TIME Opinion

Think Tank Tells Women How to Avoid Sexual Assault: Stop Getting ‘Severely Intoxicated’

AEI

Video says it’s not what men put in women’s drinks, but how many drinks women have

In a vlog titled “The Factual Feminist,” Caroline Kitchens, a senior research associate at conservative think tank the American Enterprise Institute, undertakes a MythBusters-style takedown of the threat posed by date rape drugs, suggesting that they are far less common than most women think. But it’s not her skepticism of Roofies that’s problematic — it’s the way she proposes women stop blaming these mythical drugs for the consequences of their own drunken decisions.

The video’s opening question — just how frequently drug facilitated sexual assault occurs — is a valid one. And Kitchens cites several studies that find the incidence to be quite low. Given the relative scarcity of sexual assaults that take place after a woman’s drink has been drugged, she says, “the evidence doesn’t match the hype.”

But it’s unclear exactly what hype Kitchens is referring to. The vast majority of messaging by sexual assault support and prevention groups resorts to awareness, not hysteria. RAINN, the Rape, Abuse & Incest National Network, offers advice to help women protect themselves from sexual assault. Among the group’s suggestions are to “be aware of your surroundings” and “trust your instincts.” Not exactly the picture of fear-mongering. RAINN also suggests refraining from leaving your drink unattended and accepting drinks from strangers, but these tips constitute common sense more than, in Kitchens’ words, “conspiracy.”

Aside from this exaggerated depiction of widespread panic, Kitchens’ debunking of the rampant Roofies myth is largely harmless. That is, until she begins to search for a reason to explain this imbalance between perception and reality. “Most commonly, victims of drug-facilitated sexual assault are severely intoxicated,” Kitchens says, “often from their own volition.” Blaming date rape drugs, she suggests, is “more convenient to guard against than the effects of alcohol itself.” Women would rather blame a “vague, improbable threat,” she says, than take responsibility for their own actions.

It may be true that date rape drugs are used infrequently, but that does not give carte blanche to shift the blame from perpetrator to victim. No, women shouldn’t be unnecessarily panicked about the threat of date rape drugs. But neither should they be shamed for the size of their bar tabs. Because no matter how short her skirt or how strong her drink, a woman never asks to be raped. It takes a rapist to rape a woman.

TIME movies

Watch the Trailer for The Gambler with Mark Wahlberg

Mark Wahlberg plays a gambler in major trouble in the remake of the 1974 film

Mark Wahlberg has played a porn star, a fisherman and a Boston cop. With The Gambler, he adds gambling addict to the list. Directed by Rupert Wyatt, best known for 2011’s Rise of the Planet of the Apes, The Gambler offers a modern remake of the 1974 film of the same name, which starred James Caan. The original script was based on the experiences of screenwriter James Toback, and though the remake includes a new script by William Monahan, the narrative appears mostly unchanged. Wahlberg plays Jim Bennett, an English professor whose addiction has him pinned beneath the weight of his massive debt.

The expletive-laden Red Band trailer includes Jessica Lange as Bennett’s mother, Brie Larson as his girlfriend, and John Goodman as a loan shark. Martin Scorsese was originally attached to the project, with rumors of muse Leonardo DiCaprio starring, but Wyatt and Wahlberg picked it up when Scorsese left the project in 2012.

Though Wahlberg dropped 60 pounds for the role, he insists that his biggest challenge was playing a convincing professor, as the actor dropped out of high school and only recently completed his diploma online. “Being believable as a teacher was one of my greatest challenges and most rewarding,” he told USA Today. Of the role he played 40 years ago, which earned him a Golden Globe nomination, Caan said, “It’s not easy to make people care about a guy who steals from his mother to pay gambling debts.” Sounds like a welcome challenge for Wahlberg, and big shoes to fill at that. We’ll see whether Wahlberg manages to breathe new life into the character when the movie hits theaters on Dec. 19.

TIME Music

Yes, Jennifer Lopez Should Do a Las Vegas Residency

Variety's 2014 Power Of Women Event In LA Presented By Lifetime
Jon Kopaloff—FilmMagic/Getty Images

The American Idol judge could rake in millions with a steady gig in Vegas

Jenny from the Block may soon be Jenny on the Strip. TMZ reports that the flygirl-cum-actress-cum-diva was spotted over the weekend with her manager at Britney Spears’ Piece of Me show and Shania Twain’s Still the One performance — possibly doing research for her own iteration of the Vegas residency.

Though there’s no word yet from J.Lo herself, a stint in Sin City wouldn’t be an altogether surprising move at this stage in her career. Where a Las Vegas residency once spelled doom for fading musicians’ careers, today it’s a normal — not to mention enormously lucrative — gig in the rotation for megastars like Madonna, Elton John, and the ever-in-love Faith Hill and Tim McGraw. And while performers certainly skew middle-aged and older, Vegas dealmakers appear to be consciously appealing to younger crowds, opening up residencies to DJs like Deadmau5 and Tiesto. (Though Lopez is middle-aged herself at 45, her fan base tends to skew younger than that of the Dions and the Meatloafs and the Chers.)

A sojourn in Las Vegas spells a few things for an artist like J.Lo: stability, breathing room, and major cash. Residencies are essentially like a tour, minus the grueling travel schedule. They often consist of a handful of shows each week for four or five months, which would leave time for the other projects in Lopez’s multi-hyphenate career: judging American Idol, managing her lifestyle brand, and overseeing the foundation she started with her sister Lydia to improve health care access in under-served communities.

It would also allow Lopez some time to regroup from her 2014 album A.K.A., which disappointed with the lowest sales of her eight studio albums, selling just 60,000 copies in the U.S. She could — and likely would — return to some of the more crowd-pleasing hits from her earlier career as she mulls over where to go next.

And if none of these reasons is enough, then the six-figure nightly intake stands a solid chance at sealing the deal. Even after a tumultuous decade for Britney Spears and a rough run with her most recent album, Britney Jean, the onetime chart-topper is now raking in more than $300,000 per show, on track to gross more than $30 million over two years. Her love may not cost a thing, but J. Lo’s turn on the Vegas stage most certainly would.

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