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‘Big Hero 6’ Leads the Box Office; ‘Interstellar’ Takes Second

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A scene from "Big Hero 6."Credit Disney

Updated, 12:40 p.m. | It was by no means a crash landing, but Christopher Nolan’s aggressively promoted “Interstellar” had some engine trouble nonetheless, losing the weekend box office race to the animated “Big Hero 6.”

Based on an obscure Marvel comic series and backed by a similarly omnipresent marketing campaign, “Big Hero 6” (Walt Disney Studios) took in an estimated $56.2 million at North American theaters, according to Rentrak, which compiles box office data. Disney spent $165 million to make the movie, which received reviews that were 91 percent positive, according to RottenTomatoes.com; audiences gave “Big Hero 6” an A grade, according to the CinemaScore exit polling service.

Interstellar” (Paramount Pictures), which received softer reviews and a B-plus CinemaScore, apparently managed an even $50 million, for a domestic total since opening in limited fashion on Wednesday of $52.3 million. Mr. Nolan’s film, which also cost $165 million to make, was probably hurt by a nearly three-hour running time. Theaters could simply play “Big Hero 6” more often. But the space epic (unlike “Big Hero 6”) also had all of Imax’s up-charge muscle behind it. Imax contributed $13.4 million of the “Interstellar” weekend gross, or 26 percent. Warner Brothers, which is distributing “Interstellar” overseas, said the film’s foreign ticket sales contributed an additional $80 million, calling that figure “outstanding.”

Third place for the weekend went to “Gone Girl” (20th Century Fox), which sold about $6.1 million in tickets, for a hefty six-week total of $145.4 million. The horror film “Ouija” (Universal Pictures) was a close fourth, taking in about $6 million, for a three-week total of $43.5 million. Rounding out the top five by selling $5.7 million in tickets was the quirky Bill Murray comedy “St. Vincent” (the Weinstein Company). “St. Vincent” has now taken in $27.4 million over five weeks.

Of note at the art house: “The Theory of Everything” (Focus Features), an Oscar hopeful, arrived to solid interest at five locations, posting a per-theater average of $41,400 and total ticket sales of $207,000.