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Glyndebourne 2013
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Video (85min 54sec): Watch Michael Grandage's production of Britten's opera that made its debut at the 2010 festival and was recorded as live that same year. Mark Elder conducts, the cast includes John Mark Ainsley, Phillip Ens and Jacques Imbrailo as Billy. -
Interactive: Donizetti's comic opera, starring Danielle de Niese, was live-streamed on 6 August. Did you miss it? Watch it here, until 31 August -
Interactive: Rameau's opera was live-streamed from Glyndebourne on Thursday 25 July. Did you miss it? Watch it again here, until 31 August. -
Video (93min 19sec): Michael Grandage's production of Mozart's glorious comic opera was premiered at the festival in 2012 with Vito Priante, Alan Oke, Sally Matthews, Andrew Shore, Ann Murray and Isabel Leonard among the cast, and Robin Ticciati conducting. This version was recorded live in the 2012 festival. -
Video (78min 08sec): Richard Jones's production of Verdi's much-loved comic opera made its debut in the 2009 festival. This is the version that we are showing here now, with Christopher Purves in the title role. -
Video (48min 38sec): Glyndebourne's new production of Strauss's enchanting opera was streamed live from the festival on 4 June. You can watch it here on demand until 31 August.
Most recent
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22 Oct 2014:
Jonathan Kent’s production of Britten’s ghost story is revived to haunting effect, with standout central performances from the children, writes Tim Ashley
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8 Oct 2014: Tom Cairns’s modern-dress touring production enjoys fine leads in Irina Dubrovskaya and Zach Borichevsky, and skilful support throughout, writes George Hall
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12 Aug 2014:
Four strong countertenors are on display in this school-based setting of Handel's opera, but the consistent playing for laughs feels both relentless and evasive, writes George Hall
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20 Jul 2014:
Glyndebourne's impeccable new Traviata is a palpable hit. And at Covent Garden the passion is all porcine, writes Stephen Pritchard
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19 Jul 2014: With its comic intrigues and double cross-dressing, as well as its longing for a vanished world, this is Strauss's most successful and satisfying opera, writes Simon Callow
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18 Jul 2014:
This is not a critique of money and class, but a production that places its heroine's tragedy at its creative centre, writes Andrew Clements
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6 Jul 2014:
Even as its funding was slashed, ENO was the place to be for Matthew Barney's six-hour film-opera, writes Fiona Maddocks
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29 Jun 2014: Mozart's early opera may lack the hits of his later works, but this production tries too hard to entertain, writes Erica Jeal
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8 Jun 2014:
Energised conducting from Andrés Orozco-Estrada and a line-up of strong principal singers rescue this production from its ponderous, dramatically cramping set, writes Martin Kettle
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25 May 2014:
A week in which male reviewers provoked a storm by calling opera singer Tara Erraught 'unsightly' has provoked a much-needed debate on sexist attitudes in arts criticism, writes Susannah Clapp
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25 May 2014: Forget the rumpus over Tara Erraught's curves in this 'trouser role' – her wonderful performance was all that mattered, writes Fiona Maddocks
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24 May 2014:
Deborah Orr: Critics have berated mezzo-soprano Tara Erraught's performance, not for her singing, but for her physique. I'm no expert, but surely opera is about more than a woman's vital statistics
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22 May 2014: TV presenter says she was astonished by personal remarks about Tara Erraught in Telegraph, Times and Financial Times. By John Reynolds
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20 May 2014:
Two decades after his first staging, Graham Vick directs an economical but acute revival, bolstered by enthusiastic playing, painterly sets and moving portrayals, writes George Hall
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19 May 2014:
Dan Zerdin writes: Sir George Christie delighted in telling the following childhood story
1-15 of 364 for Glyndebourne
