October 30, 2014
Peter Sellars to Direct Dance Event at Park Avenue Armory
“FLEXN” at the Park Avenue Armory, featuring 18 dancers from Brooklyn, will be directed by Peter Sellars.
Sally Silvers invokes the mood, imagery and plots of the master of suspense in her work at Roulette.
Sending up the pretensions of experimental dance, Larissa Velez-Jackson presented her work “Star Crap Method” at the Chocolate Factory.
With “Story/Time #35,” at New York Live Arts, Bill T. Jones began two weeks of reading one-minute tales as his dancers perform snippets from his company’s repertory.
Ms. Blossom was influenced by the work of Bertolt Brecht and studied in Germany with a dance teacher of the expressionist tradition.
A soloist with Ballet Theater, Mr. Saddler made his Broadway musical theater debut in 1947, and he went on to win two Tonys as a Broadway choreographer.
A program brought to the Théâtre de la Ville by Dresden’s Semperoper Ballett highlighted some of the American choreographer’s important early works.
In Noche Flamenca’s latest adventure, “Antigona,” at the Joyce Theater, the company travels to ancient Greece.
The French choreographer Gisèle Vienne’s “Kindertotenlieder” explores a youthful murder.
Shamel Pitts, a New York-born Juilliard graduate, talks about what it’s like to live in Tel Aviv as part of the Batsheva Dance Company.
In the premiere of “Actual Size,” Sally Silvers uses Hitchcock’s “North by Northwest” as the structural grid.
Benjamin Millepied prepares for his first season as director of the Paris Opera Ballet.
How to wade through the crush of culture coming your way this season? Here’s a guide to 100 events that have us especially excited, in order of appearance.
The dancer Panaibra Gabriel Canda from Mozambique communicates expressions of political and personal identity through the body.
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