards (and artistic directors) of arts organisations are not discussing their own ethics seriously, they cannot cite lack of material
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28 Sep 2014: The Angry Brigade and the birth of hacktivism inspire contrasting new plays about rebellion, writes Susannah Clapp
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25 Sep 2014:
They hacked Sony and the CIA – but how do you make anonymous chatrooms come alive on stage? Charles Arthur talks to two LulzSec hacktivists whose stories have become a Royal Court play
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23 Sep 2014: His plays examine parenthood (Lungs), depression (Every Brilliant Thing) and climate change (2071). The motivation, Duncan Macmillan tells Catherine Love, is to say something that isn’t being said
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21 Sep 2014:
After his success with E4's Glue, Thorne is returning to the theatre with Hope at the Royal Court. Mark Lawson meets him
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21 Sep 2014:
The obnoxious young toffs of Laura Wade’s Posh have lost their bite in the jump from stage to screen, writes Mark Kermode
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27 Jul 2014: Compelling and disturbing visions warn of paedophilia in a dystopian future, writes Laura Barnett
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22 Jul 2014:
In Jennifer Haley's play, adults adopt child avatars to enact fantasies of illicit sex – raising issues around freedom of expression and the pernicious influence of explicit material. Matt Trueman reports
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7 Jul 2014:
Women are highly visible in non-traditional fields of theatre, such as live art, outdoor and children's work, says Lyn Gardner. So why not in venues?
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27 Jun 2014:
Story of how they took on FBI and major companies to be explored in new play called The Internet is Serious Business
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20 Jun 2014:
Tim Crouch's show explores our obsession with artists' lives, but occasionally lets the form get in the way of its message, writes Michael Billington
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18 Jun 2014:
What do clocks, running water, fire and kisses have in common? They kill theatre. Playwright Tim Crouch – whose new work Adler & Gibb invents the past lives of two artists – on the dangers of too much reality
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6 Jun 2014:
Any incoming artistic director faces a challenge – especially when the outgoing director was as well respected as Sam Walters at Richmond's Orange Tree, writes Lyn Gardner
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22 Apr 2014:
The RSC and the Royal Court are introducing schoolchildren to a different class of educational theatre – with plays that are at the heart of their programmes, reports Matt Trueman
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13 Apr 2014:
In Mike Bartlett's fine new play at the Almeida, the Windsors acquire Shakespearean depths, writes Susannah Clapp
1-15 of 106 for Royal Court theatre
